Elektromusic7

22/01 mistakes were made

the fave listenings of this month

in the pic : Alvin Curran

"musica assoluta" (febbraio 2022)

Neo Cortex Nuevo Aporte

KR10

KR17

KR20

KR21

admoto "paratum"

/\:BVJ0 · 3

sonic-attack Ancients EP. Ambient in all its glory

Ancient

Abu Simbel

01 - Abu Simbel

Ltxakñ¨^-_+4q

m4m?¿xm4r¨_¨sltW68vwv6

As promised, here's the completed version of Release.

Release (Final Version)

ZzX2c

It's in the Trees

It's in the Trees!

TvCmRgt/\/¨^

No color no form

Paul Amlehn - Intuitively-Determined Voice/Instrument Placements, Editing, Mixing, Production
Terry Edwards - Real-Time Radio Manipulation and Recording, Synthesizer, Percussion, Effects (Part One of Music Composition)
Eberhard Kranemann - Bass, Digitech FX Unit, Piano, MC-303 Groovebox (Part One of Music Composition)
Elliott Sharp - Synthesizer, Glissentar (Part One of Music Composition)
Jim Morrison - Poetry, Spoken Word Vocal
John Haeny - Sound Engineer for Jim Morrison Recording
Trent Reznor - Writing of Music and Performance (Part Two of Music Composition) 
Atticus Ross - Writing of Music and Performance (Part Two of Music Composition) 
Alessandro Cortini - Writing of Music and Performance, Guitar (Part Two of Music Composition)
Adrian Belew - Guitar (Part Two of Music Composition)
Hector Belioz - Sample from  His "Songe d'une nuit de sabbat" from His "Symphonie Fantastique" (Part Two of Music Composition)
David Lynch - Visual Art

They Haven't Invented Music Yet

Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

Source sounds: 
A beautiful field recording of a gate in the forest: https://freesound.org/people/DrGoldbach/sounds/590173/

A short excerpt of 'Surabaya Johnny' by Kurt Weill: https://archive.org/details/lp_the-two-worlds-of-kurt-weill_morton-gould-and-his-orchestra/disc1/02.03.+Surabaya+Johnny.mp3 

Image by <a href="https://pixabay.com/users/fotobox_petra0107-52422/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Petra Söhner</a> from <a href="https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=206898">Pixabay</a>

Before Dawn

xnlt4:|3/<

YT video : https://www.youtube.com/watch?v=qdu_8RM4sFA

Last Call (YT video link in description)

So I listened to a bit of Orbital back in the day :)

Mood Exhibit- Sinth Worship

Track 6 from the album 'Zijn'

About the album:
I have continued to work with A=432Hz tuning, exploring the possibilities of sustained sounds. I have been working towards an even more static atmosphere than on my previous albums.

I'm very interested in the role of time in this kind of music. The sounds have a different effect and meaning depending on how long they last. To me, the music becomes a vehicle to accomplish a meditative state.

released November 15, 2021

Instruments used on this album: Acoustic guitar, Acoustic guitar with ebow, Sustainer guitar, Soma Lyra 8 synth.
Recording, Production, Photography and Design: Simon van Weelden
© Geluidenfabriek, 2021

Contemplatie

Somebody

I made my cello like a singing throat synthesizer, enjoy.

Digitalstrupe

SC 211226 170311

all that's old made new 12.31.21

missteps for the mischief

double double (a long night's drive)

can we honestly say we didn't know?

maybe we're born with it

A moment of your time please [7]

An outtake cue from the current sessions for Dragging the Sea with Dreams.

Time Crystal (Early Mix Version)

Marco Lucchi : piano, synthesizer and tape

alt version of the previous track "L'uomo che cammina"
https://soundcloud.com/marcolucchi/luomo-che-cammina

field recordings from
https://freesound.org/people/felix.blume/sounds/612651/

1 febbraio 2022

L'uomo che cammina (di notte)

A veil across the silver dawn

tromba marina

if not when, how?

Dararat Chemnasiri -Alto Sax
King Imagine   -   Metal  Objects ,   Fx

KIng Imagine & Dararat Chemnasiri  - The Cry

A Mid Summer Nights Drone 2022

Tiko

Hailing from the coastal town of Chiba, Japan, Changsie has spent the last decade establishing herself as one of the most in-demand and trusted DJs in Tokyo. Following a youth immersed in hip-hop and R&B, a studied and timeless appreciation of dubstep and UK bass guides each Changsie set, possessing the ability to shift from meditative states to the rhythmic complexity of bleep techno and the ecstasy of acid-flecked house and techno.

We’re delighted for Changsie to deliver Dimensions Mix 180, in which she flexes her ability to collide genres, tempos and energies: resulting in an arresting ride through the darker flecks of the electronic spectrum. Buckle up.


1.Equiknoxx - Timebird [DDS]
2.Errorsmith - Retired Low-level Internal Server [PAN]
3.EDMX - Creole 2 [Frijsfo Beats]
4.John T. Gast - wygdn_bashmenttk9 [Blackest Ever Black]
5.Nick Klein - American Gut [BANK Records NYC]
6.Hontos - 2 [BANK Records NYC]
7.Mix Mup - Pa Toppen [The Trilogy Tapes]
8.The Model - Blast [E-Beamz]
9.Peter Van Hoesen - Transitional State 1 [Time To Express]
10.Hontos - 4 [BANK Records NYC]
11.J. ALBERT - Wake Me Up [Hypercolour]
12.Textasy - Breakbeat Lizard [E-Beamz]
13.Roberto & Jamie Anderson - Acid Test [Fossil Archive]
14.Pearson Sound - XLB [Pearson Sound]
15.Don Froth - Balboa [WNCL Recordings]
16.DJ Faz - Destiny [4 Front Recordings]
17.SEKT 87 - Mong Riddim [Project Allot Records]
18.Midas T - Who’s This [Orange Groove Records]
19.FaltyDL - Brazil (ft. Lily MacKenzie) [Planet Mu]

@changsie

DIM180 - Changsie

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 6

documenting since 2020

new record out now! link below (free to listen, support welcome)

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.

if not when, how?

as.dB