In this episode, Marisa interviews award-winning, Toledo choreographer Alyssa Brutlag. Dance was always a part of Alyssa’s life growing up especially having a mom as a dance teacher and studio owner. Now, she is an established choreographer and teacher who travels across the US creating works, finding inspiration from music and improving. When she is not busy at the studio, Alyssa can be seen teaching Dance Church classes, and working on her new piece, “If Tears Were Diamonds,” to present in the spring.

Follow Alyssa @alyssabrutlag

Check out her website https://www.alyssabrutlag.com

Sign up for Dance Church classes here https://go.dancechurch.com/irl

Donate to support Alyssa’s new work “If Tears Were Diamonds” here https://www.gofundme.com/f/help-bring-alyssas-new-work-to-st-louis?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customer

Alyssa Brutlag: Tapping Into Instincts

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.

On today’s episode, Film Comment Editor Devika Girish sat down with Canadian filmmakers Guy Maddin, Evan Johnson, and Galen Johnson to discuss their new film Rumours, one of the true delights of the festival so far. It’s a horror comedy set during a G7 Summit, with a dynamic ensemble cast including Cate Blanchett as the German chancellor, Charles Dance as the American president with an explicable British accent, and Roy Dupuis as the Canadian prime minister sporting a man bun. These and other leaders of the world’s richest democracies gather in a gazebo in the German forest to draft a statement addressing an unnamed political crisis, but soon sinister noises and figures emerge from the shadows around them. Rumours is a satire that is as whip-smart and timely as it is unabashedly silly, featuring hijinks such as a giant brain and an AI bot that traps sex predators.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 #4: Guy Maddin, Evan Johnson, and Galen Johnson on Rumours

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts.

On today’s episode, Film Comment Editor Devika Girish is joined by Kevin B. Lee, Abby Sun, and Vadim Rizov to debate their differing reactions to Jia Zhangke’s Caught by the Tides, Paul Schrader’s Oh, Canada, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumours, Patricia Mazuy’s Visiting Hours, and Matthew Rankin’s Universal Language.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition.

Cannes 2024 #5, with Kevin B. Lee, Abby Sun, and Vadim Rizov

Holiday clips: Teresita Fernández

Cannes 2024 is in full swing—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.

For our latest episode from the shores of the Riviera, critics Robert Daniels, Miriam Bale, and Mark Asch join Film Comment Editor Devika Girish for a discussion of their recent festival viewing, including David Cronenberg’s The Shrouds, Coralie Fargeat’s The Substance, Ali Abbasi’s The Apprentice, and Claire Simon’s Elementary.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 #6, with Robert Daniels, Miriam Bale, and Mark Asch

Cannes 2024 is in full swing—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.

On our latest episode from the sunny shores of Southern France, critics Guy Lodge and Adam Piron join Film Comment Editor Devika Girish for a lively conversation, touching on two of the most buzzy recent premieres—Jacques Audiard’s Emilia Pérez and Sean Baker’s Anora—before offering some personal recommendations for deserving films that aren't getting the same hype treatment, including Sandhya Suri’s Santosh, Carson Lund’s Eephus, and Soi Cheang’s Twilight of the Warriors: Walled In.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 #7, with Guy Lodge and Adam Piron

Celebrating Dylan Thomas with Cerys Matthews…with exclusive live music from Flora Hibberd!

Sheila Heti on Alphabetical Diaries

Cannes 2024 is in full swing—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.

On our latest episode from the sunny shores of Southern France, critics Beatrice Loayza, Giovanni Marchini Camia, and Caitlin Quinlan join Film Comment Editor Devika Girish to dig into their recent festival viewing, including Miguel Gomes’s Grand Tour,  Alain Guiraudie’s Misericordia, Mahdi Fleifel’s To a Land Unknown, and Paolo Sorrentino’s Parthenope.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 #8, with Beatrice Loayza, Giovanni Marchini Camia, and Caitlin Quinlan

Cannes 2024 is in wrapping up this weekend—and our intrepid on-the-Croisette crew of Film Comment contributors has been high-tailing it from screening to screening, cutting through the noise with a series of thoughtful dispatches, interviews, and podcasts.

For our (nearly) final episode from the sunny shores of Southern France, Dennis Lim, Artistic Director of the New York Film Festival, and Justin Chang, film critic for The New Yorker, join Film Comment Editor Devika Girish to discuss some late-festival selections and highlights, including Payal Kapadia’s All We Imagine as Light, Mohammed Rasoulof’s The Seed of the Sacred Fig, and Truong Minh Quý’s Viet and Nam, before debating what the Cannes 2024 lineup says about the current state of cinema.

Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 #9, with Justin Chang and Dennis Lim

Art is everywhere and with it comes the often unseen and unheard voices who make it happen. Join host, Marisa Dickens, as she interviews all types of artists who share their works, processes, and passions. Every artist leaves a little part of themselves in their work…it’s their ARTifact!

Alyssa Brutlag: Tapping Into Instincts

ARTifacts Podcast

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