Curator Michelle White, artist Nanette Carter

Rauschenberg Fabrics, Nanette Carter

“That’s the majesty of rock / The mystery of roll / The darning of the sock / The scoring of the goal / The farmer takes a wife / The barber takes a pole / We’re in this together…and ever.” These lyrics ring as true today as they did back in 1992, when Spinal Tap penned them for their song “The Majesty of Rock,” from the classic album Break Like the Wind. Centering around the core trio of frontman David St. Hubbins, lead guitarist Nigel Tufnel, and bassist Derek Smalls, Spinal Tap have exerted a significant amount of musical force since the early ’60s, when St. Hubbins and Tufnel first linked up as young rockers in the rough-and-tumble London neighborhood of Squatney. After trying on a few different styles and names—including The Originals, then the New Originals, then the Thamesmen—the group eventually settled into their now very-well-worn position as the elder statesmen of rock. 

But now, after a long, peaceful silence, Spinal Tap is back with a new film, Spinal Tap II: The End Continues, in theaters on September 12. With noted filmmaker Marty DiBergi returning to the director’s chair, the movie follows the band as they prepare for a triumphant reunion concert, offering an intimate view of the Tap working through festering interpersonal conflicts, rehearsing material and potential new drummers, and dealing with interruptions from the likes of Paul McCartney and Elton John. As with all things Tap, there’s more: on September 16, the Criterion Collection will release a new special edition of the 1984 classic This Is Spinal Tap. Film Comment Editor Clinton Krute spoke with St. Hubbins, Tufnel, Smalls, and DiBergi about the new movie, which the band hasn’t seen yet, and the old one, which they hate. They also discussed their long careers in music and film, the influence of cinema on their chosen art of music (including formative encounters with “good violent Westerns” like Run of the Arrow and sci-fi fare like The Tingler), and much more.

Spinal Tap on Spinal Tap II: The End Continues

Antony Gormley

Curators Philip Brookman and Deborah Willis; artist Anthony Barboza

Photography & the Black Arts Movement

These audio descriptions describe artworks in The Superpower of Looking resources - Art UK's flagship programme to tranform the visual literacy skills of primary school children: https://artuk.org/learn/the-superpower-of-looking.

Reverie by Peachzz

Three films in this year’s NYFF lineup explore the intersections of quotidian life and the arts, following artists whose efforts to make time and space for their creative passions are thwarted or frustrated by the grind of the everyday. In Kent Jones’s Late Fame, adapted from an Arthur Schnitzler novella, a once-upon-a-time New York poet (and now a postal worker) is intoxicated by the sudden attentions of a coterie of twentysomething wannabe poets. In Kelly Reichardt’s The Mastermind, set in the 1970s, an aimless art-school dropout executes a comically sloppy heist at a local museum, as if seeking escape from his banal, bourgeois family life. And in Lucio Castro’s Drunken Noodles, an art student spends a summer in New York, having a series of serendipitous and erotic encounters around painting, poetry, and writing. Each film dwells in how both the making and consuming of art can force life into a pace incompatible with that of the modern world.

Last Sunday at NYFF, Jones, Reichardt, and Castro joined Film Comment editors Devika Girish and Clinton Krute for a conversation exploring the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films.

Stealing Time, with Kelly Reichardt, Kent Jones, and Lucio Castro

Danielle Joy Mckinney

In this episode, Marisa interviews animator, director, and producer Howy Parkins. Howy grew up in Canada watching Saturday morning cartoons and drawing TV characters. After studying animation in college, Howy traveled around Europe working on Who Framed Roger Rabbit and Star Wars: Ewoks. He eventually moved to Los Angeles and worked as a director for Disney’s The Lion Guard, Mickey Mouse Clubhouse, Recess, Emperor’s New School and Hailey’s On It. With an extensive career, Howy shares fun stories along the way and provides insight into the animation industry today. 


Check out Howy’s career on IMDB and catch his work on streaming platforms now. 

Howy Parkins: Sketching Stories and Laughs

One of the highlights of this year’s New York Film Festival is the latest feature by the nonfiction master Gianfranco Rosi, known for documentaries like Sacro GRA (2013), Fire at Sea (2016), and Notturno (2020), which paint both lyrical and urgent portraits of places that function as thresholds—between land and water, life and death, heaven and hell. His new cinematic essay, Below the Clouds, brings that approach to the Italian city of Naples. Shot in ethereal black and white, the film explores Naples as an environment both cosmic and prosaic—a city whose skies are suffused with volcanic ash and whose earth is shaken by tremors; and where a glorious and ancient past scaffolds a gritty, melting-pot present. 

Below the Clouds premiered in August at the Venice Film Festival, where Film Comment's Devika Girish sat down with the filmmaker for a conversation. The two discussed how Pietro Marcello (director of the NYFF selection Duse) inspired Rosi to make a film in Naples, as well as Rosi’s uniquely embedded and immersive technique, and the state of nonfiction cinema today. 

Gianfranco Rosi on Below the Clouds

These audio descriptions describe artworks in The Superpower of Looking resources - Art UK's flagship programme to transform the visual literacy skills of primary school children: artuk.org/learn/the-superpower-of-looking.

(Cymraeg) On Strike by David Carpanini, Cyfarthfa Castle Museum and Art Gallery

Art is everywhere and with it comes the often unseen and unheard voices who make it happen. Join host, Marisa Dickens, as she interviews all types of artists who share their works, processes, and passions. Every artist leaves a little part of themselves in their work…it’s their ARTifact!

Howy Parkins: Sketching Stories and Laughs

ARTifacts Podcast