Production Note
https://furicomusicteam.blogspot.com/p/saint-germain-en-laye-suzanne-ledwith.html?

Short Version
https://soundcloud.com/suzanne-ledwith/somewhere-ive-never-been-saint-germain-en-laye

Guest Musicians
SuZanne Ledwith/Vocal
https://soundcloud.com/suzanne-ledwith
STONERJAZZ/Guitars & Vocal
https://soundcloud.com/user-911083679
Western Bokketo/Bass&Guitars
https://soundcloud.com/westernboketto
The Windscale Blues Experiment/Wind instruments
https://soundcloud.com/windscaleblues

Saint-Germain-En-Laye
https://soundcloud.com/user-596493783/saint-germain-en-laye-cadence

Somewhere I've never been (Original Length & Voice)

Oh Da Te

Title track for the album 'aloveunknown'
https://theblackdiamondtrain.bandcamp.com/

a love unknown

In respos to: naviarhaiku448 – On the field
Three recorded tracks, synths/sequencer for this is Roland D70, Roland Gaia, BARP2600, Korg SQ-64. 

On the field
where evening has died out –
my footsteps

From Marco/Naviar Records:
Given the success of our previous challenge, I decided to share another haiku by 20th century poet Ozaki Hōsai.
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.
Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku
Deadline: 10th August 2022

haiku by Ozaki Hōsai https://en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
picture by Amir Kalhor https://unsplash.com/@amirkalhor

The Field [naviarhaiku448]

Water Fragment

I'm nearing the end of this project. Ancillary Mercy is the title of the final book in the Ancillary trilogy. 
All the guitar parts were played on a Gibson 335.
The cover art is taken from the current edition of the book.

All Rights Reserved 2022

Ancillary Mercy

PARSEC

Good Jokes In Bad Places

double bass is the only sound source (it is manipulated in the course of performance, obviously)
recorded live 11.3.22

indulgence

Meet today
What of many yesterdays
A veil to hide
Stellar truth that lies inside
We return
To the obscure
Cosmic surrender
Cosmic surrender
We start
As flaming hearts
A veil to hide
Stellar truth that lies inside
We return
To the obscure
Cosmic surrender
Cosmic surrender
Meet today
What of many yesterdays
A veil to hide
Stellar truth that lies inside
We return
To the obscure
Cosmic surrender
Cosmic surrender
Cosmic surrender
We start
As flaming hearts
Cosmic surrender
Cosmic surrender
Cosmic surrender

Star Variations

Iblunica [part 1]

new record, "let go / still time" is out now, and available on bandcamp!

asdb-music.bandcamp.com/album/let-go-still-time

how do we begin again?

all tracks were living performances, usually with acoustic bass and electronics, sometimes guitar, synthesizers, voice, piano, mixers, fx, field recordings, but always in single takes with no overdubbing

for collaborations, commissions, booking, compliments, complaints, etc. etc. please feel free to dm or email asdbmusic@gmail.com

indulgence

as.dB

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pedro duarte

No Mates Ensemble

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