Name: AYLI Ground Level 020 - DJ Hockey by As You Like It in hk_libre_dance_sets_254
Duration: 1 h 10 min 31 s
Description: INTERVIEW: https://www.ayli-sf.com/2025/06/06/ayli-ground-level-020-dj-hockey/

Thank you so much for the opportunity to share ✨🎶💜

[UNDER CONSTRUCTION]

Libre (f.k.a Free) Dance Sets no. 254

creation: 2025/07/05

Astounding dance music, all of them = )

Hugs & Kisses

hk_libre_dance_sets_254

DJ Mix Live Set 2022-07-04

alle tracks by @konstantin-distortion & @boone-wikkedsoundz exept. (Mathame - Skywalking E.P.) - one of te greatest electronic pictures ever made

favorites of last 2 two years studio & synthwork with nice guys

Kaleidoscopic psychedelia from one of Australia's finest.

While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound.

Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M.

This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve.

Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D.

As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent.
 
@kia-sydney @animalia-label  @cirruslabel

Read more at ra.co/podcast/973

RA.973 Kia

547VRN DOMINIVM

ARTURIA DRUMBRUTE
ARTURIA MICROFREAK
ASM HYDRASYNTH EXPLORER
KORG KICK

SATURN DOMINIUM

547VRN DOMINIVM

El pasado 3 de enero Mr Wakanda, jefe de Luv Bar y Mau Mau Underground, organizó una noche "Tuff Luv" en el Laut de Poble Sec. 
Él y yo hicimos B2B antes y después del headliner de la noche, el capo de Clone Records y Clone Distribution en Rotterdam: Serge. 
El holandés se marcó un set memorable, de lo mejor que he escuchado últimamente. Empezó con Chicago house, a destacar el clásico "Drowning In A Sea Of House" de Laurent X y otros de Paranoid London, Mike Dunn o Mr Lee para pasar al electro con Dynarec, PRZ, Privacy... acabar con acid techno de Ten Lardell y cerrar con el "Emotinium" de Roy Of The Ravers. 

Pese a estar temerosos de cómo iría la noche por ser el 3 de enero y el hecho de que Serge pinchase de 2 a 4, a las 2 de la noche ya había ambientazo en la pista y acabó siendo una noche para el recuerdo.

Para acompañar este mix he hecho esta mini entrevista a Serge:

-When did you discover house music, and when did you start DJing?
-That must have been around 1986-87. I was listening to a lot of radio while doing homework, and I heard some really cool new dance music on a couple of shows. It was so different that I wanted to know more about it! It started with hip-hop, R&B, disco, and electro, but at the time, those sounds were mixed with house, wave, and early acid and techno. It was so powerful.

-When was the Clone label founded? What was your idea at the time? 
-In 1992. I was making music with a couple of friends and wanted to get it out into the world and play it myself (vinyl was the only way to play your music in a club). I decided to do it myself, just like the early house and techno labels that inspired me. I also wanted to keep creative freedom and experiment.

-If you had to recommend three essential Clone releases to someone who doesn't know the label, what would they be?
-I can’t answer that question because everyone has their own way into music. It’s personal for everyone, and I can only answer this question if I know someone’s preferences. Some people think Larry Heard’s music isn’t "party" enough and prefer trance. What can you do in such a case? 😊

I recommend spending time scrolling through the catalog and enjoying the pleasure of discovering music you’ve never heard before, all by yourself.

-How do you discover new talent for Clone Records?
-People in my network might recommend someone, I listen to demos, I discover new artists via social media, I hear a great new record by a producer I didn’t know, I connect at parties, or I meet people in the store.

-What advice would you give to someone who wants to start their own record label?
-Haha, don’t do it! 😆
It’s going to suck up a lot of your time, and there’s a fair chance it will make you poor.

But seriously… just do whatever you want to do. Don’t listen to others—just see where it takes you.

-Three gigs from your career at a club or festival that you remember as the best.
The Colundi party at Tapeley Mansion in Devon.
A party in an underwater aquarium, two meters below sea level, in 1992 in Zeeland (all the fish died at the end of the event from the heavy bass 😅).
An illegal acid party in an abandoned fortress, where I did a live set with my old O.R.X. project around 1996.
And, of course, the Acid Planet parties at De Blauwe Aanslag.


RHYTHM CONTROL BARCELONA MIXES 010: SERGE - CLONE RECORDS

At 3AM on January 1st, Dutch Producer, DJ and De Lichting co-founder @humanspacemachine took us on a trippy techno journey.

Human Space Machine Live @NYE 2025

INTERVIEW: https://www.ayli-sf.com/2025/06/06/ayli-ground-level-020-dj-hockey/

AYLI Ground Level 020 - DJ Hockey

Episode 25 comes from Jonas Mokosch, who presents a dynamic journey through the multifaceted realms of Dub and Techno. His set unfolds as an evolving narrative - seamlessly balancing tension and release, depth and drive.

Sequence Podcast 025 - Jonas Mokosch

ELECTRO-MINI-LIVE-SET-DJMIX Recording_2025-06-06_04h27m00s-A-MINI-LIVE-SET-DJMIX


𝐄𝐋𝐄𝐂𝐓𝐑𝐎-𝐌𝐈𝐍𝐈-𝐋𝐈𝐕𝐄-𝐒𝐄𝐓-𝐃𝐉𝐌𝐈𝐗

new-techno-short-live-set #techno #techouse #electrohouse #minimal #deeptech #trance #electronic Recording_2025-06-28_23h03m18 https://www.mixcloud.com/keinKind/new-techno-mini-live-set/

a-new-techno-short-live-set

A fittingly lush mix filled with dusty, wobbly perfection from the lovely Helsinki based @suskidj this week.

I met Suski when she warmed up for me the first time I played at Post Bar in Helsinki a few years ago - a place i've returned to a few times and truely adore! Suski is a resident at the much-loved Helsinki club. I was initially drawn to her dj'ing as the set she played as a warm-up in Post Bar was a pitch-perfect and contextually divine fit for the space & time. 

This mix is a poignant follow up - diving through through the rich textures of immersive techno, and an entire journey through the world of electronica & idm with broken beats, ambience and charmingly off-kilter percussive rhythms.

Thanks for the amazing mix Suski <3

Downloads enabled

Animix One Hundred & Seventy Six: Suski

The day after our first night at Club Raum, we hosted a listening session at our Amsterdam home base Noord Space to softly land. In an intimate setting, Erik Luebs offered listeners a unique live performance created for this moment. Seated in front of his instruments, Erik made time stop and created communion. This recording captures perfectly what we experienced, and we hope that you will feel it too.

Sunday Aftermath with Erik Luebs Live at Noord Space

Animalia alumni, the very talented @al-den-te at Diega, a New Years Festival held in the bush near Melbourne. 30th December 3-4am, 2024.

<3 


ani/live Seventy Two: Al Dente @ Diega

Temptation

Temptation   -----------------     SamplerRemix

3 PUP (original mix)Fran Ular

Crystalline techno from an Italian sound sculptor.

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=601

@Neel

Resident Advisor podcast

RA.601 Neel

As You Like It is the result of a shared taste for quality electronic music, late-night experiences, and creative expression, rooted in the underground and branching out to new heights.

As You Like It Recordings, an imprint of As You Like It SF, fosters and amplifies the diverse Bay Area artist community, releasing cutting-edge sounds through a multifaceted collaborative platform that strives for timelessness.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

AYLI Ground Level 020 - DJ Hockey

As You Like It

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