Khia - My Neck, My Back (Yunzero Edit)

At the end, what will remain for them? Nothing, maybe. Violence, anger, debauchery most probably. Fear of others, an endless struggle to survive. No laws nor rules, For what purpose anyway? 
Will we at least be remembered? Worshipped or despised? And so what actually? You won't even be there to see, remember you are being chased.

'Songs for the Doom(ed) Generation' by Garguantuan Grief, to be published soon on Dawn records. More infos here:
https://dawnrecords.bandcamp.com/music

@gargantuang
@dawnrecords

℘ཞɛɱıɛཞɛ ≈ Gargantuan Grief - You Are Being Chased [Dawn Records]

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

Pre-order

KRONOM & MAX DAHLHAUS - LOSING GRIP (ICE EYES REMIX)

Shelter proudly presents: Mizgîn, a leviathan compilation of 18 tracks by 21 artists presiding on the cutting edge of electronic music. 

As we find ourselves in the eye of the storm during the most deteriorated epoch in modern history, Mizgîn, meaning "good news" in Kurdish, was motivated by the desire to offer respite from the horrors of the world. Shelter's ambition to unite different regional music scenes has once again brought together artists from nearly every continent, with contributions from legendary names.

This compilation is dedicated to everyone struggling towards the liberation of the oppressed.

Mizgîn releases on 17.05.2024 on all streaming platforms.

Emma dj & bod [包家巷] - Alone

☨: Well what about this one?

Ϟ: We’ve cleaned it up as much as we could, but…

- - - - COMETH YONDER !#%’@ TWIXT YE SHOVEL - - - -

☨: O___O

Ϟ: As you can see, it hasn’t gone as planned.

Ϟ: The GSTMR_3000, codename: ‘AULIC_VEIL’, can spout off entire poems…

- - - - THE SEARING WAFFLE YONDER ^($$/” ROME TO THE BACON YUM - - - -

Ϟ: …but it’s almost like nineteenth-century English, and it doesn’t make any sense.

☨: …wot?

Ϟ: And it’s obsessed with breakfast food.

☨: …

- - - - TOAST MMM - - - -

☨: Why do they always send us the busted ones?

Out September 13, 2024

Made by Aulic Veil, Fayetteville, AR
Sneerer remixed by Freilichman, The Dead Sea
Mastered by Dominic Clare @ Declared Sound, Kampala
Design by PLANETLUKE.COM aka Luca Lozano, Sheffield

Aulic Veil - Glory, Decline

Flesh of Lost Summers by Forgetting You Is Like Breathing Water is a melancholy excursion through the fuzz of the summer air, gentle guitar, subtly synth and electronics that bring a warmth and depth, and trumpet that gently glides into the piece.

Forgetting You Is Like Breathing Water is the project of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump. The duo are lifelong friends, having known each other since toddlers and going their separate ways in their adult life, their self titled album Forgetting You Is Like Breathing Water is the two of them meeting in the middle of their interests and enjoying making music together.

Forgetting You Is Like Breathing Water is out October 11 via Unheard of Hope.

https://www.asifnoway.com/premiere-forgetting-you-is-like-breathing-water-flesh-of-lost-summers

Forgetting You is Like Breathing Water

Premiere:  Forgetting You is Like Breathing Water - Flesh of Lost Summers (Unheard of Hope))

www.instagram.com/cortical_fm ( @cortical_fm )
www.instagram.com/plasma__sources/

Plasma Sources marks its 5th release with Cortical’s debut EP, ‘Wretched Patterns and Terrible Mistakes’. Pulling from both the extreme fringes of experimental music and the minimalistic tendencies of the UK bass continuum, the duo’s much-awaited first release acts as the locus point between dance floor sensibility and sonic exploration in its most immersive, visceral sense.

Cortical are world builders first and foremost. With backgrounds rooted as much in the visual arts as audio, the duo’s live AV show has already garnered critical acclaim after standout performances at Sónar and Lunchmeat. Coupling this with their list of past collaborators - which includes the likes of Holly Herndon, Arca and Skrillex - and it becomes easy to see why there’s so much hype around Cortical right now. Indeed, this EP is the culmination of months of building excitement amongst those in the know, as fragments of raw footage captured from Cortical’s shows begin to amass on social media.

‘Wretched Patterns and Terrible Mistakes’ itself feels like the auditory equivalent of a fragmentary existence forming, fragmenting and reforming again. Noise and distortion act as integral threads throughout the EP, but on the first track, ‘Telúrica’, they take centre stage. Brittle percussive calls give way to a thick wall of bass-laden, cinematic viscerality which hits the listener almost as hard as the ensuing rhythmic carnage which erupts halfway through.

Mortar, immediately fires away into more rhythmic madness, as elements of dubstep, metal and grime coalesce into blasted kick patterns which sound like the contractions of an eldritch machine’s digestive tract. Noise-tainted bass tones kick in, tearing in and out of reality and slowly 
dominating the environment as Mortar progresses into deeper territory.

Up next, Shiny Surgery provides a respite, with electro-tinged drippings of lasers and wet gloops lifting the listener into a more sanitised and lighter space than its predecessors. Cortical’s extreme musical influences are still at play here with their signature eroded bass weight and splintered percussion on display, but in a more restrained sense. As the halfway point comes in, so too does the most introspective section of Wretched Patterns and Terrible Mistakes, as cinematic floating pads de-sterilise the space.

Finishing things up is the namesake of the EP and arguably the most anthemic listen of the release. On Wretched Patterns And Terrible Mistakes, demented vocal chants call out across a disintegrating claustrophobic space, before grime kicks and fragmented breakbeat loops explode into existence, demanding full dance floor attention. This is pure-peak time energy, although still entirely in line with Cortical’s immersive approach to world-building and sonic exploration.

Wretched Patterns and Terrible Mistakes operates equally as an enclosed, hermetic exploration of Cortical’s fragmented, low-end focused sonic landscapes and equally as an assortment of dangerously effective club tracks guaranteed to turn heads.

Written and Produced by Sevi Iko Dømochevsky & Daniel Benza 
Mixed by James Ginzburg 
Mastered by HYPNA 
Artwork designed by Cortical

© 2024 Plasma Sources.

Wretched Patterns and Terrible Mistakes

Telúrica

Cortical - Telúrica

GARGANTUAN COLLAPSE - MODERN GRIEF 
(DAWN021)
50 limited copies
CD
@gargantuan-collapse
Produced by @modern-collapse & @gargantuang
Mastered by @lastrackqlf
Photos by Melchior Tersen
Dawn 2024

Modern Grief

Trqck 4

The final katharsis release of 2024 is the 26-track compilation “Physical Force” featuring a wide range of affiliated artists from both the international and local Copenhagen electronic music scene. As the title hints, Physical Force delves into the visceral, bodily aspects of music, inviting its contributors to explore the theme of movement as a central element in their compositions. Each artist was encouraged to focus on rhythm, groove, energy, and the physicality of sound, which resulted in drum-heavy release from start to finish. While there is a consistent emphasis on rhythm and a bodily connection to the music, the tracks vary widely in style and sonic texture, ranging from big melodic anthems, gritty experimental techno, heavy jungle bangers, and beyond.

released December 23, 2024

mastering by jjjacob
artwork by jjjacob

Anh Phi - Ihk

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Siamang Call

Mastered by Ben Aguero

Sampled a traditional Timorese song "La La Ina Ro"

Free download

Premiere: Forgetting You is Like Breathing Water - Flesh of Lost Summers (Unheard of Hope))

AS IF NO WAY

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