Māori DJ Selector / Producer from Aotearoa, New Zealand

bookings: booking@indepthtunes.com 
Homepage: www.kempstarr.de
UCP Berlin: www.ucpberlin.de
K&K: https://soundcloud.com/kandkeuphony
K&K FB: https://www.facebook.com/kempandklatt
In Depth Tunes: www.indepthtunes.com

💥 deep dark minimal / psytech / darkprog beats & alien punk's forest psychedelic groove explorer  👽 🖖
💥 dj & party organizer at Fusion Lab/BK Family 😎
💥 Changa at YxAn&Changa ExperyMental ForestPsyPunk Duo 🤟

Sergeу Kuznetsov, known as Changa, is a Moscow-based DJ and party organizer. 
He started his DJ career in 2010, playing forest psychedelic music. In 2014, his interest shifted towards zenonesque/dark progressive and psytech, leading him to deep diving into these styles, and making him one of the pioneers and key figures of the genre in Russia. 
In 2021, he returned to forest psychedelic while continuing to play dark progressive and psytech, maintaining a diverse and evolving sound.
Sergey is a regular performer at major festivals in central Russia, including BK Festival, Anatman Gathering, ChillOutPlanet Festival, Solar Systo, SPACE as well as smaller outdoor festivals and indoor events. He performs both as a solo DJ and as part of a long-standing duo with his friend DJ YxAn.
As an event organizer, Sergey has been managing the Alter Stage at BK Festival for several years, handling artist bookings and lineup.
Over the years, he has developed a distinct style, characterized by heavy use of samples and loops, creative effects manipulation, and a signature approach that remains recognizable across all the genres he plays. Together with DJ YxAn, they coined the term "psypunk" to describe their boundary-pushing attitude towards psychedelic music.

Producer, Creative & Company Director / New Media Artist with international cognisance in experiential media, arts & entertainment / developer of creative projects / & maker of iconic events.

/ active in Wellington, Auckland, Melbourne & elsewhere / from Aotearoa / live in New Zealand / reside in Wellington / work from home / creative by any means necessary!

Wellington, New Zealand
Melbourne, Victoria, Australia
Contact Info
Manage Creative
Line Producer
Curator
Producer


we R because we MC therfore we rmcees Riddim Made Cool the definitions are endless 5 crew members including our beat maker the enovator im_eno young gun from da c b d together with a pad and pen we collab to create R M C our goal is to shatter the wakt frame modern hip hop has gained and flip it wit sumfn original SEEN.......grown up now though branching out and looking for water because thats what we are made of.......tyeah


https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Producer based in Montreal. I do hip hop music with a blend of Soul, Funk and Jazz.

Regan Tamanui, a unique visionary, crafts mesmerizing hand-cut 6-layer stencil art portraits. His artistic process is a symphony of precision — cutting with both hands, meticulously counting every snippet released. Transforming these counts into musical notes, he assigns each digit above 9 to a single note, creating a harmonious fusion of art and sound. Tamanui's compositions, born from the intricacies of his portraits, offer an auditory dimension to his visual narratives, inviting viewers to experience the convergence of fine art and music in each evocative creation.

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