musician
http://elohimxelohim.com
elohimgmt@gmail.com

DARIUS TOUR 2025  
https://www.dariusofficial.com/

Booking Americas
dlandau@tbaagency.com

Inquiry / World 
antoine@divine-musique.com

𝙰𝚜 𝚃𝚑𝚎 𝙿𝚎𝚗𝚍𝚞𝚕𝚞𝚖 𝚂𝚠𝚒𝚗𝚐𝚜 𝟿/𝟷𝟸
Hypnosis
Horror
Optical Illusions

MGMT:  
adam@2plus2.net
tonirose@2plus2.net

HypnoVizion Records:
@hypnovizion
demos@hypnovizion.com

BOOKINGS: 
CChapman@teamwass.com

EU BOOKINGS: 
paul@primarytalent.com

i think music is pretty neato...
bookings: 
US/Worldwide: andrew@liaisonartists.com


mgmt: ryank@threesixzero.com

https://willclarke.komi.io/

bookings:
North/South America/Asia/Australia: zberkowitz@teamwass.com

Spain/Italy/Portugal: fran@b4bookings.net

France/Germany/Switzerland/Austria/Scandinavia: contact@stephenmacias.com

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Melodic House 

INFO / BOOKING / COLLAB: Text me on Instagram

On My Terms, Exploited, Frequenza Records, Moveubabe Records

Vinyl/digital label by Soul Goodman called On My Terms. First release "Soul Goodman: Exhibit A"

Follow On My Terms and get the vinyl on Bandcamp at: https://onmyterms313.bandcamp.com

Follow On My Terms on Soundcloud: https://soundcloud.com/onmyterms

Follow on Blast Radio for live sets! blastradio.com/soulgoodman

Dates:
02/07/26: Magic Stick, Detroit w/ CID
12/20/25: Virgin Hotel, Nashville
11/21/25: Coba Afterhours, Dallas
10/10/25: Magic Stick, Detroit w/ Dombresky
09/06/25: Garden of Soul - Avli Rooftop, Detroit
08/30/25: Arc Music Festival - Icon Lounge, Chicago
08/09/25: Garden of Soul w/ sillygirlcarmen - Avli Rooftop, Detroit
07/12/25: Garden of Soul  w/ Dabura - Avli Rooftop, Detroit
06/07/25: Garden of Soul - Avli Rooftop, Detroit
05/25/25: Magic Stick, Detroit w/ Odd Mob
05/23/25: Exodos Rooftop, Detroit
04/26/25: Carnivale, Chicago w/Rony Seikaly, Ron Carroll
03/29/25: Ultra Music Festival, Miami
10/04/24: Orchid Theatre, Detroit
08/10/24: TV Lounge, Detroit
05/25/24: Official Movement Afterparty at Magic Stick, w/ Meduza
05/24/24: Exodos Rooftop, Detroit
04/14/24: TV Lounge, Detroit
03/23/24: Ultra Music Festival, Miami
03/07/24: On My Terms Launch Party - Spotlite, Detroit
10/08/23: TV Lounge, Detroit
09/16/23: Spotlite Detroit w/ John Collins, Eddie Fowlkes
09/15/23: SpkrBox Detroit
09/04/23: ARC Festival Finale, Smoke & Mirrors Chicago
08/13/23: Vinyl Lounge Nashville
05/26/23: Exodos Rooftop w/ Sydney Blu
04/15/23: Movement Festival Official Preparty w/ Eddie Fowlkes at The Vinyl Lounge, Nashville
03/24/23: Ultra Music Festival, Miami
02/10/23: Magic Stick Detroit w/ Cassian
10/16/22: TBA Brooklyn
09/22/22: TV Lounge Detroit
08/14/22: Charivari Festival Detroit
07/30/22: High Spirits Rooftop, Nashville
07/23/22: Primary Chicago
07/09/22: Spybar Chicago w/ Technasia
07/01/22: Magic Stick Detroit w/ Booka Shade
05/28/22: Official Movement Afterparty at Masonic Temple, Detroit w/ Maceo Plex, Nastia, and Sama' Abdulhadi
03/27/22: Baccano Wynwood, Miami
03/26/22: Ultra Music Festival, Miami
09/10/21: Untold Festival, Cluj-Napoca, Romania
11/04/20: Paxahau HQ Livestream Detroit
08/16/20: Charivari Detroit Live Stream Festival
05/02/20: Electronic Labor Day, Beirut
03/20/20: Knee Deep in Miami Yacht Party
03/19/20: Don't Forget to Stretch, Night Owl Miami
02/01/20: TV Lounge Detroit
01/24/20: Prysm Chicago
12/31/19: NYE at Museum of Contemporary Art Detroit (MOCAD) w/ Golf Clap, Kevin Saunderson
12/13/19: Savant Detroit
11/08/19: Magic Stick Detroit w/ Solomun
10/18/19: Whiskey Disco Detroit
09/28/19: TV Lounge Detroit
08/31/19: Spybar Chicago w/ Matthew Dear
07/19/19: Magic Stick Detroit
07/06/19: Incorrect Yacht Party, Chicago
06/23/19: Rituals Road Trip w/ Paul Johnson, Marble Bar Detroit
06/13/19: Snack Time, TV Lounge Detroit
06/08/19: TV Lounge Detroit
05/27/19: The Blu Party Detroit at Level 2
05/26/19: Movement Music Festival Detroit, Main Stage
05/18/19: Official Movement Pre-party w/ DJ Minx, TV Lounge Detroit
05/10/19: Rituals Chicago
03/31/19: Resistance VIP afters, Miami 
03/29/19: Ultra Music Festival, Oasis Stage
03/28/19: Stereo Productions Yacht Party Miami
03/27/19: Incorrect Music Label Party, Barter Wynwood Miami
03/27/19: Rituals Pool Party, Intercontinental Hotel Miami
03/09/19: TV Lounge Detroit
12/22/18: The Works Detroit
11/24/18: The Works Detroit
11/17/18: Spybar Chicago w/ Will Clarke
11/02/18: The Magic Stick Detroit w/ Black Coffee
10/19/18: Marble Bar Detroit w/ Terrence Parker
10/06/18: TV Lounge Detroit, Mister Goodman Open to Close
09/29/18: TV Lounge Detroit
09/02/18: Spybar Chicago w/ Josh Wink
09/02/18: Backlot BBQ Rituals Rooftop, Estate Chicago
08/31/18: Incorrect After-hours Yacht Party, Chicago
08/11/18: The Gärten, Beirut, Lebanon
08/02/18: Untold Festival, Cluj-Napoca, Romania
07/19/18: Output Rooftop, New York

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