These are some of the tracks that arose out of the time I spent living on my parent's acreage (known as "The Land") outside of Oklahoma City.  I set up a small studio in my grandmother's travel trailer named the "Casita".  The windows of the Casita looked out upon the woods.  I often heard the sounds of birds or the rustling of rabbits in the bushes.  Towards the middle of summer the otherworldly call of cicadas was ever-present.  All these sounds and images combined with feelings of disquiet and loss, as I groped for an anchor in post-University life.  My inner unease was balanced against the outward ease of living with my parents on this idyllic land.  In a sense it was paradise, but I hadn't earned it, and I didn't deserve it.   And so, that's what these songs represent to me, and I hope that you find something in them too.  

A very warm thanks to:
My Parents,
My Grandmother,
Kelsey (vocals on The Shadow of Joy),
Donald (drums on Ceaseless, Shadow of Joy, and These Days),
Connor (who set-up the drum recordings),
and other friends who encouraged me and gave me feedback (especially thinking of Otis, Tristan, and Joseph).

Growing Comfortable, Uncomfortable

Feeling Affection (also 1/2 of Michael Baaay on Desert Hearts Black) is the brainchild of Frank Stevens focusing on the deeper and lofi side of experimental electronic music. You can expect multiple genres to be played in an FA set varying from house, breaks, electro, techno, to UKG.

folk as a deeply-rooted dream blossom

1000% AI-generated

emily dickinson’s birthday was yesterday

THE OFFICAL BANDO OF YUNGFLEX HIMSELF. 
TAKE A STEP INTO MY MIND. 

yunngflexington@gmail.com 

music helps me escape from the reality i live in

Growing Comfortable, Uncomfortable

askanse