Recorded a little acoustic into my phone lofi and had great fun blending some orchestration for my wonderful older sister , clan chief and lionhearted ,

Aisling's Theme

Just Minimal 2

https://soundcloud.com/indiiwildmoon/as-the-words-bleed

experimental darkrock flow

"i tried to tell you
but you woudn't listen to me
so i followed you home
i waited in the dark
maybe you would
but you wouldn't see
i waited in the dark
i waited for you to see
but you wouldn't listen to me

to let go of what it was
bring the dark into the room
i wanna watch you
as the words bleed
torn poetry
like words i never said
now i'm free, now i'm free
from you"

Lyrics by Wildsilences
05152025updmx

As The Words Bleed by Wildsilences

Baleària

Momentum

We conclude our Summer Series on a hopeful note and a glimpse into the future.  Mankind has finally found that it can accept the differences that divide us, share the bounty between us, and become a vast community governed by faith, hope, and love. How did such a thing come about?  We collectively took a step back from the brink of self-annihilation by realizing "we solve most things if we talk".  
Ironically, this was the most complex song of the five to put together,  We all had an idea of how we wanted it to turn out, and thanks to Seagull and a lot of talking between us behind the scenes, we came to consensus and a final version.  Our little band is proof "we can solve most things if we talk":)  It has been an honor to work with each of you: 
Music composition, 1st guitar (center), bass, synths, mix and production; Seagull, @farout-music-studio
Right & Left Guitar; Our wonderful guitarist; David, @david-dunhamuser589535203
Lyrics & Vocals; Our dear poet Peter, soundcloud.com/user-264930040/tracks
Vocals and harmonies; Soundcloud's most wonderful voice; Oddrun, @oddrun-eikli
And the key phrase at the end; The lovely little Finley, 7 years old.

We Solve Most Things If We Talk

Summer rain finds my face, splashing through my smile
Thunder rumbles fall away, storm is phasing through
Peace of mind is on the case, misery is in denial,
Yesterday’s squally day, tomorrow’s skies are azure blue.

Dreams of history’s tension gladly start to ease
Gripping claws of lunacy finally shun the past
Seems things turned out badly for hunger and disease
Slipping towards unity, laying down the guns at last.

Call my neighbour as my friend, our meanings line as one
Colour, gods and politics accepted as they are
Mutualities to defend no conflict clouds our shining sun
Consideration and respect, a communal repertoire

Mother Mary called today
Handed me a flower stalk
Kissed my worries clean away
We solve most things if we talk.

Need as might we understand equality’s a bed of lies
Celebrate uniqueness as a cast of human thread
Day and night, hand in hand, no polity compromise
Learning from our weakness past, focused on the light ahead.

Mother Mary spoke today
Led me on a learning walk
Eased my troubles on the way
We solve most things if we talk.

Mother Mary sang today
Left me with a simple thought
The wisest heads will simply say
We solve most things if we talk.
"We Solve Most Things If We Talk"

Contented Man (Seagull, Oddrun, Peter, David)

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

Temporal Reverie

There is a small dog barking in the background

Hillbilly

electronic edm synth techno house futurebass chillwave electronic trance experimental chill upbeat energetic dreamy dark atmospheric vibe lo-fi festival club

evolution

PALAIS PLASTIQUE
-------
Des millions d’années séparent, aujourd’hui, de ma confection,
En moins d’un été de gloire, j’initie mon abjuration.
Tu aimes tout, de mes essences, à mes délicieux poisons,
J’ai érigé ta puissance, de tes dires...sur tes addictions !
--
Mais tu te trompes sur ma nature et je n’ai pas ces intentions,
Tu as apposé une lecture, qui gracie bien tes ascensions.
Cette croissance a un prix, et s’entrebâillent, enfin, tes yeux.
Nulles chances infinies, cesse donc, d’y conforter tes dieux.
--
Si je suis belle énergie, me voilà donc, pieux emballages,
J'ai fait Lumières sur tes nuits, comme reproduire toutes tes images.
Comme un singe, tu copies, mon essieu et tous mes usages,
Tu fais prières aguerries, au palais plastique, tu t’engages.
--
Quand j’émaille la substance, tu traduis mondanité.
Ton torrent de mots s’agence, sans jamais dire Sincérités.
Tu sais que tu épuises les sols, incapable de te réguler,
Criant Amish a des boussoles, qui se languissent de tes progrès.
--
J’avais fini mon travail, oui, je dormais enfin au sol !
Tu as foré des entailles et pour mieux justifier ce viol,
Tu as nommé Révolution, ces siècles où Propriété
De terres, et d’Obligations, aux peuples, tu as su imposer.
--
Tu peux conspuer Pétrole, mais j’ai bien plus d’humilité,
Que toi et ceux que tu enrôles, pour mieux te coiffer de lauriers.
Nature est tendre et tolérante, pour disculper tes ambitions,
Mais cette fabrique d’âmes errantes, mène à l'asile maigre Raison.
-
Perdue alors, dans les méandres, de ton beau palais plastique,
Des tribus hémérocalles, en vain, s’usent à fleurir tes briques.
Tout le vivant t’interpelle, y compris les âmes fossiles,
Pour que l'histoire, de plus belles, retrouve un beau terreau fertile.
-
Des millions d’années séparent, aujourd’hui, de ma confection,
En moins d’un été de gloire, j’initie mon abjuration.
Éblouis par mon essence, tu n’as su construire, que prisons.
Retrouve un peu ta puissance, risquant de fuir tes addictions.

-------------------------------------------
Mesdames, Damoiseau, Messieurs, Demoiselles et autres Gueux (c'est mes préférés) 
J'ai l'immense bonheur de vous présenter "Cool is Watching You"!!
Le Nouvel EP de M'Z - la version "concept en musique" de mes travaux de composition.
C'est une critique du cool social par le cool musical...

Dans cet album je m'exerce à adopter un positionnement musical "cool" et souhaite mettre en perspective les limites de cette 'posture', qu'on s'impose, socialement nous même, plus ou moins volontairement et que les réseaux sociaux favorisent largement. 
Posture qui, semble bien plus nous nuire que nous servir. 
"Cool is Watching You" est aussi un point de rencontre en musique entre Orwell et Huxley qui espère guérir le cool par le cool.

7 morceaux que je définirai plus en détails avec des mots dans les jours à suivre, pour favoriser la transe, en attendant je vous laisse le découvrir en sons avec les seuls gros titres comme pistes.

Je remercie Anesthetize Productions et Guillaume Beringer
De m'aider à la diffusion de cet album, n'hésitez pas à les suivre et allez découvrir les divers travaux qu'ils défendent.

Je remercie Pedro Coelho pour m'avoir accompagné avec grand brio sur le morceau Palais plastique et je vous conseille de le suivre également c'est un excellent guitariste et musicien et une très belle personne.

Merci également a la rue on se retrouve a 18h en attendant voilà un cadeau qui j'espère nous donnera de la force !!

Cool is watching you

Palais Plastique

Astre Cascade: From Cybernetic Dreams to Dystopian Echoes