Growing up in Darlington Pennsylvania, David Louthan started out developing his music skills by picking up a guitar at age 13, and this self produced singer songwriter has never looked back.

It seems it took a while for the music production bug to bite fully, but in 2006 David set about stepping up his musical goals, and focused himself on seriously producing and recording the catalogue of songs he had started building up through his formative years.

David cites a diverse range of influences on his life, from the retro sounds of Tom petty, Led Zeppelin, The Beatles, Jimi Hendrix, and The Doors, to the slightly later sound of bands like The Red Hot Chili Peppers. When you listen to David's music the influences are evident, and he handles straight ahead acoustic guitar based tracks such as the Bob Dylanesque 'Just a Kid’ as skillfully as more psychedelic influenced tracks such as 'Misguided Fear'

The term singer songwriter is often used to define a genre of its own, but most artists who classify themselves as such generally want to impart the fact that the songs are telling the story.

Running through David's playlist of songs on his SoundCloud page, he tells a story of humble determination in pursuit of your dreams, with tracks such as 'Family' reminding the listener of the age old adage that if they follow their heart, they wont go far wrong in life.

Something I'm sure we can all relate to is the tale of growing up too quickly and succumbing to the pressures of adult life. Sometimes we'd all like a day off and spend the day in the proverbial candy shop, reliving those carefree days of our childhood. David's message in the song 'Just A Kid' reminds us that there's a higher power helping us out in life, which should give us permission that quitting our worries, and taking time out to get in touch with our childlike side wouldn't do us any harm now and again.

A similar theme runs through the laid back piano and acoustic guitar melodies of ‘There’s A Place’ which arouses a very 60’s influenced feeling, encouraging us to find that part of our psyche that gives us the freedom and serenity to create and visualize our dreams. Going by the creativity contained in his catalogue of sad songs, I’d say that in his music David Lee Louthan has definitely found ‘his place’.   
Review by Simon Adams cranes

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Some artists define a genre, but Lil Baby defines a generation. The GRAMMY Award-winning rapper has smashed records, made history, and impacted the course of modern hip-hop with his instantly identifiable and inimitable style. He has garnered dozens of multi platinum certifications and tens of billions of streams as arguably the biggest new rapper to emerge this decade. Following the success of his platinum full-length debut Harder Than Ever in 2018, he seized #1 on the Billboard Top 200 with 2020’s My Turn, becoming “the year’s #1 selling and #1 streaming album in the US.” At first, it cemented him as “2020’s first and only artist to go double-platinum,” but it has since gone quadruple-platinum and has logged 85 weeks in the top 10 of the Top R&B/Hip-Hop Albums chart – marking the longest top-tier run in the chart’s history. 

 

He notably tied Prince and Paul McCartney for Billboard Hot 100 hits and Taylor Swift for “most weeks atop the Billboard Top 200 in 2020” with a total of 6. Out of eight nominations, he scored his first GRAMMY® Award in 2022. He has appeared on the covers of Rolling Stone and the Billboard R&B/Hip-Hop Power Players Issue in addition to receiving honors from VEVO, Rap Caviar, the Apple Music Awards, and more. He teamed up with Lil Durk for The Voice of the Heroes, marking his second #1 debut on the Billboard Top 200. It’s just the beginning though. He’s bound to revolutionize the culture again with his third album in 2022. Most recently, he released “Right On” and “In A Minute” which both songs debuted on Billboard’s Hot 100 chart. This feat puts Lil Baby in rare territory, making him the youngest of only 12 artists to have ever landed 100 or more songs on the Hot 100. This generation belongs to Lil Baby.

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