Fables (2021-2024) 
for 
Clarinet Solo and Chamber Ensemble of Seven Players

I. the Acacia
II. the Pine and the Dragonfly
III. the Moon Ronde
IV. the Dark Doves
V. the Wisteria

Program notes: 
I have a deep fascination with fables from various cultures. The shared themes and similarities in these stories hint at a long history of collective human experience, and possibly at shared fears, fantasies, and dreams rooted in our psyche. I’m particularly intrigued by how these stories often contain contradictions in their messages, reflecting like a mirror to the tangled nature of how we live together.
In Fables, I tried to create sonic fables. By that, I mean each movement’s title and the way the clarinet weaves through the ensemble are meant to stir questions in the listener’s mind. For instance, “Why is this movement called Wisteria?” I hope that the titles and the music will stir an imaginary fable in the listener’s mind, a vague sensation of an ancient story. Not a tale you’ve heard before, but one that’s been sleeping somewhere inside you. A feeling of storytelling, of little fables from a forgotten past that haven’t yet been written, a faint memory, a shared dream, a fable that hasn’t been told yet, but still somehow feels familiar.

Composed for Daniel Boeke and Ensemble Oerknal


Fables (2021-2024)-Ashkan Behzadi

for more information please visit: 
https://ashkanbehzadi.com

Contact: 
behzadi.ashkan@gmail.com

Ashkan Behzadi, a recipient of 2025 Ernst von Siemens Composer Prize and a 2021–2022 Guggenheim Fellow in Music Composition, is an Iranian-Canadian composer based in New York. He earned his DMA in composition at Columbia University, where he studied with Fred Lerdahl, George Lewis, and Georg Friedrich Haas. Prior to this, he graduated from McGill University with a bachelor’s degree in composition and music theory, studying composition with Chris Paul Harman and Brian Cherney. Ashkan also holds a bachelor’s degree in architecture from Tehran University, where, at the same time, he took composition and music theory lessons with Alireza Mashayekhi.
Ashkan’s music has been commissioned and performed by various international performers and ensembles, including Ensemble Recherche, TAK Ensemble, Oerknal Ensemble, Ensemble Mosaik, Yarn/Wire, JACK Quartet, Grossman Ensemble, Divertimento Ensemble, Ensemble Alternance, Ensemble UnitedBerlin, Exaudi, Ekmeles, Wet Ink, Talea Ensemble, and le Nouvel Ensemble Moderne (NEM). 
His work has also been recognized with awards, artist residencies, and participation in festivals such as the Koussevitzky Foundation, Fromm Foundation, New York State Council on the Arts, the Graham Sommer Second Prize, the Prix de Composition at Fontainebleau, the MacDowell Fellowship, the Civitella Ranieri Fellowship, the Divertimento Ensemble Composers Meeting, the Dialoge Festival at Stiftung Mozarteum Salzburg, the Manifeste Festival at IRCAM, and the CIRMMT New Music Series.
For the 2019–2020 academic year, Ashkan Behzadi joined the Department of Music at the University of Chicago as a Postdoctoral Researcher in the Center for Contemporary Composition. Since september 2023, he teaches at the Manhattan School of Music as a faculty member in Music Composition.
The issue of genre identity or genre-blurring, along with the dialectical relationship between modernist lyric poetry and contemporary music, has formed the core of Ashkan’s aesthetic concerns in recent years. Structurally, his music demonstrates a great attention to detail, conveying a miniaturist and gentle lyrical landscape. By employing techniques of allusion and pastiche as the foundation of his craft, his music ultimately seeks to invoke the collective memory of folklore music.