Download on Bandcamp: http://astrangelyisolatedplace.bandcamp.com/track/dissociation-extended

A beautiful extended version of Levi's original Places Series track, Dissociation. New textures, space and melody are introduced in this emotionally charged soundtrack piece.

Portrayed as places of magic and mystery and of death and decease, forests are a rich source of imagination - a place where fiction and fairy-tale come alive or where darkness is allowed to flourish undeterred. 

Conjured in the barren surroundings of a pine forest in Matakana, New Zealand, ‘Dissociation’ stirs all of the enchantment and subtle mysticism of a woodland world screened from prying eyes. There’s a peace at work that only nature can bring but also the untrusting trepidation of something of which we have no control. “It felt quite wondrous but with a subtle dark undertone,” Levi explains. “I wanted to capture the almost surreal feeling of the place and the mystery of exploring it.” 

‘Dissociation’ invites a curiosity and a gleeful sense of the unknown. School-room xylophone melodies evoke a happy abandon that promises adventure and escape; like dancing in-between tree trunks or finding giggly solitude in games of hide and seek. A track rich on slow-building, swirling atmospherics, it’s a casual wonder into a secret garden, tip-toeing down leafy paths and bursting into clearings chasing the sunshine. But there’s also the subtle undertone that, if you do go into the woods today, there’s a difference between being happily lost and hopelessly missing. 

Vocal performance by Giana Patel 
Viola performance by Kirsten McCrae 
Mastered by Mike Gibson of Munki Masters at Bonfire Audio, Wellington, NZ. www.munki.co.nz, www.bonfireaudio.com

--

We're very excited to hear that Levi will be releasing a new music video, and an amazing new EP titled 'Forms', both due to be released this year.

View the original version of Dissociation here https://soundcloud.com/astrangelyisolatedplace/asip005-levi-patel

Free Download

ASIP005 Levi Patel - Dissociation (Extended)

In February of 2022, as Storm Eunice worked its way across the UK, two people, namely Greig Baird and his partner Susie Baird set out for a rare weekend away on the North Coast of Devon. The weather was rough, but life affirming. The North Devon coast spectacular and dramatic; made more so by the waning storm.

This collection is a set of sonified memories; moments in a particular location at a particular time. A creative recalling. A set of sound postcards if you will.

For Susie. As always, thank you. I love you.

Special thank you to Uma Baird.

Thank you to Brad Deschamps and Polar Seas Recordings.

Also a big thank you to James Bernard.

written and produced by Greig Baird 
mastered by James Bernard at Ambient Mountain House 
photography, design and layout by Greig Baird

psr-066

A Shared Place

Shoreline Constellations

'Shoreline Constellations' - A Shared Place - [Polar Seas Recordings, 2023]

Keep Holding My Hand

Walk Down the Aisle

from 'Manos Milonakis - Festen' released May 26th 2017

CD/Digital: https://tinyurl.com/y8o8x7gw
Spotify: https://tinyurl.com/y8jkvgyw
iTunes: https://tinyurl.com/yben3owk

Composed, recorded, mixed and mastered by Manos Milonakis (@manosmilonakismusic) at -1 Studio.

piano: Manos Milonakis
Violin : Christina Georgeli 
Violin & Viola : Viktor Orri Árnason

Artwork by Tilman http://geometrydaily.tumblr.com
www.manosmilonakismusic.com

Festen

Buy CD/Digital

Manos Milonakis - Lobster Soup

Preorder the album: https://asip.me/asipv013

36’s music is often associated with and influenced by the futuristic, cyberpunk side of ambient music. His ability to transport and portray new worlds evident through his 2016 album on ASIP, The Infinity Room, or any of his self-released works.

It’s of no surprise then to see his return to ASIP take this exploration one-step further. However, instead of the more obvious themes that come with cyberpunk, such as technological fetishism or vapid aesthetics, Dennis Huddleston has decided to focus on the isolation of individuals, using (and often abusing) technology as a means of escapism - a side of cyberpunk that often goes unnoticed when it comes to the musical depictions that come with it.

Fade To Grey reflects on current social paradigms, where social media has become a weak substitute for human interaction. Rather than bringing people together, it often makes us feel lonelier than ever. As evident in the album's artwork, technology is shown to be far from benign. The soft, gentle elegance of watercolor is juxtaposed by the violent splatters of machinery. Every vice has its price.

Considering the landscape of our own world right now, where a handful of companies control everything we consume, where convenience is more important than privacy, where personal choice is pre-determined by algorithms analyzing our behavior, and where the internet has become a battleground for influence and propaganda... It's not a stretch of the imagination to believe we're already witnessing our very own dystopia.

ASIPV013 36 - Fade To Grey (Digital Masters)

36 / D.R.E.A.M Link (ASIPV013)

DR-66 : Christopher Bissonnette - 'The Wine Dark Sea' CD / DL
due out on March, 13th
dronarivm.bandcamp.com

pre-orders start February 28th

The Wine Dark Sea is Bissonnette’s fifth solo studio album. The album’s title is derived from the writings of Homer, where he oft referred to a rough and stormy sea as “wine-dark”. Homer’s descriptions of colour are devoid of any reference to the colour blue. And any suggested meaning in his description of the sea point to the colour red. This apparent contradiction has brought much speculation about the significance and understanding of colour in ancient Greece. Keeping with the motif of colour, track titles on the album are based on references from contemporary artists and their insights on colour, form and implied meaning.

The album represents a shift for Bissonnette’s work, moving from an exclusively synth-based series of explorations to a hybrid of electronic and acoustic methods. The result is a rolling and slow-moving tide of tones and undulations. The textures are in some passages soft and mollifying but fluently shift to moments of tension and unease. The Wine Dark Sea is an aural allegory to sound and colour and our tenuous understanding of abstract meaning.

Mastered by Porya Hatami
Cover photo by Christopher Bissonnette

Buy CD / DL

CHRISTOPHER BISSONNETTE -  Color Deceives Continuously (from 'The Wine Dark Sea')

Spotify Bandcamp etc.

Okno(preview) - Piano Day 2020

Listen / Purchase here: https://lnk.to/ftmotslc

Aaron Martin and Dag Rosenqvist return as From the Mouth of the Sun with the much anticipated fourth studio album, 'Light Caught the Edges' (out October 15th, 2021 on Lost Tribe Sound).

NPR's Tom Huizenga said of the pair's 2017 album 'Hymn Binding,' "If From the Mouth of the Sun's mission... is nothing more than beauty itself, they have succeeded on a disproportionate scale." That quote does well to encapsulate Martin and Rosenqvist's main motivations with the project. Does one truly require a lengthy narrative with music as potent and emotive as From the Mouth of the Sun?

Lost Tribe Sound has long-admired From the Mouth of the Sun's ability to remain focused on the music. Despite the duo having a clear vision and a strong understanding of composition, there are no grand statements or overly academic concepts at play. This allows the music to just be what it is, moving, deep, personal. This unadorned approach is refreshing. The music feels like a blank canvas, easily approachable... rooted in the physical... its emotion is tangible.

Light Caught the Edges

From the Mouth of the Sun - For a Moment We Were Weightless (from Light Caught the Edges)

From the collaboration album with Loscil - 'Intervalo' (http://loscil.bandcamp.com/album/intervalo)

Endless Falls Reprise (Loscil)

Music from A Strangely Isolated Place + 9128.live.

Ambient & electronica music blog, mix series, record label and radio station. Est. 2008.