Missing Time

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Thank you to all my supporters. Much love <3
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Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
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Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

Collaborators 
https://soundcloud.com/myrhyum
https://soundcloud.com/learningtoplay
https://soundcloud.com/solacestreet
https://soundcloud.com/windscaleblues
https://soundcloud.com/llanpsych
https://soundcloud.com/garddwrporffor
https://soundcloud.com/lovvarion
https://soundcloud.com/enigmacurry
https://soundcloud.com/filosophyre
https://soundcloud.com/slyarte
https://soundcloud.com/christopherus-1
https://soundcloud.com/william_nicholas
https://soundcloud.com/user-786053539

https://soundcloud.com/jwiedenfeld
https://soundcloud.com/steve-whitfield-of-austin
https://soundcloud.com/specialvocals
https://soundcloud.com/indiiwildmoon
https://soundcloud.com/user-911083679
https://soundcloud.com/scilentsymphony
https://soundcloud.com/nic_nic_nic

not on FB
Paintings by Kristina Mills Photo edit by self and Mariam Z

I like to build abstract soundscapes/collages/jams and also enjoy engineering visuals 



My general methodology?
I reckon its good to be transparent and talk about how sounds are made
I'm all good not knowing quite where I'm going
I'm also happy ending up miles from where I started
I'm fine if something does not make normal sense (in fact i strive for this)
I work in the box (i do love outboard gear but cannot afford it these days)
I'm a big fan of automation and realtime midi control of all params
I make regular use of eq, reverb, delay, compression, saturation, distortion, pitch shifting and granular synthesis.

I'm kind of ok with some imperfections and a bit of grit in the sounds (although i try to avoid going past 0db)

When folk looked at the gear that Daft Punk used to make their first album they were pretty shocked. It really showed that its about what you do with a thing and not about what things you have.

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

New Album "GOD SPEED" out NOW
https://jaywalkerblack.bandcamp.com/album/god-speed

Co-Admin of https://soundcloud.com/loopdiggersrecords
95% of my followers never gave me a single like, repost or comment on my tracks. don't be that guy. 😂🙄 if you send me your track unsolicited, get blocked and reported for spam. does not apply to real supporters.
Loop Diggers Crew. highly caffeinated and looking for open collabs! i make music to (try to) keep from going crazy! 
(old) main - https://soundcloud.com/meezerpocalypse

Missing Time

arse-myth