“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - River Of Life (feat. Ghost Society) [Clip]

Platypus Funk 2010 (Third Culture, Lab'oratoire, First Word)

06 - Move Like This (feat. DJ Vadim & Mr Mattic)

SPIRIT LED

Shir Khan and the illusive Exploited crew reveal the first compilation of the cultishly adored Black Jukebox series. It includes the sunniest grooves you’ve heard this year. ’Shir Khan Presents Black Jukebox Disco Jam 01’ is a soundsystem-ready disco-house jam which tickles the subwoofers beautifully and seems purpose built for eyes-wide-shut Summer terrace play in big outdoor spaces. Black Jukebox is traversing the wide spectrum of ‘dancefloor’ music.  There’s much to excite: All four tracks are built for rooftop parties with the deep V crew.
From slo-mo housed up boogie-soul, to a loft-party future classic, to a feel-good, sun-blushed, druggy, late night electric jam, to main room filtered disco house and subbass-bugged R&B…it’s all there.  It’s no wonder the Black Jukebox Vinyl series became buy-on-sight and quick to disappear. Launched in late 2011 by Shir Khan, Black Jukebox was mainly focussed on Vinyl Releases. 13 Releases later, this is the first compilation which sums up some of the best moments and features 3 tracks that were digitally never available before. 
Black Jukebox Releases have put a smile on the face of various tastemakers such as Wolf&Lamb, Soul Clap, Tim Sweeney, Optimo, Axel Boman, Gerd Janson, Disclosure, Danny Krivit, Ewan Pearson, David August, Jesse Rose, Tiefschwarz, Matthew Dear, A-Trak, Huxley, Oliver $, Wareika, RubnTug, ND Baumecker, Acid Pauli, James Friedman, Mano Le Tough, Solomun, H.O.S.H., Daniel Bortz, Dyed Soundorom, Erol Alkan, Totally Enormous Extinct Dinosaurs, Deetron, Skream, Seth Troxler, Re.You, Keinemusik, Noir, Miss Kittin, Joakim, Munk, DJ Yoda, Hot Since 82, Pete Tong, Claptone, Karmon, Azari & III, Friendly Fires, Jazzanova, Drop Out Orchestra, El Txef, Maya Jane Coles, Till Von Sein, The Rapture, Peter Kruder, Arthur Baker, Miguel Campbell, Phil Weeks, Lee Foss, Maxxi Soundsystem, Luke Solomon, Mark Farina, Terranova, Pen Pearce, Acid Washed. 

Artist: Various Artists
Release: Shir Khan Presents Black Jukebox Disco Jam 01
Label: Exploited
Published by Exploited Ghetto Music Publishing
LC: 15799
Cat: BJDISCO01
Releasedate: 02.11.15

Shir Khan Presents Black Jukebox Disco Jam 01

1994

Mercury - 1994 | Exploited

2 Between Dreams

After the sucess of their collaborations on Bentley Bass Music and Trad Vibe compilation and severals djs gigs in Europe, long time friends Dj Cam and Moar teamed for "Beats".  
 
"Beats " is a special instrumental album , influenced by the great J Dilla, Pete Rock, New York in the 90's... and looking also into the futur of the beats in 2016.  
 
Dj Cam and Moar will be on tour in Europe in Spring, showing their "Beats" on stage.    
Available in limited blue vinyl . 
Release Date : 02-19-2016 (Vinyl & Digital)
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Filer Under : Electro Hip-Hop, Beats, Hip-Hop 
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Track produced & mixed by MOAR @ Trad Vibe Studio - Nantes.
Artwork by DJ CAM & MOAR

Contact for license : tradviberecords@gmail.com

vinyl or digital

Back In A Day

About the Grecian Goddess who plays bass in Sugar Fed Leopards

01 Take It Slow Katerini

04 Cactus Blossom

Melography

Morgan Donor

4ème track de mon EP "FIN DE PERIODE" disponible sur en téléchargement sur le site de mon label.

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https://www.facebook.com/Antoine.Algar
http://www.nymphonyrec.com/artistes/antoine-agar/


Cheers.

FACEBOOK

Antoine Algar - Les Concours

Facebook: https://www.facebook.com/FigaroOfficial 
Twitter: https://twitter.com/Figaro_Band 
Contact: info.figaroband@gmail.com

06 - Move Like This (feat. DJ Vadim & Mr Mattic)

ASM (A State of Mind)