موج دریا زده را تنگه‌ی ساحل قفس است
ماهی تنگ نباشد دل طوفانی ما
عاقلان پا مگذارید به میخانه‌ی عشق
داغ صد مهر جنون خورده به پیشانی ما
خرقه و اطلس و دیبا همگی مال شما
خرقه ای نیست برازنده‌ی عریانی ما
زلف ما چون خم زنجیر گره در گره است
شانه رَم می‌کند از فرط پریشانی ما...

Maahi - Es'hagh Anvar

شجاع اشعری قشمی / عود نوازی | موسی کمالی / جهله نوازی

رادیو بندر تهران | قسمت صد و سی‌ام، «فرامرز» | سی و یکم فروردین ۱۴۰۳ ‌‌
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ا‌‌‌‌‌‌‌ین قسمت با حمایت «آچاره» منتشر می‌شود.
توی این دوره‌ و زمونه که هر ثانیه‌ش مهمه، یه اپلیکیشن هست که باهاش می‌تونی به خیلی از کارهای روزمره‌ت برسی. از نظافت گرفته تا تعمیرات، از اسباب‌کشی تا بازسازی ساختمان، هر چی که بخوای، اپلیکیشن آچاره در اختیارت قرار می‌ده. تو لایق یه زندگی راحت و بی‌دردسری. آچاره فقط یه اپلیکیشن نیست؛ یه سبک زندگیه که تا الان ۳ میلیون نفر درهای خونه‌شون رو به روش باز کردن و زندگی رو برای خودشون راحت‌تر کردن. من خودم سال‌های زیادی میشه که دارم از آچاره استفاده می‌کنم. برای همین واسه مخاطبین رادیو بندر تهران کد تخفیفی قرار دادن که می‌تونید موقع سفارش‌هاتون ازش استفاده بکنید.
BANDAR :کد تخفیف
https://a4re.ir/a4bndr‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌
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خرید کتاب «مرلین مونرو غمگین نیست»، دومین کتاب محمدامین چیت‌گران:
https://esmbook.ir/book/109701
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 فرامرز اصلانی نابغه ای بود که از دستش دادیم قبل از اینکه شاید آلبوم خاطره انگیز دیگری از خود در این دنیا به یادگار بگذارد. اما آثار او تا ابد در دل ایرانیان دوست‌دار او باقی می‌ماند. «اون که، عاشقونه، جون سپرده، هرگز نمرد». این قسمت تقدیم می‌شود به فرامرز اصلانی و خانواده‌ی او.
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در این قسمت آثاری از کیارش خمسی، هانیه کسائی‌فر، مهدیه زرگر، پژند سلیمانی و شیما ترابی را می‌شنوید و در نهایت قسمتی از نامه به عشق تریاکی تقدیم خواهد شد.
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موسیقی‌های استفاده شده در این قسمت:
Yadist - Faramarz Aslani
Ay Eshgh - Faramarz Aslani Ft. Dariush
Sedayam Kon - Faramarz Aslani
Divar - Faramarz Aslani
Ahooy-E-Vahshi - Faramarz Aslani
To - Faramarz Aslani
Una Noche Más - Faramarz Aslani & Yasmin Levy
Age Ye Rooz - Faramarz Aslani
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کانال تلگرامی «کشکول رادیو بندر تهران«
(موسیقی‌های مورد استفاده شده‌ی پادکست در این کانال قرار داده می‌شود):
https://t.me/Bandaretehran_kashkoul
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Radio Bandar-E-Tehran

130.فرامرز

حمایت از ما

صد و سی‌ام | فرامرز

Tanbour Solo | تکنوازی تنبور
Afshin Saebnejad | افشین صائب نژاد

Dastan

04.Dastane Chaharom

Vocapella-Darenejan&azizjoon

This project takes you on a journey across all categories and dimensions. It spans a wide range of musical styles, from classical to modern, from melodic to atonal, from soft to hard. Every moment brings a new surprise, keeping you on your toes from start to finish. I wrote this song to give you a powerful opening of your consciousness and a truly mind-altering experience. Enjoy the ride!

Beethoven

تکنوازی سه تار- پرویز مشکاتیان

این چه استغناست یا رب وین چه قادر حکمت است
کاین همه زخم نهان هست و مجال آه نیست
چیست این سقف بلند ساده بسیارنقش
زین معما هیچ دانا در جهان آگاه نیست

| محمدرضا شجریان |
| محمدرضا لطفی |
| حافظ |

Moammaye Hasti [BehtarMusic.COM]

معمای هستی

hizhamusic

خروس خوان . احمد عاشورپور

ای کاش که جای آرمیدن بودی
یا این ره دور را رسیدن بودی
یا از پس صد هزار سال از دل خاک
چون سبزه امید بر دمیدن بودی

شاملو ... خیام ... شجریان

Dead Bees Animal distinction, Burning. Rainforests, Plastic oceans, Weather Engineering, Excessive waste in space, and ....

Sorrow of the time, in honor to Maestro Mohammad Reza Shajarian
in Binaural 3D immersive audio 

Reviews: 
https://www.divideandconquermusic.com/indie-music-album-reviews/art-tawanghar-vivaldi-summer-1st-and-3rd-movementfeat-persian-santoor-binaural-3d-in-432hz

https://www.pleasepasstheindie.com/post/art-tawanghar-vivaldi-summer-first-and-third-movement-feat-persian-santoor-binaural-3d-in-432hz

Saadi Shirazi Poem no. 404 Sorrow of time English translation
Should I grieve for the times or endure the distance of a friend? Which burden should I carry with the endurance that I do not hold?
Nor do I have the ability to stay away. Nor do I have the power to embrace him rudely and fearlessly
I do not have the patience to hold it in the sleeve of reason. And not an intellect with which I can reach the realms of peace.
No guts to get rid of friends because of persecution. If, like a real man, I do not bear the unkind burden of a friend
When it is possible to endure malicious oppression with patience, why not be patient to endure oppression?
I, who drunk from the hand of a butler, need to also endure the illness of a hangover
If a flower like your face fell into my hands middle of the meadow, the least I can do is draw Saadi's eye to the thorn of that flower.

 ديوان سعدي
شماره ٤٠٤: غم زمانه خورم يا فراق يار کشم
غم زمانه خورم يا فراق يار کشم	به طاقتي که ندارم کدام بار کشم
نه قوتي که توانم کناره جستن از او	نه قدرتي که به شوخيش در کنار کشم
نه دست صبر که در آستين عقل برم	نه پاي عقل که در دامن قرار کشم
ز دوستان به جفا سيرگشت مردي نيست	جفاي دوست زنم گر نه مردوار کشم
چو مي توان به صبوري کشيد جور عدو	چرا صبور نباشم که جور يار کشم
شراب خورده ساقي ز جام صافي وصل	ضرورتست که درد سر خمار کشم
گلي چو روي تو گر در چمن به دست آيد	کمينه ديده سعديش پيش خار کشم

Sadi was held in great repute by his countrymen, and found a liberal patron in the King of Persia, Sad-Atabak, who encouraged learning, and was fond of the society of learned men. He made Sadi Court poet, and SAdPs grati- tude was shown in his almost fulsome praise of the monarch.


Sadi has written numerous works, in prose and verse, on moral, theological, and amatory subjects; and the best known and most read of his writings are the Gulistan in prose and verse, and the Bostdn in verse. He delighted in wit and repartee, and puns abound in his works. His moral and religious remarks show great depth of thought, correct observation, and knowledge of human nature. Judged by modern European ideas of propriety, he sometimes borders on the obscene in his remarks; but orientals do not guage their morality by European standards, and allowance must be made for Sadi accordingly. His style of writing is simple but vigorous, and the pride he occasionally displays in his conscious superiority in intelligence and eloquence over his neighbours is pardonable. He is credited with having worked miracles, especially that of restoring to life a young lover, who had cast himself down from a tower, one hundred feet high, to the ground. If the young man survived the fall, it was certainly a miracle! I Sadi was modest in manner, and could not tolerate vanity in others. He dressed modestly, was short in stature and not handsome ; but a face beaming with intelligence and a long-flowing beard gave him an engaging and venerable appearance. He closed his chequered life at Shiraz, the place of his birth, A.D. 1291, having reached the ripe age of one hundred and sixteen years. He is honored as a saint by Mohamedans, and his tomb —called the Sadiya in the vicinity of the town of Shiraz, is visited by numerous pilgrims and travellers.

Sorrow of Time 432Hz  ft. Mohammad Reza Shajarian / غم زمانه خورم یا فراق یار کشم استاد شجریان

موسیقی برگزیده‌ای در سبک‌های آلات معاصر، ادغام جاز، سنت نو، جهانی، موسیق الکترونیک و محصولات الکترونیک شناخته می‌شود. صدای منحصر به فرد او ترکیبی از تولید الکترونیکی، آلات زنده و تأثیرات فرهنگی متنوع است. با آلبوم‌هایی همچون "روح زمین" و "بودا لانژ"، او موفق به کسب رتبه یک در جدول بیلبورد شده و در صنعت شناخته شده است.
Persian/American Artist. Contemporary Instrumentals/Jazz Fusion/New age/World/EDM/Electronics award-winning Billboard #1 musician/composer/producer.
linktr.ee/art.tawanghar

Art Tawangha combined electronic production, live instrumentation, and a variety of wide-ranging cultural influences when crafting his uniquely relaxing and soul-searching sound.

Working independently as well as with the Majorhitrecords label, Tawanghar released his spiritually searching album Soul of the Earth in 2016. He followed the next year with Buddha Lounge, an instrumental album that fused mellow beats and synthesizer tones with meticulously arranged parts for harp, oboe, and other instruments less commonly implemented in electronic production. Upon its release, the album ranked in Billboard's chart for Top Independent Albums. Tawanghar often performed live in support of both albums ~ Fred Thomas, Rovi

As of the information provided, Art Tawanghar is a Persian-American artist known for his diverse and award-winning music compositions. He specializes in a variety of genres, including contemporary instrumentals, jazz fusion, new age, world music, EDM, and electronics. His work has earned him recognition, including reaching Billboard's #1 position.

Art Tawanghar's music is characterized by a unique blend of electronic production, live instrumentation, and cultural influences from around the world, resulting in a relaxing and soul-searching sound. He has released albums that reflect his spiritually searching approach to music, with titles like "Soul of the Earth" and "Buddha Lounge."

As an independent artist and collaborator with Majorhitrecords label, Art Tawanghar has gained attention and success for his innovative approach to music composition and production. His album "Buddha Lounge" achieved recognition on Billboard's chart for Top Independent Albums, indicating his popularity and impact within the music industry.

Art Tawanghar's music has resonated with audiences, and he has performed live to support his albums, allowing fans to experience his unique sound firsthand.

For more information about Art Tawanghar and to explore his music, you can visit his Linktree page at linktr.ee/art.tawanghar. Please note that the information provided is based on data available up to September 2021, and there may have been further developments in his career since that time.

StereoStickMan Interview
https://stereostickman.com/interviews/art-tawanghar/

Underground Radio Interview 
http://www.collegeundergroundradio.com/index.php/stuff/blog-the-underground/blog-the-underground/340-underground-interview-with-art-tawanghar

Article About Art on From Mines Fields to Billboard:
http://www.ootonline.com/issues/3902/files/assets/basic-html/page-22.html

Sorrow of Time 432Hz ft. Mohammad Reza Shajarian / غم زمانه خورم یا فراق یار کشم استاد شجریان

Art Tawanghar

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