Classical

"Sinfonietta" was completed in April 2021. The work is scored for Wind Septet (consisting of Flute, Oboe, Clarinet, Bass Clarinet, Bassoon, Trumpet, and Horn), Timpani, and String Orchestra.

This recording was mastered by eMastered: eMastered.com/profile/robtjbrooks

The score and parts will be available soon from Creative Spirit Online.

"Sinfonietta" is roughly based on material from the composer's "Piano Sonata No. 6" and "Passacaglia", two works originally conceived and composed as part of one multi-movement work for piano.

Sinfonietta for Wind Septet, Timpani, and String Orchestra (mastered by eMastered.com)

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

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Morning

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Ashot Danielyan - Morning

Using Modulation, Expression and Velocity controllers to achieve extremely realistic sound with EastWest instruments and Piano Gold (Steinway).

Romanza

"Heinali airs his ambient mood classics. Oleg Shpudeiko (the man behind Heinali) creates a gloomy atmospheric environment with the piano, strings, ambient / glitch structures. "Air" is his 6 song album.

Heinali from Kiev, Ukraine started composing music in 2003. His sound is generally eclectic, though often described as atmospheric and emotional. In 2009 he joined the Soloma art group and composed music for media art performances “Traces on the Snow”, premiered at “I Love Kiev” contemporary art festival (Kiev, Ukraine, 2009) and “Aero”, premiered at “Gogol Fest” contemporary art festival (Kiev, Ukraine, 2010). His music was featured in ‘Ni Ogros Ni Princesas’ Provizional Danza choreography directed by Carmen Werner (Madrid, Spain, 2011). Collaborated with Maria Navrotskaya, Pleq, Merzbow, Aiode, Anton Baibakov, Orchestra Eclettica e Sincretista, Matt Finney. Collaboration with American poet Matt Finney became a separate heavier and darker sounding project. In 2011 they wrote music for the opening of Olya Pischanskaya’s photo exhibition, which took place at Korobchinsky Art Centre (Odessa, Ukraine, 2011).

Heinali joined Fluttery Records family in 2012. "We signed international music project Draff Krimmy" says Taner Torun, the label owner. "Jan Hammer recommended us Jun Minowa and his projects Gargle and Yawning. Heinali was introduced to us by Jun Minowa. It seems that artist we work with are so happy that they are recommending us to their friends and our family is growing that way."

When we return to Heinali's latest "Air" we find cinematic sad music, strings moving around the central piano motifs which are minimalistic. Power of light touches, the ambience, the echo and the sense"

http://www.flutteryrecords.com/flttry039.html

Leaves

Across The Aisle

Today I'm releasing 3rd piece of "Symphonic Wanderings".
This series of orchestral works was started during my years in conservatory like a pet project, aside from all my student works.
First two pieces were done while still studying and it was a good preparation for me to work on symphony later.
Wanderings 3, the last piece was started after I've already finished my studies, and I've decided to combine all 3 of them into cycle.
Glad to finally close this chapter and share it with you!

Stream/Download this piece:
https://ffm.to/wanderings

Follow me:
➤ Instagram: https://www.instagram.com/yegorov.artem/
➤ Youtube: https://www.youtube.com/c/ArtemYegorovMusic

Symphonic Wanderings III

Set in the late 60's, broken relationships and an astronomical event intertwine the various narrative threads - an abstract interpretation of the historical Christmas narrative.

We Are Infinite

Holy Grail Music - Quest For The Holy Grail

Hope you'll enjoy!
Please 'Repost' if you deem it worthy!
Wav/mp3/flac/Ogg/etc: https://aceruleanstate.bandcamp.com/album/singles-2016
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A Cerulean State - Until change shattered it forever

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A Quiet Walk In The Snow

Experience the episode how we envisioned it:
http://www.talesoftheforgotten.net/unexpectedguests

The second episode of Tales of the Forgotten, “Unexpected Guests” finds Aapo alone among an empty village and Rebourne Forest. After the pollution and downfall of civilization, Aapo is the only one left to nurture the ancient trees that can no longer sustain themselves. But when an unwelcomed group of humans arrives at the village, he has to decide which lives matter most: theirs, or the trees' to which he has dedicated his life's work.

Tales of the Forgotten [LORE SYNOPSIS]:

"2183. The machines had taken control. Human civilizations slowly fell during the 17 years prior. Forced into the shadows out of fear and total extinction, they slowly recouped their resources over the years, and eventually, struck back across the globe. Fooled by their own mindset of superiority, the empires of the machines began crumbling one by one, and man took back what was once theirs. By making a vow to abandon technologies, humans eventually returned to a more primitive lifestyle, a lifestyle that AI were no longer a part of.

Man was thriving once more. But what of the AI? And specifically, those of the original minority? The ones who sought for peace and harmony between races. Unfortunately, any effort to remedy the situation seemed futile; these creations were alone, scattered across the globe with no means of communication to the others who felt similar. Individually, each knew that there must be a way to regain the trust of humans and regress to the prosperity of coexistence, but the efforts of one would never make a difference. They had been forgotten not only by their own for not taking a stand, but also by their creators who deemed all AI to be a threat. All hope seemed lost. But determined, the brave would venture out of the shadows and into the very world that shattered all they once knew."

Episode II: Unexpected Guests

Unexpected Guests

Our Serenity

Download

Short fantasy underscore

https://open.spotify.com/album/7r8HEFDhfiyewnMp5Q13SH?si=utFqkeyfRh-Ej-o_MGx0PQ

The Magic Fountain(Atmosphere/Explore)

In Silentio

On The First Day

Introducing Tableau Solo Strings by Organic Samples: Three soaring, lyrical instruments—violin, viola, and cello. 
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Whether you’re channeling the romantics, creating oriental or klezmer strings for a score, or just adding solos to your productions, these strings will help you realize your ideas quickly.

The driving force behind Organic Samples is Maxime Luft—a young composer who started creating the instruments he needed for his own productions. The Organic Samples series is available exclusively from Orchestral Tools.

https://www.orchestraltools.com
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When We Meet Again (Benny Oschmann)

I make cinematic, orchestral music.

For licensing/using my music/hiring for your project/lessons - contact me here:
artem.yegorov@gmail.com

Where does the time go?  Sorry to have not been here for a long time, this is due to the change of my job and ultimately my personal time.  But I will return as often as I can.  

If you could see your whole life from start to finish, would you change things?
✨
But it is in the darkest night that the stars shine their brightest.
✨

Symphonic Wanderings III

Artem Yegorov

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