The Ringmaster Parts 1 & 2

Cold Sun in a Snowy Park: 30 Experimental Works

I DREAMT OF YOU

Spring Multi genre 2

March 28  2020

Paploviante 2020 🌞🌞🌞 --- Enchanted , arse-myth --- The Ringmaster

LIllithe & Paploviante --- FAST MOMENT ,  arse-myth --- The Ringmaster

divers electro cloud

There are those who live like you,
Others who don't live like you
And others who don't live at all. 

There are some who think for you
In the books you will learn
That there are pawns, there are kings
And sometimes there are fools
Who point fingers at you
'Cause it's written there

Some will tell you don't do this 
And others say don't do that
Because it's not for you
Because it's not like that
And you'll think
“What am I doing here, 
this life is not for me... »

Obey…

Sara : «  Come, vis, ta vie, Follow me » 

Obey…

I don't want to kill, I stole nothing except hearts 

I obey, on my life

I obey...

I obey

To accept yourself, to know yourself, is freedom without conspiracies

I obey 

I obey 

There are those who live like you,
Others who don't live like you
And others who don't live at all. 

There are some who think for you
In the books you will learn
That there are pawns, there are kings
And sometimes there are fools
Who point fingers at you
Because it's written there

Some will tell you don't do this 
And others say don't do that
Because it's not for you
Because it's not like that
And you'll think
“What am I doing here, 
this life is not for me... »


Obéis 2x

I don't want to kill, I stole nothing except hearts 

I obey, on my life 

I obey 

I obey

There are some who think for you
In the books you will learn
That there are pawns, there are kings
And sometimes there are fools
Who point fingers at you
Because it's written there

There are those who think like you
Others who don't think like you
And still others who don't think at all 

There are those who live like you,
Others who don't live like you
And others who don't live at all. 

Some will tell you don't do this 
And others say don't do that
Because it's not for you
Because it's not like that
And you'll think
“What am I doing here, 
this life is not for me... »

Come…

-------

Respect a few things, realize yourself, become free...

------------

Obey...
« To your life, to your freedom... it's a legacy for my children, our children, all children, as well as for big children.
So as not to fall into the traps of extremes, frustrations, conspiracy, racism... Respecting a few basic rules and mocking the rest, finding oneself, living one's life, breathing, becoming everything one wants to be without getting too stressed. »

-----------

Obéis

Free🦩

Obéis (to your Life/Funky Testament)

KORG gadget 
［注：喘ぎ声はシンセです。］

Spank me

POLO 8 to 8 ( ft.AMAAR360)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Music & Lyrics: Eddy Mango

SEPTEMBER

September nu är du här, varför tycker vi,
att du är till besvär.
September är varm som maj, därför borde vi,
le och tänka mer på dig.

September du vackra månad, gyllengul och röd,
du gnistrar i guld där i solen du går.
September som våren värmer, majsolen är som du,
jag sjunger en sång, du är så fin.

Vi glömmer nu, vi ser bara då, trots att en månad
fin som våren, mitt i bland oss står.
Fylld utav glädje jag, tackar dig du,
som september oss sänder, med färger i guld.

Eddy Mango 3

September. ( 1999 ) Eddy Mango-Margareta Theorin ( Eddy )

Thanks to Paul (Paploviante) @paul-racle for all those open collab  that he uploads and shares. Open collab tracks: https://soundcloud.com/paplo-repost/tracks  
Here is the original track in case you want to express yourself. "Sometimes"  https://soundcloud.com/paplo-repost/sometimes-paploviante-open-collab
I allowed myself to change the title. Indeed, I narrate a text by Jacques Prévert (1900-1977) "En été comme en hiver" WICH YOU WILL FIND THE TRANSLATION BELOW. I tried to find out more about this wonderful poetry that was written by the poet for a show, but it seems hard to know more. I'm not sure that the tone on which i narrate is the right one, but that's what inspired me. A mixture of dramatic and ironic.
I remixed a little and I added some sounds to give a little more realism. I hope you enjoy my version.

Merci à Paul (Paploviante) @paul-racle pour toutes ces open collab qu'il met en ligne et pour le partage. Pistes Open collab: https://soundcloud.com/paplo-repost/tracks
Voici la piste originale au cas où vous souhaiteriez vous exprimer à votre tour. "Sometimes" https://soundcloud.com/paplo-repost/sometimes-paploviante-open-collab
Je me suis permis de changer le titre. En effet, je narre un texte de Jacques Prévert (1900-1977) "En été comme en hiver" . J'ai tenté d'en savoir plus sur cette magnifique poésie qui a été écrite par le poète pour un spectacle, mais il semble difficile d'en savoir plus. Je ne suis pas certain que le ton sur lequel je le dis soit le bon, mais c'est ce qu'il m'a inspiré. Un mélange dramatique et ironique.
J'ai remixé un peu et j'ai ajouté quelques sons pour donner un peu plus de réalisme. J'espère que vous apprécierez cette version.

EN ETE COMME EN HIVER

In summer as in winter
in the mud in the dust
lying on old newspapers
the man whose shoes take the water
look out at the boats.

Near him a fool
a gentleman who has what
sadly angling
He does not know why
he sees a barge passing
and nostalgia takes it
He would like to leave as well
very far over the water
and live a new life
with a smaller belly.

In summer as in winter
in the mud in the dust
lying on old newspapers
the man whose shoes take the water
look out at the boats.

The brave angler
without fish returns home
He opens a can of sardines
and then starts crying
He understands that he will die
and he never liked
His wife considers him
and smiled with a pinch
It's a very sad shrew
a giant clam frog.

In summer as in winter
in the mud in the dust
lying on old newspapers
the man whose shoes take the water
look out at the boats.

He knows that barges
are big floating slums
and that lower wages
does that the beautiful marinières
and their poor mariners
walk on the rivers
a whole load of children
damaged by misery
in summer as in winter
and in any weather.

En Été Comme En Hiver (Text from Jacques Prévert)/Paploviante/KidOfEarth/(transl. in description)

Dreamboi

Lion

Free Download

LION

Give A F Ck

Livvy K - Over You

"It is a great pleasure for me to do a new piece with Justin, here we have fun trying to musically represent some moments of play and relaxation in a snowy park, with a melancholy and wintery tinge; I hope you have fun listening too..."
--
Music: GrevusAnjl @grevusanjl, Fleursonseaux @fleursonseaux
All rights reserved - © Copyright

Snowy Park (feat. GrevusAnjl)

This is a collaboration with my soundcloud friends Foresto and Ken Minty, where I had the pleasure to contribute with bass and with providing the final mix.
I have made foresto´s guitars fly by massive use of the panner hwich gives this track something very airy and light.
I hope you all enjoy it very much.

Credit to:
Andrea Martini aka Foresto (electric guitar) @user-959329289
Ken Minty (Vocals, lap steel and slide guitars)@Kcm069
N.O.B.S. (Bass, Final Mix)

Please give as well a try to previous collaborations with Ken, Foresto and Tot.:
I promise it is worth it:
https://soundcloud.com/kcm069/long-time-gone?in=kcm069/sets/eccentricity
https://soundcloud.com/kcm069/heart-of-snow-w-tot-foresto-n-meyer?in=kcm069/sets/collaborations

7 October

7 October | Foresto, Ken Minty & N.o.b.S.

Cold Sun

wonderful collaboration with my great friend https://soundcloud.com/specialececilia ! darkwave!
Bandcamp : https://specialcecilia.bandcamp.com/track/keep-up-2

protect the nature!, because by destroying nature she it loses the power to protect us!  think about it!

real love for us! cheers

Keep Up The Vibes - Special Cecilia (prod. Assá)

Opus 34

The Ringmaster

Wild beach

Raise a Demௐnͯ͛̂̎̇͂̍̚ ft. booyakabooyaka369

Electronic, song. "Invincible"  
Longtime ago I had this recurring nightmare, a typical scene of being chased,  by something very frightening... 
I was running away from something very scary, down lanes, roads and passageways. In one of these dreams I ran so fast I had to jump over a fence that suddenly appeared in front of me,
 as I leapt over it I took off!  , I was flying!... flying through this city, 
 anyways, back to the point. Years later I had the nightmare again, but this time I was frightened so much I woke up ! 
 at that point I realised this was that old recurring nightmare, 
so I decided to go straight back to sleep and try to bring that nightmare back and go looking for what ever was chasing me remembering it was just a dream. And I did just that!
...in dreams you can be invincible :)

Invincible

Vocals : Sophie and Wynn
Backing track Paploviante: 
https://soundcloud.com/paploviante-and-friends/fast-moment-open-collab
Lillithe : Remix Santana Jingo

FAST MOMENT  LIllithe & Paploviante

The Ringmaster Part Two

Quantum

This is where my latest idea took me.  A bit of a message in the lyrics. 
 Not sure what genre it is, but was pretty cool to do.  Always a challenge to do something different and most certainly quite rewarding.  Hope you enjoy it.
Artwork by Michael Whelan.

Planet in Peril

What’s it gonna be,
Will we blame the past,
Or take a stance,
And make it right,
Fix what’s wrong,

What’s it gonna be,
Will we blame the past,
Or take a stance,
Disgrace and guilt,
The time to act has come.  

The decline of the Earth’s natural life-support systems,
So many species threatened
Habitats neglected and destroyed.
Freshwater resources being depleted or polluted. 
The human footprint so large leaving little space for anything else.

What’s it gonna be,
Will we blame the past,
Or take a stance,
Accept our crime,
Give life a chance

What’s it gonna be,
Will we blame the past,
Or take a stance,
Change some habits
Give the planet, it’s right.

What’s it gonna be,
Will we blame the past,
Or take a stance,
Stop the abuse,
Sow seeds of life.

What’s it gonna be,
Will we blame the past,
Or take a stance,
Hand in hand,
We can make it change.

Natural ecosystems have lost half their area.
Rain forests desiccating into savannahs
A million species at risk of extinction
All largely a result of human actions
Nature is being destroyed at hundreds of times higher than the average over the past 10m years 

What’s it gonna be,
Will we blame the past,
Or take a stance,
Return the gift,
This planet earth.

What’s it gonna be,
Will we blame the past,
Or take a stance,
Only time will tell,
If we did enough

Planet In Peril

Lyrics

I need a pen
To write what I can't say.
I need a dirty woman.
I need to go to Texas.
I need this to live.
I need a love for a few minutes
I need my guitar
I need a car
To go where ?
No one is waiting for me
To go where.
Nobody here

I need a coffee
I need a cigarette
I need a business card
I need to know
I need everything
I need i need
I need help !

I Need

Hey, in these troubled times it was a pleasure to remix@neli-co-ko excellent interpretation of FGTH The Power of Love.  

Here is the original.  https://soundcloud.com/neli-co-ko/the-power-of-love-by-frankie-goes-to-hollywood?in=neli-co-ko/sets/the-power-of-love

And here are some more goodies https://soundcloud.com/ricochet8888/neli-coko-rico-love-song-o

Cheers
Dx

Power Of Love **Neli CoKo & Ricø ** ReMIX

Da Beat
Here is a bit of cheerfulness in this difficult time.
Melody:
ZZ Top / Gimme All Your Lovin
Paploviante 2020

Da Beat - Paploviante

Enchanted 🌞🌞🌞  2020
Bass & Music: Paploviante
Vocals: www.Ghosthack.de