Art Style: Techno

nonstop 2

Andrew Project Birthday Special : Andrew Project // Planet X // SoundRoom aka Rissy // Max Sensation

Boiler Room x Warehouse Project w/ Adam Beyer, SCB, Means&3rd and Krysko.

[Broadcasted on 30th November 2013]

Tracklist & video at boilerroom.tv

Adam Beyer Boiler Room x Warehouse Project mix

Technician

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Facebook http://facebook.com/techniciandj

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Art Style: Techno

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Art Style: Techno | Technician Present : Dirty Sounds | Episode IV [Part 1] : Technician

Out Now! 

iTunes: http://po.st/Anthems90sII
Amazon: http://po.st/Anthems90sIIAm

A decade of dance anthems! Featuring Snap!, 2 Unlimited, Soul II Soul, K.W.S, Armand Van Helden, RUN DMC VS Jason Nevins, Cornershop, Sonique Technotronic, The Prodigy, Baby D, Livin’ Joy, Gala, Bobby Brown, Faithless, Underworld, Fatboy Slim, Basement Jaxx plus loads more!

Anthems 90s 2 Minimix

House Electrohouse House Music House 2014 House Music 2014 Electro House 2014 Summer Mix by DJ Dangerous Raj Desai
Playlist on Twitter 
http://twitter.com/djdangerousrajd

House Electrohouse House Music House 2014 House Music 2014 Electro House 2014 Summer Mix

Out now. Available to download here: http://po.st/MashUpEDM

Mashed up tracks from DJ Fresh, Showtek, Fatboy Slim, DBVSS & Borgeous Feat. Tinie Tempah, Martin Garrix, Tiesto, Avicii, Cedric Gervais and loads more like you’ve never heard before across 2 epic mixes.

Download from iTunes

Mash Up Mix EDM Minimix

Yes you read that right, Pharoahe Monch the esteemed lyricist and founding member of Organized Konfusion joins us in the spaceship to discuss his FanBro credentials, as well as his new album PTSD, and many more topics on yet another classic episode. Listen as we delve into the Donald Sterling fiasco, what television show was directly responsible for inspiring Pharoahe Monch's latest album, and how anyone can suffer from Post Traumatic Stress Disorder, and what it means for this generation to be suffering under Social Media Disorder. Also we find out what led to the making of the PTSD steampunk album cover so make sure you go out and cop Pharoahe Monch it now now, one of my favorite albums of the year and your inner FanBro will definitely geek out when you give it a listen.

Subscribe On Itunes!

FBS No. 48 - The Pharoahe Monch Episode

Planet x

https://www.facebook.com/pages/Planet-X/174070555957180?ref=hl
https://soundcloud.com/planet_x-1

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Art Style: Techno

Web >> http://artstyletechno.hu/
Youtube >> http://www.youtube.com/ArtStyleTechno
Soundcloud >> http://soundcloud.com/art-style-techno
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Facebook >> http://www.facebook.com/ArtStyleTechno

Art Style: Techno | Andrew Project Birthday Special [Part 1] : Planet-X

SoundRoom

https://www.facebook.com/pages/Soundroom-Aka-Rissy/214857072010053?fref=ts

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Art Style: Techno

Web >> http://artstyletechno.hu/
Mixlr >> http://mixlr.com/art-style-techno
Youtube >> http://www.youtube.com/ArtStyleTechno
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Facebook >> http://www.facebook.com/ArtStyleTechno

Art Style: Techno | Andrew Project Birthday Special [Part 2] : SoundRoom Aka Rissy

Max Sensation

https://soundcloud.com/max-sensation

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Art Style: Techno

Web >> http://artstyletechno.hu/
Youtube >> http://www.youtube.com/ArtStyleTechno
Soundcloud >> http://soundcloud.com/art-style-techno
Mixcloud >> http://www.mixcloud.com/ArtStyleTechno
Facebook >> http://www.facebook.com/ArtStyleTechno

Art Style: Techno | Andrew Project Birthday Special [Part 3] : Max Sensation

Andrew Project

Andrea De Venuto alias Andrew Project was born in Bari on 20/05/1981, in the city which passed the first 18 years of his life, before he met his greatest love: "MUSIC". His collaborations in the field of public relations for the most exclusive clubs in Puglia, Italian and international (Camelot, Divinae Follie, Clorophilla, Insomnia, Cocoricò, Echoes, Space Ibiza, Circoloco DC10 Ibiza), strongly induce him to approach the music scene under other art form. Dj since 2004, supported by a large artistic component, offers his sound from the more experimental facets. Electronic music lover, his performances are inspired mainly to the likes of Marco Carola, Raresh, Richie Hawtin, Loco Dice, Carl Lekebusch and many more. Technological sounds and sought after by large deep grooves, alternate melodies and going rhythmic, driving the music sequence with jokes no more than 124 bpm.
On 16-04-2011 follows an important personal goal, working with a large stable of Bologna musical scene: the "PlayHouse" performing at the "Link" in the garden without 'the same evening which housed a performing artist of excellence labeled "Cocoon Rec" : Raresh.
In the same period from birth to a new musical project (On Air Party) with the 'intention of making traveling during preserata most exclusive music scene of Bologna, transforming the classic aperitif in a real musical laboratory. In his future plans in the short term, he hopes soon to be able to devote to production, with the hope one day to be part of the major labels that dominate the international music scene.

www.facebook.com/andrewproject
https://soundcloud.com/andrewproject-1
it.myspace.com/andrewdigitalproject
dj.beatport.com/andrewproject
andrewproject81@gmail.com
devenuto.andrea@gmail.com

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Art Style: Techno

Web >> http://artstyletechno.hu/
Youtube >> http://www.youtube.com/ArtStyleTechno
Soundcloud >> http://soundcloud.com/art-style-techno
Mixcloud >> http://www.mixcloud.com/ArtStyleTechno
Facebook >> http://www.facebook.com/ArtStyleTechno

Art Style: Techno | Andrew Project Birthday Special [Part 4] : Andrew Project

MUSIC IS BETTER RE-EDITED HIGHLIGHTS 20.12.03
Related blog post here:
http://www.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights 

When I upgraded my SoundCloud account it was with the intention of adding selected mixes from the period 2003-2009, bringing everything under one roof by placing them alongside the ongoing additions that have been continually made available since I uploaded the first of my SoundCloud mixes, recorded at Café Mambo in Ibiza exactly 2 years ago today (27.09.09). So it’s fitting that Music Is Better Re-Edited Highlights, the mix that marked my return to the DJ world, should kick off this process, with further uploads to be added periodically.

The following piece was written in 2004, some months after the Music Is Better mix had been made available as a limited CD via Manchester's Piccadilly Records.

MUSIC IS BETTER RE-EDITED HIGHLIGHTS:
Last December, twenty years on from when I stopped deejaying professionally, I came out of retirement, so to speak, and made what seemed like, as I described it at the time, a ‘second debut’ (my first being way back in 1975). In the two decades that have passed since I decided to call it a day, I’ve made the odd guest appearance here and there, but had no inclination to seriously start up again.

That all changed during 2003, with the launch of the electrofunkroots.co.uk  website, which I’d set up to document the crucial early 80’s period, when dance music (or black music as it was still referred to) was going through some radical changes that would have a huge bearing on the subsequent course of club culture. It was at this point in time that I was fortunate enough to find myself behind the decks in two of the greatest British clubs of the era, Wigan Pier and Legend in Manchester, where I’d bring a new flavour of music to the table, along with a fresh (from a UK perspective) approach to the way I worked, as one of just a handful of British DJ’s back then who had made the decision to switch the emphasis of their presentation style from microphone to mixing. 

I had no idea that, all these years on, an ever-increasing amount of clubbers were now beginning to look back to exactly this time and rediscover the great underground music, mainly from New York, that preceded House, and which was originally played here in the UK on the specialist black scene. Having decided to become pro-active in drawing people’s attention to this hugely important, but largely overlooked period, it was a pleasant surprise to realise that this process was already underway. Before I knew it, I began to receive enquiries about possible DJ bookings and it soon became obvious that the logical next step for me to take was back into the clubs, so I could actually play these records to an audience who’ve finally come to appreciate their significance in inspiring the music that inspired them.

Had this been all about playing some tunes for old times sake to the people who were there at the time, there’s no way I’d have been into it as anything more than an occasional one-off. However, the fact that there’s a whole new generation who are looking for a return to underground values, as well as an older audience who (having maybe got into dance stuff at a later stage) missed much of this music first time around, prevents it from becoming a purely nostalgic exercise and, instead, presents a whole new dynamic. For this is something relevant to now, which is rooted in the past, yet forward looking.

To further emphasise this link, the equipment I decided to use was a Revox B77 reel-to-reel (past), vinyl (present) and laptop (future). It was also important that I didn’t just stick to the records that I used to play, but included a few more recent releases, from artists with a clear respect for what’s gone before, like Chicken Lips, Metro Area and Diplomat. The laptop would also allow me to feature my own re-edits and the Revox to add live sounds and effects. Having been regarded as progressive in my approach to deejaying back then, I figured it was only right that I should continue to work by the same principles, trying new ideas alongside the old ones in an effort to highlight the ongoing links between then and now.

The night I chose for my ‘comeback’ appearance was called ‘Music Is Better’. It was held at The Attic in Manchester. It obviously had to be Manchester as this, although not my actual home, is certainly my ‘spiritual home’, the place where I found my ultimate DJ highs – so it was important to make that vital connection with the past immediately. ‘Music Is Better’ was the perfect type of night for me, suitably low-key, whilst attracting the kind of people who understand that four-to-the-floor isn’t the be all and end all.

I’d planned to use the night as a tester, so I could identify what worked and what didn’t, before I started accepting the bookings I’d been offered in other parts of the country. I’d anticipated a gradual acclimatization for myself, estimating that once I’d got 3 or 4 appearances under my belt I’d be able to gauge things better. In no way did I expect this first night to go so well for me, without any of the teething problems I’d envisaged. 

The night wasn’t recorded, but it was decided that, to mark the occasion, I’d re-create it track for track for a limited edition CD (edited down from the two and a quarter hours I played to single disc length). 

So this is how ‘Music Is Better – The Re-Edited Highlights’ came to be. The 500 copies that were made have now all gone, the response to the CD echoing the positive reaction on the night. I’ve since taken bookings (and often re-bookings) in Birmingham, Bristol, Dublin, Glasgow, London, Leeds, Limerick, Liverpool, Newcastle, Nottingham, Plymouth, Sheffield and Wrexham, along with further dates in Manchester. 2004 has been a year I’ll never forget and I can’t thank everyone enough for their support, their warmth and their energy. Having been totally detached from the club scene for so many years, it’s all been a bit of a Rip Van Winkle re-awakening for me! 

I never thought I’d say it, but it’s great to be a DJ once again. 

Hope you enjoy this mix,

Greg Wilson
http://www.electrofunkroots.co.uk
 
WRITTEN FOR SIX MILLION STEPS WEBSITE IN 2004

UPLOADED ONTO SOUNDCLOUD 27.09.11


MUSIC IS BETTER RE-EDITED HIGHLIGHTS 20.12.03 (by greg wilson for ltd cd 2004)

Guilherme Krause

Constantly involved with the global scene of the Dark Minimal Techno and recognized for their talent and vast music collection that has acquired since 2008, the year he started DJing, Guilherme Krause leads in their sets, dark ambiences combined with futuristic and minimalist elements. His sets vary between 120 and 128 bpm creating an introspective mood, sometimes tense, on the dance floor.

"I try to make my listeners feel the music in a way beyond the dance, not only letting themselves be carried away by the beat, but having to think about how to absorb the elements and ambiences through their minds and express through their bodies, keeping both working together all the time."

Nowadays he is signed to the following record labels. Soluxion Records Netlabel, based in Italy, which explores the experimental side of underground electronic music. Concepto Hipnotico Records, based in Argentina dedicated to Minimal and Techno hypnotic and D.M.T. Records based in Canada. He is also part of the True Chain Co, Brazilian collective of production of parties aimed at search for the essence of underground electronic music.

Already performed at festivals such as Pachamama Hatun Festival (Peru), Outro Mundo Festival, Ecosounds Festival, Kundalini Fullmoon Festival, Origens Festival, in southern Brazil.

In 2012, started a new project of Minimalistic Dark Techno with Diego Brinker, called S.M.O.G. Besides DJing and production, he is envolved with decor art producing psychedelics decors on string art.

Bookings

E-Mail: gpkrause@gmail.com
Skype: gpkrause
Labels: Soluxion Records [Italy] / Concepto Hipnotico Records [Argentina] / D.M.T. Records [Canada] / True Chain Co. [Brasil]

http://www.soundcloud.com/guilhermekrause
http://www.facebook.com/djguilhermekrause
http://dj.beatport.com/guilhermekrause

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Art Style: Techno | Podcast #056 : Guilherme Krause [FACEBOOK.COM/ARTSTYLETECHNO]

The Hungarian Underground Techno Magazine with mixes/tracks/podcasts