3rd track from Grundomma
Grundomma is myself and my brother Glenn Ward. It's been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. Pretty Fucken Colours features  samples from the documentary 'JIsoe"  - an hour long look at the life of legendary graffiti artist and train bomber Justin Hughes.  https://www.youtube.com/watch?v=gp8ZNqaG-dE
Filmed in 2005 Its a fascinating look into disaffected Australian suburban life, street art and mental health. Thanks as always for stopping by. Grundomma salutes you : )

Pretty Fucken Colours

Entering the tunnels of Kassel Wilhelmshöhe the fog has gone.

Epilogue 24-12-08

TAON XIII (dec24) 
Scissors beat 
- mixdown with Nagra IV-S

TAON XIII (dec24) Scissors beat

the fourth—I think!—collaboration between as.dB and ANSOUND (Thomas Sander)

scrip

...the right to shout 'theatre' in a crowded fire.

Ambient Dreams For Anti-Fascist Teens

Voices of Rosamund Pike, Susan Dugdale, Julian Fellowes and Steven Patrick Morrissey

Excerpts from three readings of Christina Rosetti’s poem ‘Remember’ (1862) and the isolated vocals from ‘Well I Wonder’ (1985) and ‘Please, Please, Please, Let Me Get What I Want’ (1984) by The Smiths

Image: Christina Rosetti, photographed by Charles Lutwidge Dodgson in 1863

---

Remember me
When I am gone away
Gone far away
Into the silent land

Remember me

Please 
Keep me in mind
Please keep me in mind

Please keep me in mind
 
Remember me 

When I am gone away
Gone far away
Into the silent land

Please keep me in mind

When I am gone away
Gone far away

Please keep me in mind
Please, please keep me in mind

Please, please, please  
Please keep me in mind

Please 
Keep me in mind

Oh, keep me in mind
Keep me in mind

Please 
Keep me in mind

So, please, please, please 
Please keep me in mind

Oh, keep me in mind
Keep me in mind


keep me in mind

Back after a lengthy absence from the Disquiet Junto.

The prompt aligned perfectly with my ongoing research into bell-like tones through ring modulation and frequency shifting, inspired by Oren Ambarchi's work, in particular "Grapes From The Estate" (Touch). 
Electric guitar, mostly harmonics, through ring mod plus some atrocious, violent guitar bits and bobs from my archive. 

Hope you enjoy!

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Unring [disquiet0682]

An electronic sequence created in Pure Data with additional gradual panning and reverb.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Panned and Spaced Out (disquiet0683)

THE   OTHER   CLOCKS  -  5.1

GEFÄHRLICHES SPIEL II

“When Small men begin to cast big shadows, it means that the sun is about to set.”  ― Lin Yutang

Track list and start times:
00:00  Angel Bat Dawid & Naima Nefertari – Neptune Desert Sounds
03:04  Loo(p)cy – Still Here Tonight
06:43  John Hyatt and Tom Hyatt – I had a Dream where I was a Raven
10:09  La Main Traumatique – Inverse Circulaire
16:19  Keijo – Anywhere Here
21:17  Philippe Petit – Humanum Est
24:58  Steve Roach & Vidna Obmana – The Current Below
34:02  Pacha Wakay Munan & Orieta Chrem – Agua, Cuarzo y Viento
39:04  Zoe Keating – Legions (Aftermath)
45:18  Syrinx – Turning
53:35  Adi Newton – Intercepted Quantum Entanglement Transmission
1:00:19  Jochen Arbeit – Skates (pt2)
1:09:43  Noise Research vs Fonik – Electricity Never Underestimate It
1:15:12  Michael Giles Mad Band with Keith Tippett – Why Not
1:20:22  Paul Leonard-Morgan – Ma-Ma's Requiem (from ‘Dredd')
1:23:40  RicHard – Déjà vu
1:28:27  Angel Bat Dawid & Naima Nefertari – Nabta Calling
1:30:16  Susan Matthews with Clutter – Ships Will Leave
1:38:55  Patricia Gurband – Unbreak
1:42:32  Richard Bégin – Juin 1831
1:48:24  Paul Leonard-Morgan – The Sacred and the Profane
1:52:37  Roger Roger – Rhapsody In Green II Luxuriance (excerpt)
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Eclectic current – Calculations in collapsing space

documenting since 2020

new record out now! link below (free to listen, support welcome)

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.