Session Live Machine - Asmatik & Crash and Learn

https://soundcloud.com/user-42824781

Session Live 1 - Crash and Learn & Asmatik

speedcore, Techno, gabba, Doom, Industrial collection.

Obsessed by the "Core" since over 21 Years.

Equipment:
2x Pioneer PLX-1000
2x Tonar Banana
Rane ONE (MIDI-Controller/Mixer)
Sennheiser HD-25

Favorite Style:
Core - Only the BPM and Atmosphere changes.

Music that sounds like an industrial workshop is the best kind of music

- MaRave Records 03
www.discogs.com/release/32546505-…ik-Crack-House-EP

- Censuré 03 :
https://www.discogs.com/release/31650314-Nouzbi-Rage-HC-AUTISTIC-GHOST-Dj-Asmatik-Fireball

- Homicide 16 : 
https://www.discogs.com/release/23589566-Asmatik-Laboureur-Untitled

- Aocc 01 :
https://www.discogs.com/Dj-Asmatik-AOCC-01/master/2172994

- Doom Nation 04 : 
https://www.discogs.com/Asmatik-Doom-Nation-04/master/1698922

- Homicide Records 14 : 
https://www.discogs.com/Asmatik-M%C3%A9lodie-Des-Ombres/release/13340072

- AOC Records 03
https://www.discogs.com/Various-AOC-Records-03/master/1371689

- ASM 01 :
https://www.discogs.com/Matek-HFK-Dj-Asmatik-IND-ASM-01/release/12230321

- ASM 02 :
https://www.discogs.com/Various-ASM-02-/release/16547376

«You know what gore is???!!! » 
Dj Asmatik, fed on haemoglobin, dismemberment and gore for breakfast,
lunch and tea, this young “serial killer” mixes hardcore, hip-hop,
breakcore and metal in his sets. His recidivist interments in psychiatric hospitals, 
due to a severe addiction to vinyls records, to turntables and mass murder have enabled
him to devote himself to a sombre satanic cannibal cult which has been long forgotten: turntablism…
Cult which mainly consists in the daily ritual sacrifice of a few fingers in the name of the saint mixing table.


"Vous savez ce que c'est que le gore ???!!!"
Dj Asmatik, nourri matin midi et soir à l'hémoglobine, aux démembrements et au gore, 
ce jeune "serial killer" mélange Hardcore, hip-hop, breakcore, metal dans ses sets.
Ses nombreux et fréquents internements en structure psychiatrique dus à une addiction sévère aux disques vinyles, 
aux platines et aux meurtres de masse lui ont permis de s'adonner en toute liberté à un sombre culte sataniste cannibale oublié: Le turntablism...
Culte qui consiste principalement dans le sacrifice rituel quotidien de quelques doigts au nom de la sainte table de mixage.

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).

Set Editor at http://lsdb.nl
Shuttle Commander at https://www.feierreisen.de/