good

JazZ

Sweat Breeze

jazz

jazzy clouds

Full LP's

Hit the road jack - Ray Charles

Finally finished this jam thanks to the recent deep freeze here in Ontario.   Again, used my Sub Phatty and Virus TI for the most of the synths.  The new Prophet also makes an appearance. The guitar riff was played on a no-name electric guitar that my grandpa gave me when I was a kid.     Threw in some snow samples (recorded with ZOOM H1 Handy Recorder) for fun.

Download lossless version (WAV) for higher quality:
https://www.mediafire.com/?n0iwpbw5z6h1cpb



Contrails

Ampyx - Home (Bonus Track) (VOCALIST WANTED)

1. The Man I love w-Milt Jackson & Thelonious Monk - 2. Swing Spring w-Milt Jackson & Thelonious Monk - 3. Bemsha Swing w-Milt Jackson & Thelonious Monk

MILES DAVIS & THE JAZZ GIANTS

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Axero - Struggle

Axero
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Axero - Struggle

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Crystal Skies - Fall A Thousand Times Ft. Ashley Apollodor (Color Source Remix)

Color Source
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Crystal Skies
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Ashley Apollodor
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Free Download

Crystal Skies - Fall A Thousand Times ft. Ashley Apollodor (Color Source Remix)

Luke Howard piano 
Jonathan Zion bass 
Daniel Farrugia drums

Atlases

Baduizm

On & On

Next Lifetime

Live

Tyrone (Live)

Mama's Gun

Orange Moon

Hues

Golden Hour Jazz Club

Ian Finkelstein is a jazz pianist and producer. He has been an active member of the Detroit jazz community since the age of 14. A student of Geri Allen, he performed with Marcus Belgrave from 2010 until Belgrave's death in 2015. He currently performs with the Robert Hurst Quintet, and is a founding member of Detroit music collective Video7.

Ian self-released his first album of house music It’s Time in 2016. His keyboard work can be heard on tracks by Scott Grooves, Omar-S and Shigeto among others. He is a regular member of Scott Grooves’ Overdubs.

The Middle Birth EP highlights Ian’s dual talents as a producer and instrumentalist. Side A features two electronic cuts, “Middle Birth” and “Mort Crim” with Ian playing live drums and bass on the latter.  SIDE B showcases Ian’s jazz quartet; he is joined by several of Detroit’s most talented young musicians: Marcus Elliot on sax, Ben Rolston on bass and Alex White on drums.

@ianfink 

Available June 2017
Distributed by FIT Detroit

DSCVRY09

Middle Birth

Preorder on Juno

Ian Fink - Middle Birth DSCVRY09 Previews

EABS: 
www.facebook.com/ElectroAcousticBeatSessions
@eabs_eabs
www.instagram.com/eabs.pl

Astigmatic Records:
www.facebook.com/astigmaticrecords
@astigmaticrecords
www.instagram.com/astigmaticrecords
twitter.com/astigmaticrec

The growth in popularity of jazz music in recent years has been described as a renaissance or new chapter for the genre. Attracting new audiences has seen a growth in acclaim for international artists including Kamasi Washington & The West Coast Get Down collective or BadBadNotGood. This resurgence has also been felt within british jazz scene. Musicians such as Yussef Kamaal, Shabaka Hutchings, Ruby Rushton, Nubya Garcia or Moses Boyd have put a new stamp on jazz music by fusing elements of classic jazz with modern sounds. Polish septet, EABS applies a similar philosophy to their music, blending traditional Polish Jazz with sounds from other genres, thus creating a new and personal interpretation of modern jazz. 

EABS debut album entitled “Repetitions (Letters To Krzysztof Komeda)” is a dedication to Polish Jazz legend Krzysztof Komeda. This album is an analysis of conscientiously selected compositions by Komeda between 1962-1967. EABS explores some of Komeda’s lesser-known compositions featured in ballet etudes, movies, short films, documentaries, animations and compositions illustrating Polish poems recited in German. 

Carefully chosen compositions, the background of the movies for which the music had been written and Marek Pędziwiatr’s lyrics all add up to “Repetitions” being some kind of a concept album about the condition of the human soul in the 21st century. The questions one may ask might be similar to those which could have been asked by the artists witnessing post-war debris: will history come full circle? Lack of knowledge, flourishing idiocracy, aggression, aiming for conflicts, shortage of community spirit and love may lead to another doomsday. Perhaps we simply aren’t able to see the impending doom now… Just like in a poem by Czesław Miłosz, “A Song on the End of the World”, to which Krzysztof Komeda wrote “Waltzing Beyond”. 

EABS have created their unique compositions by employing an approach exercising the idea of “reconstruction from deconstruction” where sampling and looping are merged with jazz improvisations. The injection of hip-hop, jungle, funk, gospel and electronic music add a futuristic tone to the tracks. However EABS have made a conscious decision to ensure their nod to Komeda enables the spirit of the Polish Jazz to remain alive. Michal Urbaniak another Polish Jazz legend is the only guest on the album. His violin can be heard on the track “Free Witch And No Bra Queen/ Sult”.

EABS band:
Marek Pędziwiatr - piano, synths, vocal 
Vojto Monteur - guitar 
Paweł Stachowiak - bass 
Jakub Kurek - trumpet 
Olaf Węgier - tenor sax 
Marcin Rak - drums 
Spisek Jednego - turntables

EABS - Knowledge (Introdukcja Do Etiudy Baletowej)

Time for a little Praise.  So much to be thankful for...
This beautiful photo was taken over Africa's stunning Victoria Falls

Thanks as always for your generous time listening, for your comments and for your shares.

Praise

A very quick track I recorded before work.

NOTE: This was composed by Jules Styne in 1944. It's my take on it.

I Fall in Love Too Easily

The nearness of you
Composer : Hoagy Carmichael
Lyrics : Ned Washington
Cover painting ; Bernard Boutet de Monvel

It's not the pale moon that excites me

Frank Sinatra - Fly Me To The Moon

John Coltrane and Miles Davis - On Green Dolphin Street

Buy CD: http://proporcja.com/label/sklep/plyty/roux-spana-beat-trio/

Roux Spana Beat Trio - Full Album

Miles Davis - Kind of Blue - 26-03-2013

Founded in 2016, Astigmatic Records is an independent label focused on vinyl releases. We put out fresh and distinctive music drawing on jazz, electronic, hip-hop and much more. We don’t define genres but focus on uniqueness and high artistic quality with each release. We’re looking into the future while keeping true to our roots.