The easy part : the quietest room has all but the loudest door.
The hard part : working flat face down on the noise floor...

This may be a case where what I find adequately soothing is a little unnerving to others - hope not!

Nothing elaborate here outside the actual project description; mined the quiet sample period for harmonic content; pitched, concentrated and sequenced what I found.

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Disquiet Junto Project 0167: Placid Cell
Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing.

This project is the second time that the Junto gathered its resources to pay tribute to the wrongfully imprisoned Creative Commons advocate and coder Bassel. Sunday, March 15, marks the third anniversary of Bassel’s incarceration in Syria.

In Bassel’s honor, this week we’ll make music by taking the loneliness of a small, closed room and making something beautiful and soothing from it.

Step 1: Go into the quietest room in your home and record the room’s tone. Also record the sound of the door being closed.

Step 2: Locate in that track a suitably quiet 10 consecutive seconds. Also locate the moment when the door is closed.

Step 3: Locate in those 10 seconds a handful of signature sonic events, moments, however small or subtle, that stand out from the general silence.

Step 4: Create an original composition that begins with the door being closed, proceeds through the 10 unadulterated seconds of room tone, and after which samples of those sonic events from Step 3 are transformed into something soothing. This being a project about isolation, you cannot add any external sound elements.

Step 5: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 12, 2015, with a deadline of 11:59pm wherever you are on Monday, March 16, 2015.

Length: The length of your finished work should be roughly between two and five minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0167-freebassel” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto

Two Point Four Square Meters [Disquiet Junto Project 0167: Placid Cell]

Music Production Mixing Engineer for Film.
Love Music, Art, Fashion, Books, Photos, Talk of different Languages and More.

A path choked by nettles does not deter the bearer of a swinging scythe.

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

Experimental -Aleatoric-Improvisation-Sonification-Data Bending-Computer Music-Science and Research 
Video Link :
https://www.youtube.com/@trampelfad
Bandcamp : 
https://trampelfad.bandcamp.com

https://maxelzholz.bandcamp.com

I havent posted a track in a million years, but am actively still producing privately.  As a dubstep producer, I tend to aim for tracks that are somewhere between hard and gritty.  What I usually end up with, however, is something between gritty and chilled out.  Dubstep is not for everyone, and my personal flavor of dubstep is for even fewer people.    Music is not my career, but rather, a passionate hobby.  I know I will never be famous, and I do not care.  I do this for me.  I am my own biggest fan, and my own worst critic.  I have been making hip-hop beats casually for over a decade.  Then i  discovered Dubstep, and it was love at first listen.

I always have a bassline or a melody running through my head, and I make tracks as an outlet for that constant stream.  I also produce because the process moves me.  When I am producing, I am in another world.  Each track is born out of a particular mood or feeling, and when I listen to the tracks months or years later, I am drawn right back into the mood of that time, for better or worse.  I began putting my music online because I figured if I can move myself with my music, then perhaps it can also move somebody else.  I am thrilled to see so many people enjoying my music.

My current setup revolves around Ableton Live.   I use a Beringer 49-key keyboard and an Akai MPK Mini pad-keyboard.  I also own a Novation Launchpad (which admittedly gets little use.  Most drums are done on a Mashine Mk2. To create my basslines and synths,I mostly use NI Massive + Kontakt.    I have no formal training, and learned all I know by experimentation and online tutorial.

Sketches from England's bleakly industrial biomechanical heartland.

Come with me now to the subconscious borderlands of sleep and wakefulness.  Explore the sensory phantasmata of hypnagogic dreamlets.  Feel static-like frisson sensations tingling down your spine.  Join me on the journey into the heart of etherCore.

Looking for missing tracks?  Check out my Bandcamp http://pytchblend.bandcamp.com/

All tracks are copyright; to include on your set, show, or production please get in touch.

Sometimes broadcast on RTÉ lyric FM's Nova show (Ireland), Berlin​ Community​ Radio, Beatnikradio (also in Berlin) and Radiophrenia (UK).

ELREN - electronic modular noise improvisation with Output L. H. Elbin 
WAHRISE - solo sampling and synth project since 2012 
SUBTETT - analog and digital electronics improvisation krautjazzproject since 2009
BIOS - solo project 1995 - 2003
HYGIENICA - experimental ambient drone project 1997 - 2001

harsh sounds, lofi dirt.
there are two of us.

Two Point Four Square Meters [Disquiet Junto Project 0167: Placid Cell]

aScytheThroughNettles