Inner Voice

"A wall of air between us". When it seems like love should work but it just doesn't...

"Air"
By Maria Bourgeois

So close and yet so far
A wall of air between us
A connection in our stars 
The elements have seen us

But I can’t love you 
Though I know how to
‘Cause I’m only touching air

And you can’t love me
If you’ve not free to be
You’re more distant than your near

So close and yet so far

Chorus: 
Far, da da da da da
da da da da da
I’m only kissing air
Far, da da da da da
da da da da da
I’m only kissing air

You forgot to tend the fire
Or maybe I’m to blame
For not nurturing our desire
Taking care of our flame

And I’ve got my rhythm
And you’ve got my rhythm
But you’re dancing over there

And you’ve got your rhythm
And I’ve got your rhythm
But I’m dancing over here

So close and yet so far

Chorus:

I know how to love
I know how to care
But I can’t love you
Though I wanted to
I can only touch the air

And my hands can reach
But they can’t touch
It really isn’t fair
How my lips can part
But it’ll never start
‘Cause I’m only kissing air

And I don’t love you
Though I wanted to
And I’m only touching air

And I don’t love you
Though I wanted to
And I’m only touching air

Where there should be words
And it should be clear
Instead, there’s only kissing air

Chorus: 

I’m only kissing air 

Air

Helene, North Carolina Is Me And You(Alt. Ver.2)

Differently

"Cowgirl in the Sand" is a song written by Neil Young and first released on his 1969 album Everybody Knows This Is Nowhere.
The song's lyrics are about a promiscuous woman, or perhaps three different women if each stanza describes a different woman. Author Nigel Williamson describes the lyrics as "obscure and dreamlike, addressed to some idealized woman." Music critic Johnny Rogan describes the lyrics as "oblique", describing the woman as being both "idealistic" and "idealized" by the singer, referring particularly to the line "When so many love you, is it the same?" Author David Downing suggests that this line reflects ambiguity as to whether increased sexual freedom is a blessing or whether it is a curse. Downing, however, feels that the next line, "it's the woman in you that makes you want to play this game", was already outdated when the song was released in the late 1960s. At the time of the song's initial release, Rolling Stone described the lyrics as "quietly accusative". Young himself has claimed that "Cowgirl in the Sand" is about his impression of "beaches in Spain", despite the fact that when he wrote the song he had never been to Spain.
Author Ken Bielen suggests an interpretation of the lyrics, in which Young is singing about himself. The sand in the title could be a reference to young people coming to California, which has many beaches. The woman in the first stanza could be a veiled reference to Young, since Young moved from Canada to California. Lines such as "Old enough now to change your name" and "Has your band begun to rust" could be references to Young's departure from the band Buffalo Springfield. The line "When so many love you, is it the same?" could be a reflection of Young's own ambivalence towards fame, and in Bielen's interpretation, the line that bothered Downing, "it's the woman in you that makes you want to play this game", could be a reference to Young believing that his own feminine side is causing him to seek fame despite the harassment that fame attracts."          Wikipedia

Cowgirl in the Sand - Neil Young (Cover)

Basado en la electrónica y  fusión con
sinthetizadores  daws definiendo en un  huracan musical ..

Hurricane

When routine bites hard and ambitions are low
And resentment rides high but emotions won't grow
And we're changing our ways, taking different roads
Love, love will tear us apart again
Love, love will tear us apart again
Why is the bedroom so cold turned away on your side?
Is my timing that flawed, our respect run so dry?
Yet there's still this appeal that we've kept through our lives
Love, love will tear us apart again
Love, love will tear us apart again
Do you cry out in your sleep, all my failings exposed?
Get a taste in my mouth as desperation takes hold
Is it something so good just can't function no more?
But love, love will tear us apart again
Love, love will tear us apart again
Love, love will tear us apart again
Love, love will tear us apart again

Love Will Tear Us Apart FULL MIXDOWN (Joy Division Remix)

Wunder_Airship

Wunder Airship

Me and Dave Cooper strike again , moody one this , we hope you like it ! Coming up are a Pop song by myself , a Country ballad , both assisted by Kim on backing vocals , a Country Rock song again with Dave Cooper , a belter of a song with Gaz , and so much more in the pipeline with Charlotte , Dave , Gaz and Glenny G . It's Halloween tonight , I hope no kids call as I want all the treats for myself ! Thank you so much for listening , and I'm putting me and Charlottes 1st album out for distribution tomorrow , don't know the release date yet !

I Think I'll Go Home

Ghost of My Hero by Shirlinda is a haunting blend of rock, goth rock, darkwave, and dungeon synth, weaving ethereal melodies with gritty, driving beats. The album’s atmosphere is thick with mystery, drawing from classic hard rock riffs and dark ambient soundscapes. Shirlinda’s vocals, layered with both whisper-soft harmonies and powerful belts, float like ghostly apparitions, conveying both melancholy and resilience. Synth-heavy tracks evoke a retro-futuristic vibe, reminiscent of old-world gothic aesthetics but tinged with modern synthwave and dark electronica influences.

Lyrically, Ghost of My Hero explores themes of loss, solitude, and memory. Each track feels like an exploration of an ancient, shadowed landscape where haunting echoes and distant thunder provide the sonic backdrop. Guitar riffs and bass lines are intense and hypnotic, grounding the ethereal synth melodies and drawing listeners into a labyrinth of sound. The title track, "Ghost of My Hero," is a powerful anthem that combines Shirlinda’s storytelling with her unique blend of post-punk and industrial rock influences.

The album appeals to fans of underground music scenes, with tracks that range from pulsating dungeon synth compositions to brooding gothic ballads. It’s an album that lingers, like the memory of a distant figure whose presence remains in both light and shadow, offering both a tribute to and a reimagining of the darker realms of music.

Ghost Of My Hero

Neon Hearts

A failed experiment with the new Suno feature. The "persona" was saved from a song which was sung by a duet (alternating male and female voices) I did not think that it would allow me to get a duet, random ocurrence only in my experience with Suno. I was right, the use of a persona produced a female vocal only. 
However, I found I liked this song and the arrangement. I don't know if I am getting into a rut with the AI but a few of my latest offerings have been very similar in their production. I am seeing a minimalist beginning to the song with the last minute or so seeing lots of magic. More instruments, vocals with a difference and a crescendo before the short ending going back to the same minimalist style.
I like it, maybe I communicate that to the AI and it is presenting it back to me,But do listen to the end, even if you jump by clicking on the wave form.
Oh BTW, the persona should have been a male/female duet, I called Just-In-Love. I am having fun naming these for Suno's use.

I have Nothing To Say (Just-In-Love)

An amateur singer/song writer; in it for the fun and satisfaction. Enjoying rediscovering old recordings and sharing new original songs with friends and anyone who would like to join me on the adventure.

The songs and playlists/albums hold an eclectic mix of original material and covers; I have also recovered various analog recordings and sequenced tracks. I sing because I enjoy it and make no claims to any musical performance skills, you are warned....

I have Nothing To Say (Just-In-Love)

John Dyhouse

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