DBS1

This was me back in 1998, a few years after really getting into what was then just computer music...  

People thought the starting flute riff was a starwars theme soundtrack rip off, but it's just a flute track that was written without starwars even near by!!  Thanks guys, will never hear it the same again...

Written on my old 600mhz Windows 98 machine running Cakewalk Pro Audio 6, CoolEdit Pro and a whole lot of time on my hands.  F**K!!  This is 16 years old...  Good Grief!!

Weeeuuurd (Stoned Mix)

Leaving Town by SkinnyWizzard-ACC 2006 UK

Photo - ACC Photography 2015

LeavingTown

Remix of a demo recorded and produced by me in 2005 (ish).
Originally recorded in Logic 5.5 and totally upended in Cubase 6.5 in 2013.
Written by Asaf Binyamini (Phillias Fogg aka My Right Hand Son).
Zero Autotune was used in the making of this song. Asi is a talented vocalist.

Pumpkin Bed Time Story AstroMix1

A remix of Kid Nineties track, I, Anachronism - Keeping it true to the original but in my style.  Enjoy.  FREE DOWNLOAD.

I, Anachronism (Stark Edit REMIX By Obscure Sounds Project)

Wired n Fired - Unfinished

Original Sound and Art, was thinking of extending the idea to follow POA & CBW in my unmarked album collection.

Bioluminessence - Unfathomed

Simple version of the latest from Skinny Wizzard ACC, an original take on urban life.  Inspired by the streets of Freiburg from a bar during a rainstorm.  The sights, sounds and smells and thoughts that inspired and rang through me in my life at that time resonate through this piece.

Alone With The Rain - Stark Edition

All Roads Will Lead You Somewhere

I was lost, I was lost like I’m now.
But had a map to navigate.
No reception or an offline map,
All disconnected without trace.

Oh where is the A to Z? 
I need reception or I’m lost, lost again.  

Give me a bar or two to move, 
I need a bar or two to move.
At least a moment of connection 
Just to help recover from this mood.

No one advise us how to live without our magic screens.
Our Magic Screens.

I found a station and they let me charge.
At least for now I can breathe.
Few pictures with the helpdesk staff,
And now my journey is on my feed.
Oh, so many likes and it was worth it.
I adore my magic screen.

Magic Screens

Starting at 4 years old on recorder, adding piano, keyboard and trumpet to the mix, ultimately ending up happiest playing drums by the age of 8, school music teachers saw natural ability and 'proper' drum lessons were provided. But reading musical notation felt totally unnatural; the preference was to play by ear. Nevertheless, having gained Gr.8 Drum Kit, Gr.5 in Music Theory and even Timpani by the age of 18, it just wasn't enough.
Being one of only 2 competent percussionists within 25 miles meant constantly gigging as the rhythm section of many, many wildly different bands until Uni, where other genres, mainly electronic, took hold. There, DJing in the wilderness until the day after next with hundreds of people dancing to tens of thousands of watts was fun, but felt hollow and only as great as the contents of the record bag.
The science behind the gear few knew how to properly use, let alone make, was learnt as a BSc in Audio & Music Tech degree.  Every knob and button now had a known function. This was a huge advantage over the many over-hyped & priced BA's of the same monica.
This drove writing music using the same tech as used to create the soundtrack everybody jumped to in the woods.

This calling was met with many ups and downs, being a broke student needing expensive gear, and being 'just a lowly drummer'. Many keen fellow students were also band members, and friendships and collaborations were thereby formed.
Music Theory had given a good understanding of chords, phrasing, scales, structure, rhythm, modes etc. This was another edge that led to working with some already established names across multiple genres.
Hilariously, while dealing with the disaster of being forced by a label owner to learn Logic 5.1, phrases like 'How did you make that chord line?' - asked by Chris Lake, 'What's a chord inversion?' - Sonic Generation, and 'In 5 mins you've just done what takes me a day!' - Taicho Beardo, were thrown about during those happy times, and several tracks got legs through basic advice from the young geek on the PC/Mac, uncredited, but happy.

It quickly became obvious that many established producers got there merely through random button pressing and hanging out with audio geeks, rather than through design. But happy accidents were key, and largely, still are. It seemed that dance music was nothing less than bogus.

But the jumpers still jumped, none the wiser...

After moving to London in 2002 with 2 like minded producers, several vinyl's were released, but later the focus shifted to producing local talent such as Philleas Fogg, reaching a wider audience online, one quickly produced demo of which played on Radio One.

The best and worst of times were had in London, struggling for money, mental health and some close friendships decimated, but a tough but effective remedy finally presented itself.

So, everything was sold or shipped to Sydney which became home in 2010. Marriage and fatherhood now gave meaning and most importantly, healing, in the form of love and responsibility. Dependants weren't a drag, they were the future, and the goal. Thankfully, well-paid work provided a new PC-based rig  & Cubase Pro. (Apple blew their chance many years ago.)

Past diversity drove further diversity of genre and formula; music should reflect mood, trials, tribulations, relationships, the soul.

So, apart from remixes made for fun, and odd loops / vocal samples, the chord lines, melodies and baselines are original, and almost every tune is in a different style.
These tunes range between 20 years old to present day, new stuff is posted  whenever inspiration allows, using the 'imagine it, make it' ethos.

These are some of my raw demos. I hope to earn your 'Following' today.

Pumpkin Bed Time Story AstroMix1

Astro Turf