dangellodj is a DJ, producer and musician from Mozambique. His sets blend house, deep house, melodic house, tribal house, progressive house and melodic techno, bringing together rhythm, groove and emotion.

A drummer and bass player since the 1980s and a graduate of the Hot Club Jazz School, he approaches electronic music with the ear of a live musician. DJing since 2013, he has played at events such as Rock in Rio, Wild Lorosae, Logic Soul Prod and Techno Lisbon, as well as clubs like MOME Lisboa, Urban Beach Lisboa and ResPublica Santarém.

He’s also known for his beachside performances at Ibiza Beach Club, Lorosae Beach Club and NoSoloÁgua Albufeira. Since 2023, he’s been a resident DJ at Clássico Beach Bar by Olivier and hosts his weekly show MyBackyard by dangellodj on Move Ibiza Radio, Organica Radio, ResFM, TOPfm Radio and other international stations.

His first release, "Some Sad Times", was written in memory of his mother. Inspired by Carl Cox, Nicole Moudaber, Dubfire and Richie Hawtin, he sees music as a universal language. A way to speak without words and keep emotion alive. 

dangellodj is a registered trademark and his dedicated to his father Angelo

You can connect with him via his email : dangellodj@dangellodj.com

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Ricardo Correia, also known as Aruzda, has started as light jokey in the mythical club Alcântara Mar, in Lisbon, where his connection to music started to grow. In 1998 he had his first work as a Dj and later with the Alcântara Mar closing, he started to dedicate himself to what he understood to be his true vocation, putting aside his work as light jockey. Since then, he started to develop and to categorize his work. Either for the quality music he plays, or for his technical perfectionism, Aruzda is distinguished on his sophisticated and unique musical style, giving to the dance floor a new fresh air, filled with an excellent musical selection. Since then this Dj started to get his recognition in the greatest clubs of these days, playing with names such as DJ Vibe, Plastikman, David Morales, Kevin Yost, Masters at Work, Erick Morillo, Rob Di Stephan, Tony Humphries, Dj Spen, Dj Jiggy, Frank Maurel, Chus & Ceballos, Luís ''XL'' Garcia, Luis Leite, Paulo Leite, Geninho and many others… Dj Aruzda has his weekly residency in the emblematic club Kremlin, in Lisbon, where he drags an enormous legion of fans, music lovers and clubbers worldwide. 

Texto-Patricia Raimundo ( Cerejinha ) IbizaDreams




Ricardo Correia, mais conhecido por Aruzda, começou por ser light jokey na mítica discoteca Alcântara Mar, em Lisboa, onde a sua ligação com a música começou a crescer. Em 1998 fez o seu primeiro trabalho como Dj e mais tarde, com o encerramento do Alcântara Mar, começou a dedicar-se ao que tinha percebido ser a sua verdadeira vocação, pondo de lado o seu trabalho como light jokey. Desde então começou a evoluir e a categorizar o seu trabalho. Quer pela música de qualidade que toca, quer pelo seu perfeccionismo técnico, Aruzda é distinguido pelo seu estilo musical sofisticado e único, dando á pista de dança um renovado ar fresco, preenchido por uma excelente selecção musical. A partir daqui este Dj começou a adquirir o seu reconhecimento nas melhores discotecas da actualidade, tocando com nomes como DJ Vibe, Plastikman, David Morales, Kevin Yost, Masters at Work, Erick Morillo, Rob Di Stephan, Tony Humphries, Dj Spen, Dj Jiggy, Frank Maurel, Chus & Ceballos, Luís ''XL'' Garcia, Luis Leite, Paulo Leite, Geninho e muitos outros... O Dj Aruzda tem a sua residência semanal na emblemática discoteca Kremlin, em Lisboa, para onde arrasta uma enorme legião de fãs e adeptos da música, vindos de todo o mundo.

Texto-Patricia Raimundo ( Cerejinha ) IbizaDreams 

For Management Christian@SoundzLimited.com

SUDO (Drumcode, Cocoon, Tronic) 
SUDO is a Live act and production team made up of Japanese brothers Isao and Takashi Sudo. Their techno sound is one that they have carefully fomented over the last two decades having first started out playing rock, jazz and new wave. After visiting hotspots like Rotterdam, Ibiza and Berlin in 2012, Isao decided to move his base to Berlin. 2016 was huge for SUDO with his Monogram EP on grammy awards producer Dubfire’s SCI+TEC which became a hit, was played by top DJs on dance floors all around the world, and led to them getting tapped up for many more new releases. These came on MINUS, Break New Soil, Octopus, in turn increasing their notoriety in Europe, North and South America. Gaining support from Adam Beyer, Sven Väth, Richie Hawtin, Laurent Garnier. Following SUDO's 2016 live debut with Dubfire SCI+TEC Showcase OFF Week Sonar, touring India and Australia, and he had big success in famous Cacao Beach in Bulgaria, then, many people on the dance music scene have high expectations of Japan's latest electronic live/DJ act, 
After 2023 is huge for them that released Cocoon, Tronic, then released “Real World EP“ on Drumcode. The track “ Real World“ got the number one spot in Beatport’s Techno (Peak Time / Driving) Chart. As collaboration, they have worked with Bart Skills, Jam El Mar (Jam & Spoon) Ken Ishii. Also They are well aware of that and promise to continue to break new ground going forwards. 

神戸出身の須藤崇と須藤功からなる実の兄弟DJ/プロデューサーユ ニット、SUDO。80年代のパンクロックをルーツとし、共にバンド活動で 音楽キャリアをスタートさせ、ロック、ジャズ、ニューウェーブ、クラッシッ クといった多ジャンルから多種多様な影響を受けるなか、90年代初頭に Sven Väth、Underworldなどのレコードに出会ったことでダンスミュージッ クにのめり込んでゆく。当時テクノトランスと呼ばれていたそれらの音源は彼 らに多大な衝撃を与え、これらの音楽を求め世界中のイベントを旅すること となる。また、当時関西エリアにはこういったイベントが殆どなく、複数の イベントを2人でオーガナイズしはじめる。なかでも98年に大阪・名村造 船所跡で行われた"TELEKTONON"が成功を収めローカルシーンでも注目され ることとなる。後にイベント名を"BLISSDOM"と改名し、関西、東海エリア にてシーンの拡大に貢献していく。
2011年にINDIGO名義でアルバムをリリース。イビサ のLas Daliasや韓国の名門クラブ"Volume"を単独で満員にしたり、ダンスミ ュージック販売サイトのKing Beatのトランス部門で1位を獲得するなど、音 楽制作でも目覚ましい才能が開花するなか、同年にテクノの楽曲制作に特化 したユニット、"SUDO"名義で活動をスタートさせる。SUDOのライブ活動の 中でも特に注目を集めたのは、喜多郎、ブライアン・イーノ、ヴァンゲリスな どの世界的に著名なアーティストたちが演奏してきた天河大弁財天社での数々 の奉納演奏に参加し、その経験が後にSUDOに音楽的にも多大な影響を与え ることとなる。2012年にはロッテルダム、イビサ島、ベルリンなどの滞在をきっかけに、Isaoはその活動拠点をベルリンに移すこととなる。数年の 昼夜を問わない音楽制作とパーティーでのデモ曲のプロモーション活動に明 け暮れるなか、彼らの才能がDeep Dishとしても有名であり、テクノ最重要レ ーベルのひとつである"SCI+TEC"主宰のDUBFIREの目に留まる。15年6月 には同レーベルから"MONOGRAM EP"のリリースが決定。これを機にイビサ をはじめとした世界中のトップクラブでSUDOのサウンドがヘヴィープレイさ れるきっかけとなり、Dubfireは一年以上の異例ともいえる期間彼らのヒット 曲”Invisible Space”をプレイし続けた。その後も、イタリアDeeperfect、 Agile、フランスScander、UKのNight Light RecordsやENTER.Ibiza CD、 スペインのStick Recordings、Selected Records、ハンガリーSet About、 Darkface Recoerdingsなど各国主要レーベルからリリースが続き、ヨーロッ パのみならず、北米・南米・アジア・オーストラリアからの多大な注目を浴び ている。さらにリミックスのオファーをエレクトロニックミュージックの伝 説的ユニットSystem7をはじめ、Alberto Ruiz、Andres Kampo、Gaga & Mateo!、Oscar Aguilera他多数から受け、2018年にはNicole Moudaber、Secret CinemaのレーベルMood Records、Gem Recordsから のEPをリリース。テクノのトップアーティストRichie Hawtin、Adam Beyer やPan-Potらのサポートを受け、世界各国のレーベルから日々楽曲提供やリミ ックス依頼が後を絶たない。またファッションブランドのルイ・ヴィトンや ミズノなどへの楽曲提供とダンスミュージックという枠を超えた活動も注目 されている。 2015年に待望のライブデビューを果たした彼らは、ageHa やバルセロナSonarでのSCI+TEC ShowcaseでDubfireとの共演、オランダの ビッグネームEgbertとのツアー、2018年には世界的に有名なブルガリアのト ップクラブCacao Beachでのギグを大成功させ、ヨーロッパを中心に、日本 人ライブアクトとして世界を舞台にした更なる活躍が期待されている現在最 注目のアーティストである。

Chadubritt has been immersed in the world of DJing for over two decades. An unwavering enthusiast of electronic music, he carries with him a repertoire that embodies the nuances of Organic & Tech-House. Among his selections are some of the monumental classics of the dance scene.

With an exemplary mastery of technique and a charismatic presence, he has graced stages in countries spanning Germany, Angola, Spain, Italy, Morocco, Mozambique, the United Kingdom, Romania, Switzerland, and more. In these diverse locales, his creativity and performances take attendees on a unique journey that stands apart from the rest, leaving no one untouched by his artistry. 

He has signed projects such as: Electrónix, Lá Ostia, Sundance festival and more recently Solardance & Holi Sunset.

During a season in the north of Portugal, he took over the booth for the Baixa Cubbing project, in the city of Porto, where he shared the booth with some of the "maestros" of House Music. Names such as Tony Humphries, Roger Sanchez, Kenny Dope, Spen & Carizma, Sandy Rivera, Quentin Harris, David Moralles, Chez Damier, among many others, a very enriching project that made him evolve even further in learning and sharing the art of DJing.

Pioneer of the mythical sunsets in the Algarve at the beach bar *No Solo Àgua* with its "Apache-Me" parties, taking the same to other beach bars from north to south of the country.

Chadubritt is synonymous with celebration. 
Let´s DANCE!!!

The official soundcloud channel of Time Warp.

He is, without a doubt, one of the djs who most contributed to the evolution of the dance scene in Portugal.
Beside him, were names like Underworld, Danny Tenaglia, Roger Sanchez, Dj Vibe, Deep Dish, François K, Carl Cox, Jeff Mills, Dave Clark, Groove Armada, among many others.
But more than the names, was and it is his work that stands out before everyone.
Beginning his career in the 1980s with residency at the Plateau (Official) and progression to the mythical "Alcântara Mar", he ended up, give life to the first album to be recorded by a club in Portugal: “The House of Rhythm”.

It was with this record that he achieved what was never achieved before, the first gold record in national electronic music.
In addition, there are numerous milestones associated with different projects, such as Delicado, Crystal Symphony, LL Project and DarkMountainGroup, a co-project with Alex Santos and whose first single, “Lose Control”, reached the number 1 from British DJ Magazine.
When in the mid-90s the first volume of the series of mixed compilations of the mythical Alcântara-Mar club was launched, Luís Leite was already a strong name in our club scene and a pioneer of dance music in Portugal. With a great impact of the compilation and his entry in the first place of the sales tops, Luís becomes part of one, at the time still small, group of DJs coming from the underground who managed to enter the Portuguese mainstream without compromising his music. It was 1996 and the pirate cassettes of the "Alcântara" CDs changed hands in schools and on the streets in large numbers, as if they belonged to Nirvana or Guns & Roses. Teenagers pissed off their parents to wear rings, shave their hair and blow their allowance up in Jimmy Doyle boots like ravers did.
With a mix of American hard house, b-sides of European trance, some English techno and new national production, Luís Leite built the monster that would become the sound of "Alcântara-Mar": naked, fast, oscillating between clubby exuberance and industrial austerity - with an undeniable crossover potential. Also with his production he created some of the greatest classics in our dance music; everyone who grew up in the 90's recognizes "Khine #3" when they hear it, and "Work In Progress" is not only one of the best moments at Kaos Records but it still retains an elegance that makes it modern. In collaboration with Alex S (Urban Dreams) he gave us the Delicado project in the early 2000s, where he exchanged electronic hardness for jazzy influences. Later,  also with Alex, he created one of the biggest international hits of the house of his time with the project Darkmountaingroup, released under the label Buzzin 'Fly by Ben Watt (Everything But The Girl). His dedication and genius ear are only comparable to his humility and work of spirit, typical of a time when DJs were just employees.
From then on, invitations to record mixed cds hadn’t stopped.
As a Dj invited - Clubs
Internationaly
Angola: Elinga Bar,Kappot (Luanda)
Belgium: Worldwide Liquid & Solid Tour 98 (Katsu)
Spain: Festimad 98(Madrid)/Vigo/Inércia & Sala Stress(Huelva)
La Rocca & Joy Eslava(La Coruña)/Industria Copera(Granada)/Club Lokkita (Badajoz)/Lloret del Mar(Barcelona) 
France: Follies Pigalle(Paris)/Galaxie(Amneville)
Luxembourg: Faktory12/Double Deuce/Byblos Club/Victory/Caffe de La Gare & Triplex(Luxembourg)
Norway: Neon(Oslo)
UK: The Venue(Jersey Island)
Switzerland: D Club/Xroom Club(Lausanne)/Moa Club_Jet Leg Room(Geneve)
Portugal:
- LUX Fragil (The Club and Bar 1st floor), Op Art Cafe, Budha Lx, Budha Club, Loft, Rocks, Locomia, Kadoc, Pacha(Ofir), Day After, Kremlin, Vaticano, Alcantara Club, Queens, Sound Planet, In Loco,
Hit Club, Vespas Club(Madeira Island), Challenger Club(Porto Santo Island), Wolf Club & Twins Club(Terceira Island_ Azores).

Among many others…

ARUZDA Techno Lisbon MyBackYard is following