/// PAPLOVIANTE --- Capsula - Paploviante ///

/// Lillithe --- ONE TRIBE YALL feat. Kamal Imani (Paploviante open collab) ///

SAYING WOWELUJAH TO THE AWKWARD SHADOWS

for the road

Retro-Tone likes and reposts

0915 Mix 2

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott ,  arse-myth --- Imbibe With Me

Syntaleta 🇺🇦 - Daddy's Lullaby ,  arse-myth --- Imbibe With Me

REMEMBER WE MISSED A CLOUD ON THE WALL

on a roll

Odd-shaped Cloud

Odd - Shaped Cloud

Phoenix Lights

The Time I Nearly Disappeared

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

Song about love as a shelter against inclemency of life (translated lyrics below).

By means of some weather sounds, I oppose precise dark parts to more colored ones, with serious work till 3:25 when I had fun jamming, so you can skip to 4:20 & enjoy great outro !!

Clarinet was borrowed from my sister for summer practice. Reed & keywork managing is difficult for a beginner, & home cohabitance was set on serious risk, but with painful effort I got something presentable, or so I hope, as not willing to repeat soon...

Pic: edited eyefish photo taken by my other sister during one of my hard summer rehearsals.

LETRAS / LYRICS

ENTRA SIN MIEDO / COME IN WITHOUT FEAR

Fuera hay truenos; / Outside there are thunders;
entra sin miedo. / come in without fear.

Fuera hay viento; / Outside there is wind;
entra corriendo. / come rush in.

Soy tu refugio protector; / I am your protective shelter;
entre mis brazos estarás mejor: / whithin my arms you’ll be better:
ven a buscar mi calor. / come to find my warmth.

Dentro hay fuego; / Inside there is fire;
entra a verlo. / come in to see it.

Dentro te espero, / Inside I wait for you,
entra sin miedo. / come in without fear.

ER22HC02 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Entra sin miedo (No clarinet was harmed)

DisConnect

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

House in the Sky

UNTAPPED feat. IPG1
This is an open collaboration from IPG1 / Ian Greaves
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
IPG1: Lyrics and Vocals
Lillithe: Music, Arrangement and Production
Lyrics: 
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs, anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience in the—— tracks

UNTAPPED feat. IPG1

16 By 9

THE LAST ACT...(CHOIR and ORCHESTRA)

Electrified guitar & mix by the wonderful Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals, lyrics by Nadia Selvaggi

Her Soul In Shadow Rose by Garddwr Porffor & Nadia Selvaggi

Cast of Characters:

Jeff Roberts-- @jeff_roberts – bass, seed idea
TexMex Shaman– @texmex-shaman –Stephen– guitar solo, rhythm guitar, arrangement , production, mix, and mastering
Mistermark – @the user-432503709 – Mark – production, editing, synth bass in the break section
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Llanpsych-- @llanpsych -- Tez – guitar solo
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, lyrics and lead vocals in the bridge section 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – rhythm guitar, lap steel, vocals and lyrics for the verses, vocal harmony in the bridge
Composition – The Eclectic Collective

 This song began with a bass part that Jeff came up with and shared with Stephen, who had added some fiery guitar and foundational rhythm guitar to it. However, it languished on his digital shelf for many months as two parts, until he recently remembered that he had it. So, he decided to share it with the rest of the group. We were salivating, all of us, when we heard Jeff's bass line, so we began with Ken laying in the groovy drums and the tight, driving percussion, which propels the entire song. Once we had a beat, we decided to edit the part to include the break you hear about a minute into it. Mark took on that task, and deftly added the bass in that section, too. 
  Josh was up next, and decided to add a rhythm guitar inspired by Talking Heads. Once he had done that, he started hearing a simple, catchy melody in the main verse part, too, so he came up with some simple lyrics and recorded the vocals for that. At the same time this was happening, Ken also came up with some lyrics and a vocal melody for the breakdown part, which he added. After Ken had added his vocals, Josh added a harmony part on them. He also added the lap slide melody you hear in that section, as well. 
  JJ was next up to bat, laying in the breathtaking organ throughout. He also backdropped a canvas of synthesizer throughout and put in some electric piano too. Tez came along not long after and added the ripping guitar solo in the jam section. Once everyone had added their parts, it was up to Stephen to produce, mix, and master it. He arranged and added some length to it, then mixed it in his usual expert manner.
  This is the first song the Eclectic Collective has done with Jeff, though Stephen has worked with him in the past, and we were all fans of his music, and thus very excited for the chance to make music with him. Hopefully, this will be the first of many.
  We all hope you enjoy listening to this as much as we enjoyed making it. If you comment, please share, too. 

Original lyrics by Josh Clary:
The trees talk to each other
They send messages through the breeze
There's magic all around us
If we look for it, we can see
 
Original lyrics by K2 and the Three:
Hey, how you feeling about love and lust
Hey how you feeling about all the lies you trust
We're here to be clear
Not a walk in the dark

A simple woweluja
Simple halleluja

Wowlelujah  - The Eclectic Collective with Jeff Roberts

Remember those awkward days of our youth? A sort of wasteland of not-quite-adult but not a kid? Testing out style, language, gestures, attitude, hair styles, likes and dislikes, romances, tongue-tied moments of embarrassment. All of these years eventually sorted itself out and we headed out into adulthood, with  more or less determination to be successful. Or was that a fear of being unsuccessful that guided us? Tumultuous times. Awkward.
Track 5 from the collection called Spittle and Spite (2024) found here: https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
The Awkward Squad

    Why don’t you mind your business? Like I mind mine
    Why dontcha get ya finger out? And tap it in time
    Why do you throw a tantrum? And huff and puff away
    And when you’re outa your depth…you simply sail away!

    Who-hoo-hoo…The awkward squad (x2)

    I don’t like to look at you…You make me feel quite queer
    You make me feel uncomfortable… When you sat “Hello       dear”
    I don’t like your haircut…Don’t like your clothes
    Don’t like the way, a dew-drop hangs off your… nose!
    Awk, Awk...The awkward squad

    Awk, Awk…You’re in the awkward squad (x2)

    I dance just like a donkey…A donkey with three legs
    I never look you in the eye…Because it makes me …blush
    I st/st/st/stumble over all my words…Forever full of              shame
    And now I come to look at you…I know you’re just the          same!
    Awkward…The awkward squad

    Awkward…I’m in the awkward squad (x2)

Wigmore: Music, Production
Allen: Lyrics, Guitars, Vocals

Spittle and Spite

Awkward Squad

Mek do

No dicen nada.

Tremenda balacera hubo en un barrio.
No se si me da el pico pa contarlo.
Hoy dos gorriones miran para arriba
y se ha reunido a tanta comitiva.

Cuendo pasé ya todos lo sabían.
Caídos dos, ninguno se movía.
Al fierro lo encontraron en el carro.
Ya listo pa tirar algun petardo.

Hoy, quedó un extraño sabor,
no dice nada la radio,
tampoco los diarios, no hay fotos.

Hoy, quedó un extraño sabor.
No dice nada la televisión, ahí tampoco veo notas.
No dicen nada

Sus caras enterradas en el barro.
Algunos dicen que fueron sicarios.
Y otros que  estos pibes ya tenían
alguna vaina con la policia.

Los chicos van llenando sus agujeros.
Con goles en el arco del potrero.
Y saben que la muerte es una espina,
que vive a cada vuelta de la esquina.

Hoy, quedó un extraño sabor,
no dice nada la radio,
tampoco los diarios, no hay fotos.

Hoy, quedó un extraño sabor.
No dice nada la televisión, ahí tampoco veo notas.
No dicen nada.


Letra y música
Pichy Sotomayor

Master
Santiago Sotomayor

Cancion original 2015

No dicen nada

No Dicen Nada

another collaboration with RDT. I love this talented artist! Check out his stuff - its beautiful @rdavidtyler

all recent photos by my friend and talented photographer www.blipfoto.com/johnparke

Adrift  (RDT/Trephonic)

||| Speaking in Dreams |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 

Watch the video here:
https://www.youtube.com/watch?v=0rli0SspFx8

White Noise

Speaking In Dreams

Download

Midnight Maniac

An ohter collab track with https://soundcloud.com/ipg1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

IPG1 - The Alert Rap (Mr Menator Techno Remix)

davon

atem

EACH LEVEL DEEPER feat. IPG1 & Paploviante
Vocals and Verses: IPG1
https://soundcloud.com/ipg1/each-level-deeper-vox-08-bpm
Backing Track: 
Paploviante
https://soundcloud.com/paploviante-and-friends/olympics-2024
Lillithe: adding Trumpet, Special effects, Synths, Beat and
             Production

Each Level Deeper feat. IPG1 & Paploviante

Are You OK feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/16009/are-you-ok-by-patriciaedwards-118bpm-blues-acapella
Paploviante:
E Bass, Composing, Arrangement, Picture, Mix and Mastering

Are You Ok feat. Patricia Edwards

Firstly I would like to say, all those suffering with Psoriatic arthritis .. I TOTALLY GET IT !!!!  I had my first flare up a few months back and it stopped me dead in my tracks !!!! . I could'nt open a tin of beans never mind play anything. Luckily I got my shot (which made me feel like I was 20 again) which lasted long enough for the medication to kick in and now things seem to have calmed down a great deal. fingers crossed !!!
I started tracking this one about 4 months ago but never got it finished. FINALLY its finished I hope you all enjoy it. Just somthing easy going to get started again.

Once again thank you to all for all your great support.

Music,composition,arrangement,mix and production :- Pablo

The Enchanted Lake

the picture is an old painting of mine distorted with an app

Budge up

West Love

UnBoxed August 2024

[ d o w n l o a d a b l e ]

Her Pleasures

Blue Room (observatory) - Fleursonseaux
All rights reserved - © Copyright

Blue Room (observatory)

Imbibe With Me

This track is collaboration with Synline (Tokyo)
https://soundcloud.com/synline

With a multi month adventure road trip down the east coast of Australia on the horizon, Synline shared his dreamy departing gift to which I layered subtle guitar interplay.

We found the music and its elements when looped a few times to be calming, and ideally, leading to a sense of relaxation.

Composition and Sampling collage by Synline. Guitar parts and arrangement by SeaShea.
Photo: Cowley Beach sunrise Far North Queensland, Chris O'Shea (SeaShea).

'Depart' SeaShea=Synline

Session with two great musicians DOCFRITZ and Joerxworx 
SESSION // DOCFRITZ // Joerxworx // Paploviante 
@docfritz // Fantastic Drums & Artwork
 @soundcloud.com/joerxworx // Fantastic Saxophone 
@paploviante-and-friends // Composition, E Bass 
© 2024 by Paploviante, Joerxworx and DOCFRITZ

SESSION ft. DOCFRITZ & Joerxworx

Spoken words: Kamal Imani
https://www.looperman.com/acapellas/detail/21299/one-tribe-yall-120bpm-disco-acapella
https://soundcloud.com/kamal-imani
https://soundcloud.com/oldschoolhiphopsoundtrack
Backing Track : Paploviante and Friends
https://soundcloud.com/paploviante-and-friends/disco-again-paploviante
Lillithe adding: Sax, Solo Guitar, Wha-Wha Guitar, Beat, Mix and Production

ONE TRIBE YALL  feat. Kamal Imani (Paploviante open collab)

Capsula / Paploviante
Paploviante: Slap Bass, Music, Composing, Arrangement, Mix, Picture and Mastering
Free Download

Capsula - Paploviante

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Ready for a Mission

Pierre Bordetti productions (c) 09/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Thanks to Anne-Lise for this magnificent photo of Lanzarote.

Jazz Fusion instrumental

Sunset in Lanzarote

Sunset In Lanzarote

Hoping you are all keeping well and thank you for coming over to listen, like and share.

(c) Vocalatti 2024

FLUX

1973 to September 20, 2017 Image sound works inspired by my favorite Japanese manga works
Original demo recorded: 2001 
Remaster: 2024

浮浪雲_Haguregumo (Wandering Cloud)

Four walls 

talk to me 
tell me anything 
that you don’t want to see me 
even that, it will fit me

Look at me 
I got you some chocolates 
I know you used to love it 
Today I don’t know, I don’t know anymore 

Where are you? 
We die of your absence 
of this indifference
your mind dances
between these four walls

talk to me 
hear your voice again 
to finally feed hope 
one day we’ll see you again

Remember 
that you guided our steps 
you were our king 
how to do without you 
we don’t know anymore 

Where are you? 
We die of your absence 
for you nothing matters 
you live in silence 
between these four walls

Where are you? 
We die of your absence 
please take the hand 
that I hold out to you
if there is a chance 
then talk to me
even if it hurts
I need to know 
if you know it’s me 
who's standing here in front of you.

Quatre murs (translated)

Missing Since Thursday

Inspired by Silnet Hill

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Free Download

Remember(Free Download)

First track of a new album where I'll try to be more eclectic, with closer approach to some genres. Experimented on this one over-editing vocal line on the left, and getting midi files out of organic guitar melodies, which I could play with virtual instruments. I hope you'll enjoy a different Ruizzoid shape.

Dedicated to Germán Coppini’s ‘Golpes Bajos’, one of my favorite groups of the Spanish ‘Nueva Ola’.

Pic: “Trapped in the past”, taken by me casually in the street.

Lyrics (original/translated):

NO TODO ACABA (JUGUETES ROTOS)  /  NOT EVERYTHING ENDS (BROKEN TOYS)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hay cosas en la vida que no cambian nada.  /  there are things in life which don’t change at all.
Hazme pensar que no estás gastada,  /  Make me think that you are not worn,
que el paso de los años no te cambió nada.  /  that the passing years didn’t change you at all.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Juguetes rotos, muñecas olvidadas,  /  Broken toys, forgotten dolls,
la imagen de mi espejo parece cansada.  /  the image from my mirror seems to be tired.
La voz de la noche ya no me llama,  /  The voice of the night doesn’t call me anymore,
me  resisto a pensar que todo se acaba.  /  I refuse to think that everything ends.

Hazme pensar que lo nuestro no acaba  /  Make me think that our thing doesn’t end
cuando despierte por la mañana.  /  when I wake up in the morning.
Hazme pensar en ti con calma,  /  Make me think about you calmly,
hazme creer que te tengo amarrada.  /  make me think that I get you tied up.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hazme creer que aún estoy en casa,  /  make me think that I’m still at home,
hazme pensar que duermo entre sábanas,   /  make me think that I sleep between sheets,
hazme pensar que nada cambia.  /  make me think that nothing changes.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

ER31FI01 RUIZZO©1996 – FRANCÉS RECORDS®2016

No todo acaba (Juguetes rotos)

Little Did I Know

Track shows a very delicate theme and a quite hard-riffed part, both alternating and finally flowing up to an endless symphonic dream (words are half a poem I wrote previously (not these, but lyrics below)).

Letra  /  Translated lyrics:

No despiertes (Sólo un sueño)  /  Don’t you wake up (Only a dream)

No... despierta... no... no despiertes  /  No ... wake up ... no ... don’t you wake up
no, cuidado... no despiertes, na na na na na...  /  no, take care ... don’t you wake up, na na na na na…
... despierta al fin y date cuenta  /  ... wake up at last and realize
de que todo ha sido un sueño, na na na na na...  /  everything has been a dream, na na na na na...

Una vez más, nervios y resentimiento,  /  Once again, nerves and resentment,
todo en mi vida es sueño, sólo ha sido eso.  /  everything in my life is a dream, it has only been so.

Y de nuevo, con el tiempo,  /  And again, with time,
incubando un nuevo sueño,  /  incubating a new dream,
me voy hundiendo en mis propios brazos,  /  I am sinking in my own arms,
me acuno, me canto y me voy acostumbrando...  /  cradle myself, sing to myself and get used...

Otro escenario, otros personajes,  /  Another stage, other characters,
la misma historia, na na na na na...  /  the same story, na na na na na...
que durará un día, un milenio,  /  which will last one day, a millenium,
toda mi vida, na na na na na...  /  all my life, na na na na na...

Pero sin duda vendrán a despertarme  /  But undoubtedly the laughs of people
las risas de la gente, alguna tarde.  /  will come to wake me up, any evening.

Y entonces, con miedo...  /  And then, fearfully...

No... despierta… no… no despiertes (…)  /  No ... wake up ... no ... don’t you wake up (…)