In this episode Jim chats to Derry singer/songwriter Declan McLaughlin about his fascinating career, growing up in Derry during the war, and the relationship between music and working class politics on his new album Path of Most Resistance.
The new album and Declan's back catalogue can be purchased at Here.

To win the battle of ideas we need to build and sustain independent platforms for progressive working class perspectives. To help this effort we have established a Patreon page.
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Jim Slaven tweets @JimSlaven
Declan McLaughlin tweets @decmclaughlin

All Hail To The Pod is produced by Matthew Slaven for Cowgate Media. For more information on the Pod and other Cowgate Republic initiatives visit 107cowgate.com

Path Of Most Resistance

Visit https://www.artseverywhere.ca/dissolve-disappearance/ for details.
Listening in a dark and comfortable environment is recommended, with headphones or 2.1 sound system onwards.

Voices, synthesizers, sound capture, mix and master: Elton Panamby
Tides captured at Mangue Seco beach (Raposa/MA)
Tracks recorded, mixed and mastered between June and September 2021 in São Luís/MA
In memory of Pettrus Talles.
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Boca d’água
Faixas: 1 Chama-Maré /  2 Leito / 3 Viração (maré de queda)

Recomenda-se a escuta em ambiente escuro e confortável com fones de ouvido ou sistema sonoro 2.1 em diante.

Vozes, sintetizadores, captação, mix e master: Elton Panamby
Marés captadas na praia de Mangue Seco (Raposa/MA)
Faixas gravadas, mixadas e masterizadas entre junho e setembro de 2021 em São Luís/MA
À memória de Pettrus Tales.

Elton Panamby - WATERMOUTH: Tidal-Calling / Bed / Turnaround (tidal fall)

CFRU 1987 album Just West of Something Big
Step In Time by This Ill File

-Step In Time by This Ill File

CFRU 1987 album Just West of Something Big
Facelift by Belinda Wu

-Facelift by Belinda Wu

This week we talk with Steph Yates, a Guelph-based screen-printer, videographer, songwriter, and multi-instrumentalist about the relationships between music and art. How has the dialogue between the two disciplines developed over time, in various places, and in her practice in particular? Yates discusses the aesthetic and conceptual choices in her music and art, grapples with issues of identity and gender, and talks about what it’s like being a female lead in the music scene. 

“I think for me the secret ingredient is the thing that you can’t know until it happens, the thing you can’t catch, the mistake you didn’t know you were waiting for until it arrives. It’s just sort of the way things fall and then you see it. Maybe you think of it as fate or chance but you can’t direct it.”

Jarmusch, Jim, “My Golden Rules,” MovieMaker, January 22, 2004.


Feminism and Aesthetics: Steph Yates on Music and Art (The Secret Ingredient - 03/06/15)

Now in its 14th year, the Guelph Lecture presents a keynote by Okanagan knowledge-keeper Jeanette Armstrong, music by Midnight Shine from northern Ontario, and a literary presentation by Ann Hui, food reporter at the Globe and Mail. An evening of conversation about our relationship with the land, about the place of Chinese restaurants in small communities across Canada, and the power of music to celebrate our struggles and beauty.

The 2017 Guelph Lecture took place on January 20, 2017 at the River Run Centre in Guelph, Ontario, Canada.

Contents Part 1
Emcee: Melanie Goodchild, educator and researcher in Indigenous social innovation; Welcome: Franco Vaccarino, President and Vice Chancellor, University of Guelph; Ann Hui: Globe and Mail’s National Food Reporter and author of the Globe series Chop Suey Nation

The Guelph Lecture: On Being Canadian 2017 - Part 1

Now in its 14th year, the Guelph Lecture presents a keynote by Okanagan knowledge-keeper Jeanette Armstrong, music by Midnight Shine from northern Ontario, and a literary presentation by Ann Hui, food reporter at the Globe and Mail. An evening of conversation about our relationship with the land, about the place of Chinese restaurants in small communities across Canada, and the power of music to celebrate our struggles and beauty.

The 2017 Guelph Lecture took place on January 20, 2017 at the River Run Centre in Guelph, Ontario, Canada.

Contents Part 2
Introduction by Melanie Goodchild
Presentation by Jeannette Armstrong, professor, storyteller, and protector of Indigenous culture, and a Canada Research Chair in Indigenous Philosophy at the University of British Columbia (Okanagan).

The Guelph Lecture: On Being Canadian 2017 - Part 2

Hymna republiky ŠKID

Live from the Guelph Jazz Festival 2019, a solo performance on vielle à roue (hurdy gurdy/zanfoña/Drehleier etc).

Completely improvised, there are no electronic effects used at all, just the amplified instrument.  Please excuse the noisy archival-quality recording.

Live at the Guelph Jazz Festival 2019

ArtsEverywhere is a platform for artistic experimentation and exploration of the fault lines of modern society. It creates open spaces for dialogue about the value that the arts bring to all aspects of our communities and societies. Visit us at https://artseverywhere.ca/

Elton Panamby - WATERMOUTH: Tidal-Calling / Bed / Turnaround (tidal fall)

ArtsEverywhere

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