I produce music using samples (or loops) just like for House Music in the 80/90s. House Music is often associated with electronic sounds. This track is here to prove the opposite using accoustic recordings 🙂.

Photo by Alexandre St-Louis on Unsplash

Rock Me - Unplugged

The Bruce MacLeod Quartet

Live studio recording produced and composed by Bruce MacLeod
From the album: Parade

Bruce MacLeod: Guitar 
Joe Heinemann: keyboards
Victor Little: Bass
Jimmy Hobson: Drums
Cover: Egmont van Dyck

Parade

"Me encontre a un ovni"con bajos y sonidos envolventes,queda definitivamente terminado,acorte la base por gusto personal,me parecio que era la parte mas emotiva del beat,muchas gracias por bancar mi trabajo y ser los primeros en encontrar la verdadera escencia de lo que quiero transmitir.(Mezclada,sin mastering)

"Invaders"-(Outro)

written; produced; engineered by TEYP DOG

Da She Know

https://yorkcalling.co.uk/2020/09/21/discovery-almost-sex/
"Knockoff is a beautiful little ditty, with the soft vocal style mixing together in lovely fashion with the dual guitar melodies that provide most of the music here. It’s catchy, but it never sounds too commercialised, and it’s one of those tracks that you’ll have to listen to a few times before you fully hear everything – it sounds simple at first, but there’s a lot more going on in the background than you realise at first." - By Jane Howkins

Knockoff

A Side€  Blindsight

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - I. Andante

Aye salutations everyone, my fellow supporters, listeners/Fans 
And fellow artists. So happy valentines day for everyone! 
And with this I'd just like to take the time and let you guys know this here is a little something something to get you through.. This record is available on my @spotify and though it may be something light, it is something that I wanted to give as well. Especially for it being a rather spiritual alchemy of amore 1000% <3 Enjoy my beautiful people of mother earth straight from the dreams works of the music movement @EmpiricalLeaderUniverseProductions

Mother Natures Works of Heart

DjWhizPkMusic

Mother Natures Works Of Art (Prod by DjWhizPk)

remixed Dec '21

all kinds of things come out of nowhere, a breakup, an accident, a pandemic...

OUT OF NOWHERE

Out of nowhere
Came careering into view
Out of nowhere
Something reminding me that you 
Always knew what to do

Next to no one
Could have foreseen what happened next
Next to no one 
Could have known what's for the best
Expect you know the rest
We didn’t pass the test...

When all the world is trading
Arms and ammo 
When everyone is facing
An uphill battle
And the world and it's dog
Is wagging it's tail 
And the world and it's dog
it's all to no avail

Out of nowhere 
Next to no one 

Out of nowhere
Nowhere left for us to go
out of nowhere
All that’s there is just for show
still you’d never know… 
a never ending show

And so the story goes from
rags to riches
Decline and fall has left us
All in stitches...
the world and it's dog
Is wagging it's tail 
The world and its dog
Just hit the campaign trail…

Out of nowhere 
Next to no one

Out Of Nowhere

Focus X Type beat X Hip Hop rap

Kanye's Computer


💅z
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A Side€ Blindsight

Tru€Rock29€