Name: October's Child by arse-myth in sLOW tRAVEL tO LUCIDITY
Duration: 3 min 33 s
Description: This track is for life, not just Halloween

wow this is incredible, it's blown me away 👍👍👍

Full of blistering energy. Dark and cool!

That’s a truly malignant synth sound - love it!!

what a massive feel to this...very strong work

Cold and resonant, with a hint of menace -- perfect for the season!

Wicked ! love that low growly keyboard & patient build of sounds ..nice job 🤗

the vibrations on that low end... it's like something from somewhere else, pushing it's way into our world through the fabrics and what not...

The low frequencies give such warmth, feels like a hug.

Looks like it's the right time of year to be hearing this, happy October!  Love those white noise swells and the pulsating bass and beat, dark in an intriguing way.  Awesome sound!

sLOW tRAVEL tO LUCIDITY

It is a collaboration of band sound and synthesizer. It is a music with a mysterious chord progression.A Ryukyu scale appears in the middle of the music.

LEFT HANDER

This is a remaster of a song I wrote and recorded about 10 years ago.
I had a discussion(argument) with my teenage daughter and, when I reflected on it, I realised that the things we said replicated similar discussions with my parents when I was a teenager. The song is from my daughter's (and my younger self's) perspective. She loved Green Day so I wrote it in that style and even borrowed her Mike Dirnt bass to play it.
She said " Yeah, that's alright dad"

I Might Change My Mind

I might change my mind
You know I do it all the time
And I don't need you to help me change it

I know what I want
And I know that you just don't
So leave me alone to live my own life

Don't waste my time
I don't want your nursery rhymes
You can't help me so why not leave it

Don't give me your shit
I don't need it, not one bit
You think you know things that I don't

Its useless to me now
Because you're stupid anyhow
I'll make my own mistakes in my life

I might change my mind
You know I do it all the time
And I don't need you to help me change it

I Might Change My Mind - Remaster 11.01.22

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Always Running, Again and Again...2

Always Running, Again And Again...2

on the right side of the partition
is a place not for the public eye
where the weathered, seasoned folk go to drink whiskey and smoke
and the light weights go to die

got rednecks pounding tables
broken glass from left to right
go on and get your smoke on
now whatcha gettin drunk on?
if it ain't whiskey you ain't right.

fuck yer fuckin liver
got ya another bottle

fuck yer fuckin liver
got ya another bottle

somebody yacked and missed the trashcan
now we're burning shit outside
just keep your fuckin head out of that old bucket of oil
and you'll prolly fuckin be alright

fuck yer fuckin liver
got ya another bottle

fuck yer fuckin liver
got ya another bottle

one's face down in the concrete
another's passed out in a chair
hey where the fuck ya goin?
i  see you down there crawlin
no one told you, that you were done here

fuck yer fuckin liver
got ya another bottle

fuck yer fuckin liver
got ya another bottle

Stephen Malson's Album

The Liver

Official lyric video: https://www.youtube.com/watch?v=Bi-cuKs4yNA

'An ancient myth of a river god's infatuation with a water nymph. A song about yin and yang, temptation, transformation...' - Herald K

This song is the result of a wonderful collaboration: Five unique musicians, here working together for the first time! The centuries old instrument Nyckelharpa (played by Stephan Steiner) adding special colour, two amazing singers (Jessica Slavik and Lina Louise) bringing the female dimension so essential for this song, and a producer specializing in acoustic music (Robin Gillard), who also plays bass guitar, all contribute uniquely to this composition by  Herald K.

© Herald K - 2022
Lyrics, Composition, Vocal and Guitar: Herald K
Nyckelharpa: Stephan Steiner
Bass: Robin Gillard
Vocal: Jessica Slavik
Background Vocal: Lina Louise
Production: Robin Gillard, Herald K
Label: Lindo Records
Photo: (c) Oliver Pfeiler

Arethusa

Watch Lyric Video

Spatial Enchantment

A short song that expresses the damages of two people growing apart. The lead vocal and guitar was recorded live and raw and Nat added her lovely piano, vocals and bass lines to produce a more polished track and an expressive lament.

Copyright 2022 Daniels & Durgy * Gentle Rain Records 
Written, Performed and Produced by: Nat Daniels & Craig Durgy
Nat Daniels: vocals, piano, bass and production
Craig Durgy: vocals and guitar

Lyrics;
Black and Blue

I don’t know, what to tell you
Or why we’re so, very black and blue

There’s that look, that reveals you
Here’s the toll it took, left without a clue

You ask questions, I tell lies
And in succession, alibis, us time
Only time

I’m the black, sheep among ewes
Always leading back, to the black and blues

You’re the blue, where all is true 
It’s so plain to you, there’s no other view

You ask questions, I tell lies
And in succession, alibis, us time
Only time

You’ll not step, within my shoes
A promise kept, embrace and bruise

And time is all that’s left to lose
As we find ourselves in the black and blues

Black and Blue

Black And Blue (LIVE)

TERROR OF DEATH

lucid

#RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini The Lift Music Series are usually palindromic and can be played forwards or backwards – up or down. Much of the time I find myself wanting both order and chaos in the music.

A Storm Is Coming

This track is for life, not just Halloween

October's Child

Magdalen Green; a Victorian park area near where I lived in Dundee, Scotland once upon a long ago. It overlooks the River Tay and the scene of the 1879 Tay Rail Bridge disaster where many people lost their lives when the bridge collapsed during a storm. The bridge was later remade and still stands today.

Apart from that, Magdalen Green is a cool place to trip out ;-)

Magdalen Green
There's a place, I used to know
Torch the stick, the embers glow
Take my hand, firewalk with me
I'll stay with you, we'll feel so free

Magdalen late at night
Green around you out of sight are we

Feeling you, can I describe
Fleeting bird, of paradise
Tap the vein, go deep within
Bleed the juice, from venom skin

Magdalen, late at night
Green around you out of sight are we

Magdalen Green
400 years down by the sea
Now you're so old and so are we
You watched those souls fall in the sea
Ghosts of the morrow they will be

Loving you, you blow my mind
Lizard skin, why so unkind?
Crawling snake, from deep within
Consume the fire, that burns within
Magdalen, late at night
Green around you out of sight are we

Magdalen Green
400 years down by the sea
Now you're so old and so are we
You watched those souls fall in the sea
Ghosts of the morrow they will be

Watch those souls fall in the sea
Ghosts of morrow they shall be

The 1969 plays; vocal, piano, mellotron, marimbas, xylophone, acoustic guitar, bass guitar, drum loop sequencing.

Produced and mixed by The 1969, mastered by The 1969, additional mastering by John Marc Bimonte @ Sharp Guy Productions

Recorded February 2018

October's Child

arse-myth

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