Found! https://www.findasongblog.com/post/632960366508474368/find-a-song-that-meditates-on-the

like the space around this, lovely atmosphere

thanks to soundcloud for recommending you to me..! im loving what i hear.  great storytelling.   you have the voice of a songbird.  beautfiul and clear as a bell.  lovely EP.  perfect chill xx

I like this song more each and every time I hear it

Ugly Skin

Fall Into You

All. Hail. Rock n' roll: "Get Out" is a cry in the night, a wild ride into the darkness of the American soul. "Tom Petty died of a heart attack": Yes, everything's gotta crack, to quote Leonard Cohen, in this lyrically rich sonic landslide, with a pulsing beat that conjures the lifeblood of the club, every space that's been torn apart in the American haze---where we don't and can't look back at all we lost.

Check out the video: https://youtu.be/RmJkV7jNktg

Lyrics:
Streets are red, the market’s black
Bump stock, don’t look back
We stream while we’re young, we don’t look back
Cohen said everything’s gotta crack

I thought I heard someone shout (3x)

Streets are red, the market’s black
Bump stock, don’t look back
We dream while we’re young, we don’t look back
Tom Petty died of a heart attack

I thought I heard someone shout (3x)

Get out
Get out
Get out
Get out

Songwriters: M.I. Devine & Ru Devine
Lead Vocals and Electric Guitar: M.I. Devine
Synth, Keyboards, Electronic Beats: Ru Devine
Electric Guitar: Keith Zarriello (The Shivers)
Bass: Ari Folman-Cohen
Drums: Aynsley Powell
Engineered and mixed by Mike Kutchman
Mastered by Alex Saltz

Get Out

All songs written and performed by Annie Booth & Chris McCrory.

Produced, recorded & mixed by Chris McCrory at Hermitage Works Studios, London and in The West End (of Paisley.)
Mastered by Sam Smith at Green Door Studio.
Additional engineering by Nathan Ridley.

Artwork by Caio Wheelhouse.

Single released by Last Night From Glasgow on 30th October 2020.

Clean Living

Written and Performed by Dolly Valentine
Produced and Engineered by Ryan Hadlock
Co-Engineered by Taylor Carroll
Mastered by Greg Calbi
Vocals by Dolly Valentine
Guitars by Andrew Valenti
Drums & Percussion by Taylor Carroll
Bass by Dune Butler
Piano/Keys by Charles Wicklander
Cello by Josh Neumann
Moog by Ryan Hadlock

©℗Holy Golden Music 2020

How To Be Good

GRACE GILLESPIE - Empty In The Capital

It is what it is
Not what it ought to be
Not exactly what you wanted
Not exactly what you need
But I am comfortable with knowing
That our consciousness is growing
Learning to destroy ourselves
And blame it on something else

It is what it is
Not what it used to be
Not the past and not the future
Something in-between
But I am comfortable with riding 
On the moving parts of time
Like I am comfortable looking
At the London skyline

But I am not myself today
What is it I’m doing?
What was it I wanted to say?
Yes I am grateful for the day
Just restless in the rationale
Empty in the Capital

It is what we are
Not what we choose to be
Cannot capture just the essence
Cannot pragmatise our presence
But we’re comfortable with living
While some other eyes are stinging
Like we’re comfortable with turning
Our faces to the sky

But I am not myself today
What is it I’m doing?
What was it I needed to say?
Yes I am grateful for the day
Just restless in the rationale
Empty in the Capital

Ahhh not we are not ourselves today
What is it we’re doing?
What was it we wanted to say?
Are we ungrateful for the day?
Just restless in the rationale
Empty in the Capital

© 2020 Kaleidoscope

Empty In The Capital

‘TIME’ is the third single since the band’s 2019 debut offering, ‘Snakes’. Of the track, frontman Joe explains; “TIME is an attempt to capture my existential crisis while on lockdown, my life like many others was halted and thrown into some sort of anxiety-induced groundhog day where the weeks pass like days and slip through our fingers, where all we have to do in the present is to reflect on the past and ponder on the fragile new future”.

TIME

Released 9 September 2020
Lyrics/Music: Hannah Fredsgaard-Jones

Vocal, Acoustic Guitar: Hannah Fredsgaard-Jones
Synth, BV's: Ruth Shave
Bass Clarinet: Heather Ryall
Percussion: Kendall Perry
Piano: Julia Koelmans

Mix/Master: Green Door Studio, Glasgow
Supported by Help Musicians UK


Lyrics:

Small talk by a bus stop
I was just pretending to be me
It is tricky
Two stops that is just enough
time to sit and hum in solitude
Or time to meet someone new

Five day forecast
Winds are sweeping past
Fast strong winds
Soon to batter Britain again

No chance for the sun to dance
Rainy grainy look out on the streets
They need sweeping
But you’re fine there is still time
Do you have to rush round’ to succeed
I don’t think you need to

Five day forecast
Winds are sweeping past
Fast strong winds
Soon to batter Britain again

It stayed mild throughout the week
Against my predictions
Against all odds we were speaking

Five day forecast
Winds are sweeping past
Fast strong winds
Soon to batter Britain again

Five Day Forecast

Take Me To A Place

Released as part of PostMap Club, 21st October 2020.

'Fear It' is taken from the album Take Care, to be released on limited edition CD, and cassette tape, on Lost Map Records / Negative Hope / Gold Mold Records in January 2021.

Sulka - 'Fear It'

Bridges

Gwir

Tacsidermi - Gwir

ASTHMATIC HARP is the musical moniker of Oxford based songwriter and composer Hannah Fredsgaard-Jones. Through the ethereal autoharp, gentle guitar strumming, hushed and tumbling melodies, Asthmatic Harp is synonymous with a sound that manages to be comforting, folksy, eerie, and personal, all at once. 
Born in Denmark before moving to the UK, Hannah began performing on the London music scene with her debut EP in 2015. In 2018 she was handpicked to the prestigious Roundhouse Resident Artist Program. Asthmatic Harp has featured on Danish National Radio and the BBC (6 Music and Radio 3). She has supported Sam Palladio in the Roundhouse and Mary Lattimore during her recent European tour and played gigs across Europe and America, including a gig at the inaugural Kite Festival 2022. Her latest EP ‘Things We Learned To Live With’ was lauded as “a delightfully playful slice of alt-folk” receiving acclaim from blogs ‘For The Rabbits’, ‘Listen With Monger’ and ‘Bristol in Stereo’ and culminated in 21 virtual concerts, including a sold-out concert for Low-Fi Denmark, appearances at The Takeover Fest and at Southside Fringe.

Five Day Forecast

Asthmatic Harp

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