Selected compositions by Ask Kæreby

DiVeRZzz ScienTiFRRReaKZzz HoLLY ShiTZzzXxXKkKZzzz MounTainZzzzz

sYmphoNOISEstalGiEs-HarSH-LuLLabY tO OuTa-SPaCEs inFraWorLDZz tO MuLTiDiMesionALchiMysterY

LOS BALTRINGOS
live in the squat fongate
oct 2013

Fantagrume: 
guitare électrique + noise machine

Fantomatech kalaji:
guitare electrique +monotribe + jouets pour enfants + batterie

LOS BALTRINGOS  Live In Fongate, Fantagrume et Fantomatech(kalaji)

Grace révérence d'une plante en éveille (Break/Glitch)

Déambulation Dans Le Humus Géant (Break/Abstract)

Televisi Adalah Lawan (feat. Shoah & Butcher Bachelor)

Two within close range (4 min excerpt)

Uafsluttede Fortællinger (Etager I)

Bifurcating Soundscape (3 Min excerpt)

Breakcrush Bosters Prod.

The Japanese underground band Johari was create in 1990 by the magic duo Asahito Nanjo (High Rise) and Makoto Kawabata (Acid Mothers Temple) and will became later, in 1995, this shamanistic avant-garde formation Toho Sara. "I think that the concept behind Toho Sara was 'a new vibration of chaos.' To exclude all impressionistic melodies, and concentrate solely on acoustic phenomena." - Kawabata Makoto (Interview with Jason Gross, November 2001

01 - Toho Sara - Meditation Mount

this is not me .. this is Otomo , my idol http://en.wikipedia.org/wiki/Yoshihide_%C5%8Ctomo

Ground Zero - 04 (violent onshen geisha)  - what a way to die

ongoing 3 way collab with no cure and CiNDER 

METEK - Puru Puru Pururin (e2)

Metek - pantsu ( feat CiNDER ) e4

Toho Sara were Asahito Nanjo the mainbrain behind such bliss as  Musica Transonic, Mainliner and Ohkami No Jikan (and Makoto Kawabata.) The first and second official releases contained Hisashi Yasuda and Mineko Mido respectively.

Toho Sara - Meditation Mount (live in germany -96

My artistic practice is interdisciplinary and research-based, involving sound design and experimental composition. I'm interested in the presentation of narratives by means of sound - not through traditional musical gestures, but using different approaches such as the futurists' bruitism. By placing myself in the intersection between the known formats, I wish to challenge our ways of listening - to music, to our surroundings and to (sonic) art.

Two within close range (4 min excerpt)

Maj Hasager & Ask Kæreby