Label:             Trash Tunes Records

Release:         Mr.Machine - About You EP

Artist:              Mr.Machine

Cat. N.:           TT08

Format:           Digital, CD

Genre:            Hard Techno

Release Date:  November 30, 2023



Tracklist:         Mr.Machine - About You
                       Mr.Machine - In My Body
                       Mr.Machine - Volume C
                       Mr.Machine - Like This, Like That 
                       



Release Description:

First solo-EP on board is signed by an unbelievable nowadays producer who is hitting hard and turning upside-down the club scene around the Globe. Italian Rising star Mr.Machine presents us a 4-track-EP dedicated to the old and nostalgic trance mixed with the newest hard dance sound.

Premiere: Mr.Machine - About You (Original Mix) [TT08]

Released on 25th January, CHRS’ ‘In The Darkness’ EP marks the fifth release on ARTCORE as the  label begins 2024 with a big signal of intent. 

After a solid start to life in 2023, Indira Paganotto’s ARTCORE imprint steams into 2024 with an  impressive release from Catania-based artist CHRS and his ‘In The Darkness’ EP. Spanning two  individually striking cuts, CHRS’ first appearance on ARTCORE isn’t for the faint-hearted and comes  packed with riveting psy-laced techno potency from start to finish.  

Kicking off with the title cut, ‘In The Darkness’ delivers high-octane energy from the outset with subtle,  ethereal nuances and nods to hardstyle throughout. A relentless stomper in its own right, it features  a wave of differing scenes, peaks, and troughs that keep you on your toes and guessing what’s coming  next around every corner.  

‘Sharp Blade’ completes the release in style, bringing together multi-genre influences effortlessly,  fusing psytrance, breakbeat and hardstyle. An exciting blend of celestial undertones and hard-hitting  trancey grooves, its riveting combination of pumping drums and low-end drive alongside coarse  electronic musicality make it an undeniable signature piece for the ARTCORE collection.

01 CHRS - In The Darkness (Extended Mix) [ARTCORE Records]

Indira Paganotto Launches ARTCORE’s First VA – ‘Face To Face Miami Week 2024’

DJ, producer and label head, Indira Paganotto will release ‘Face To Face Miami Week 2024’ on March 21st via her ARTCORE label. The ten-track album features an alchemic brew of hard dance styles concocted by a stellar cast of talent. In 2022, Indira launched her forward thinking imprint to further establish her brand of pulsing, high-intensity techno and to celebrate those artists who share her musical philosophy. After 7 releases, she looks to further make good on that promise with her label’s first VA.

BEC has reached the top of her game in a short time, after being head hunted by Pan-Pot, following plays at Burning Man, Tobacco Dock and The Warehouse Project. She is a ‘self confessed’ studio geek and wastes no time in setting the pace with opening track ‘Loca’. She constructs an Arabic-infused soundscape by juxtaposing enchanting vocal and flute melodies with rotating techno percussion. 

Luca Agnelli and Rian Wood collaborate for ‘Kiss Like This’ which for all its glossy vocal retains a visceral rawness amongst flashes of synth and unrestrained bass. Both hailing from Italy, Rian has drawn his influences from Hard Rave, Old School and Gabber. Luca is the founder of his Eturia Beat label since 2010 but has been featured on many more including NineTimesNine, Blackworks and Soma.

The appropriately titled ‘Lose Control’ by emerging new alias TEUTON does exactly that harnessed by the Digital Mindz original he applies his own take on the hardstyle number. A man behind a mask, mysterious in his identity, he started his music career over 30 years ago in the hardcore and goa trance scene.

Returning ARTCORE producer CHRS’ ‘Skeptical’ and brand-new artist PARKERSTRANGE with their track ‘123’ traverse a rave-psy-techno tightrope melding elements of each genre together in a cauldron of caustic electronica. Rich in style, and bold in its application of samples and atmospherics. The whole VA is intelligently executed, and this couldn’t achieved without artists like Italian multi-instrumentalist Giorgia Angiuli whose track ‘Ego Is The Enemy’ glides into life ascending through a melodic mist of fluttering dance motifs and monastic ambience. Giorgia is a live artist, and a classically trained musician who’s performed at Timewarp and Ultra.

Ecuadorian artist Lara Klart continues this vein of haunting but beguiling musicality on ‘Aleluya’ employing Miriea Clua on violin to instil a chordophone elegance atop a driving, deep techno pattern. 

Joining forces on ‘Power Of Silence’ Rhygar and Stëh collaborate for the first time, they provide a refreshing range of techno aesthetics. Including Zeshin’s ‘Sushy Party’, a new psy-trance alias by Mattia Trani, who’s sound is inspired by Japanese 00’s gaming. His track is fuelled by a giddy, anime like charm that stems from the sugar-coated vocals which dance across waves of juddering drums and cooling synths. 

The curtain closer, Joel Bird’s ‘Existentialism’ warps and surges with a celestial resonance amid a fusion of stomping claps a ceaseless percussion the track gently evanesces and fades into a calming ether. Joel is a young 20-year-old producer who’s work has been supported by KI/KI and Theo Nasa, this single marks his first release.

All tracks on the latest ARTCORE VA will be available on the 21st March.

02 Luca Agnelli, Rian Wood - Kiss Like This (Extended Mix) [ARTCORE Records]

01 BEC - Loca (Extended Mix) [ARTCORE Records]

Released on 22nd August, TEUTON’s ‘Make It Blow’ EP delivers an ominous trio of Hard Techno and Psytrance-laced dancefloor weapons.

Following an impressive first offering on ARTCORE earlier in the year with ‘Lose Control’ as  part of the label’s ‘Miami 2024’ VA, the cryptic silhouette of TEUTON returns to Indira Paganotto’s exponentially rising imprint with a solo three-track monster titled ‘Make It Blow’. Backing up an impressive catalogue of self-releases sitting either side of his ARTCORE debut, it’s no wonder TEUTON is back on one of the industry’s fastest-growing platforms, bringing a worthy sacrifice to the altar across a trifecta of blistering main-room stompers. 

The title cut ‘Make It Blow’ comes in rough and ready with a rip-roaring barrage of psy-infused flavours driven by rave synth shots, pulsating bass notes and a catchy vocal hook, carving out an enthralling signal of intent for what’s to come across the rest of the EP. 

‘Bonkers’ is next to appear, delivering an onslaught of even more racy and euphoric elements. It combines pumping grooves and dreamy melodic pads, offering dynamic contrast to its gritty, rippling lead and bassline combo, all brought together by another fast-paced, hooking vocal component. 

‘Bass In Your Face’ brings the EP to an impressive close with a knockout finish. Weighty and assertive from the first drum kick, it fuses an array of sinister harmonic facets and another catchy vocal hook with an industrial-sized groove pool of thumping kicks, corroded hats and rolling low-end percussion to round off the release in a potent fashion.

01 TEUTON - Make It Blow (Extended Mix) [ARTCORE Records]

Valentinø - Horus (Original Mix)

Free Download

TEUTON - Warrior Dance

Sfinga

Ermatik - My Bike Needs Oil

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.13.29 am

In 2022, Indira Paganotto established ARTCORE with a clear vision in mind. The primary aim behind creating this label was to acknowledge and elevate the unique sound associated with Indira, which, until then, had not found a suitable representation in any existing label. It's widely recognized that this distinctive sound has been gaining rapid popularity and is finally receiving the recognition it rightfully deserves.

However, it's essential to note that ARTCORE will not be confined to a single genre. Instead, the emphasis will be on preserving authenticity and ensuring high-quality musical output. The label will serve as a platform that celebrates artistic expression, relevance, and musical heritage. Also, ARTCORE enables the opportunity for artists to be mentored directly by Indira is at the core of ARTCORE.

01 BEC - Loca (Extended Mix) [ARTCORE Records]

ARTCORE RECORDS