Just ripped off my vinyl copy brand new burial track



Burial & Four Tet Feat. Thom Yorke - Ego

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

Yyyrni - (alt) doe iets (prod Yyyrni)

Giving chase

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Sound of Prayer

Mudafossil

Structures From Silence

Structures from Silence

As The Circle Closes

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#369374

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Farewell Govinda

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Mudafossil

Ash Koosha

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