The Preatures are a rock and roll band from Sydney, Australia. 

Next Gig 8th Nov Jazz Cafe,London: https://www.facebook.com/events/133065780382720/
Band Page of Human Beamings (formerly Open Souls)
Seb Rochford - Drums (www.polarbearmusic.com)
Ranjana Ghatak - Vocals (www.ranjanaghatak.co.uk)
Jason Singh - Beatbox/Vocal Sculpting (www.thesinghthing.com)

Next Gig 12th June.The George Tavern, E1 http://www.wegottickets.com/event/319394

Human Beamings is a gathering of like minded musicians from a vast array of musical worlds. Mercury nominated band leader/drummer Seb Rochford,
beatboxer/vocal sculptor Jason Singh and British Indian vocalist Ranjana Ghatak have come together to explore the relationships between these sound worlds.

This collaboration is about creating a canvas that allows the skillful improvisation of classical Indian structures, poetry, songs and driving rhythms married intricately with atmospheric and ethereal sounds. The band played a sold out performance at the London Jazz Festival, in addition to various performances that include the Exhibition Road festival, East weekend at the Barbican,Broomhill Art Hotel/sculpture Park, and Spitalfields Festival.

"Taken as individuals, each of these musicians is a formidable talent, but together as a group in seamless synergy belying the infancy of their collaboration, they are a veritable force of nature." The Upcoming

http://fortunesband.com
DL: https://fortunes.bandcamp.com/

bookings: matt@nicheproductions.com.au
mgmt: marcel@goldtoothworldwide.com

tour dates: http://www.bandsintown.com/Jakubi

For all bookings and inquiries please contact: 

Brian Schwartz
schwartz@7smgmt.com

Bookings:
AUS: damo@123agency.com.au & harry@123agency.com.au
US: gregg@newfrontiertouring.com  
EU: mike@codaagency.com
ROW: adam@athousandhills.com

Licensing Contact:

Licensing@lipsyncmusic.com

Black Messiah out now:
iTunes: http://smarturl.it/BlackMessiahIT
Amazon Music: http://smarturl.it/blackmessiahamazon
Spotify: http://smarturl.it/BlackMessiahSp
Google Play: http://smarturl.it/BlackMessiahGP

Follow D’Angelo:
http://www.blackmessiah.co
https://www.facebook.com/dangelo
http://www.twitter.com/thedangelo

Miguel has been galvanised by the house music scene since the early 90's and has also been a DJ since that time. Miguel began producing his own music as one 'half' of the underground duo HCB.

In 2006 he founded his own label Outcross Records, which became a home for his music. Teaming up with fellow Leeds resident Matt Hughes to form MAM, a duo that has remixed the likes of the Imany, Deadmau5 and Flight Facilities, as well as putting out releases via Wolf+Lamb, Future Classic and Outcross itself.

​In 2010 he became the newest addition to the Hot Creations team and went on to pick up international recognition, capturing the imaginations of party people the world over.

Miguel's forward march continues as he refuses to relent, working on more music, including recent remixes for Basement Jaxx & RÜFÜS and continuing to travel to foreign shores, spreading his unique brand of funk around the world.

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Conscious original family Roots Band from Raglan New Zealand

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