https://glassglassmusic.bandcamp.com/track/cry-klahrk-remix

Enhanced by remixes from artists such as Emma Dj, Katatonic Silentio and Klahrk, French duo @Glass relaunch their debut album ‘crY’ now for the first time in a physical format.

crY [Remixed]

crY (Emma DJ Remix)

Buy crY (Klahrk Remix)

3. Glass - crY (Klahrk Remix)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Klahrk - Blistering
SFX, 2024
𝓑𝓾𝔂 👉🏾 https://sfx-space.bandcamp.com/album/blistering

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/klahrk
https://www.instagram.com/klahrk/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://s-f-x.space/
https://www.instagram.com/sfx_space/
https://soundcloud.com/s-f-x-0101

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#182 📢 Klahrk - &3&4 [SFX]

Accustomed to delivering doom and gloom since 2009, French label @dawnrecords now unveils its 21st corrosive release with "Modern Grief," the latest toxic alloy from their new in-house project, @gargantuan-collapse.

Set for a CD release on November 13, the "Modern Grief" LP offers ten dystopian tracks drenched in harsh noise, blending cutting-edge metal, heavy bass, grimy trap, and emo-tinged IDM.

https://dawnrecords.bandcamp.com/album/modern-grief-dawn0021

Modern Grief

Support

℘ཞɛɱıɛཞɛ ≈ Gargantuan Collapse - Je Sauvegarde (feat. HAJJ) [Dawn Records]

Taken from SBKT067: 96 Back - tender, exit
Release date: 27th November 2024
Limited vinyl + digital

---

For his sixth 96 Back LP, Evan Majumdar-Swift found himself writing “a long form eulogy” to his years living in Manchester while preparing for an imminent move to London. Initially intended as a series of technical exercises, which saw the artist radically stripping back his established production setup, over the last two years tender, exit gradually took on the form of an emotional landscape, mapped in transit between two cities. “The overarching concept of the record is cycles, recognising them, loving them, and tearing yourself away from them,” he says. Heard together, the project takes on the pace and cadence of a passionate conversation with a loved one.

Full press release - https://svbkvlt.bandcamp.com/album/tender-exit

tender, exit

96 Back - Bxtter

This two-track EP creatively reimagines the same core hook across two distinct genres. The first track is a hard-hitting, trap-infused anthem, layering thumping 808s with sharp hi-hats and aggressive rhythms, delivering a raw, bass-heavy vibe. The second track flips the script, taking a more experimental approach with intricate breaks, glitchy textures, and warped basslines, pushing the boundaries of sound design. Both versions showcase the versatility of the hook, bridging the worlds of hip hop and experimental bass music in an engaging, innovative way.

It Kinda Cool (Cracked Version)

✱ SWINE PREMIERE ✱ "Flourish in the Ruins" by Chewlie @juicy_chewlie from the upcoming @isengard EP

'Friend' composed, mixed & produced by Kattie @kattiebeats + additional mix by KARAN! @karanzera
Remixes by Jana Rush @jaru-1 / Stacktrace & Knurx @Stacktrace @knurx

All tracks mastered by @d_viance
'Friend' additional mix by KARAN! @karanzera

Artwork by Becem Sdiri
A&R: Vinessett

[Swine Premiere] Chewlie - Flourish In The Ruins (Isengard)

Listen to 'Lovely Grinch (Lyudmila Severtseva remix)' by KIKOK taken from 'Slow Crunch' out on April 25th via Mestnost Records

Introducing a new single from KIKOK's upcoming release “Slow Crunch” - a remix of the track 'Lovely Grinch' by Lyudmila Severtseva.

Luda is a producer and DJ who makes minimalistic bass music with releases on Genot Center, Edited Arts, Internetghetto, Raw Russian, Depth of Sky, Fuselab, Hyperboloid Records.

Luda shared her experience of working on the track:
"In general, it's quite hard for me to do remixes, so I rarely take it on - it's an exhausting process for me, I always want to cheat somehow and take the easiest way. Although de facto I want to add something of my own to someone's track (minimalistic, characteristic for me), keeping the basis of the track. 

I didn't aim to reconstruct the track based on loops, I made my own interpretation of the original composition. I liked the breakbeat in Grinch, so I took the structure/soul of the track - the breakbeat part - as the basis of the remix.

Emotionally, I divided the track into 2 parts: in the first one, the mental problem is highlighted, tormented by it, trying to understand, and in the second one, the solution is found and catharsis covers it.

That is, wading together with the “hero” through the impenetrable emptiness / emptiness, the narrative in the middle of the track develops with a lot of emotions that suddenly creep up and cover the entire substance of the track as well as the essence of our ‘character’“.”

Links:
KIKOK
https://soundcloud.com/kikok_audio
https://kikok.bandcamp.com
https://www.instagram.com/kikok_audio
Lyudmila Severtseva 
https://soundcloud.com/lyudmilasevertseva
https://www.instagram.com/lyudmilasevertseva13
Mestnost Records
https://soundcloud.com/mestnost-records
https://mestnost.bandcamp.com
https://www.instagram.com/mestnostrecords

Slow Crunch

mestnost / bandcamp

KIKOK - Lovely Grinch (Lyudmila Severtseva remix) (Mestnost Records)

111X ‘Urge’

111X, the elusive prince of noise, returns to Changeless with his latest offering ‘Urge’.

Picking up where ’Shame’ left off, ‘Urge’ depicts the shift from collapse to confrontation, driven by the restless push-and-pull of one’s inner fire and crushing powerlessness. Compulsive resistance in the face of our inevitable fallibility. An ouroboros corporeal battle between necessity and yielding, vigour and weakness, progress and decay.

‘Urge’ is a reinvention of 111X’s signature harsh sonics, meshing it with brooding apocalyptic guitars and ephemeral fragile tranquility, with a familiar relentless weaving pulse at it’s core that’s all the more brutal with each return. The EP opens with ‘Avenge’, where the veil of monumental thrashing of fragmented rhythms slips for a brief moment that’s just long enough to catch a glimpse of the hurt behind it all. ‘Fragments Held Together By Pressure (Forgive)’ slows everything down to a halt, while soft melodies bleed through the noise like a memory echoing as it fades away, becoming more indistinct with every moment.

The EP’s turning point ‘Serrated Edge’ presents us with a completely new side of 111X; a meditative lullaby with bursts of noise that emerge throughout the track, meticulously designed to remain uneasy even in the softest moments. ‘Hunger / Wilt’ closes the record with it’s pounding drums and piercing feedback, before melting into a stunningly beautiful coda leaving us with more hope than when we had diving into ‘Urge’.

Written, produced and mixed by 111X.
Mastered by Nori Kin.

Artwork by Helen Korpak.

@111x

111X - Hunger / Wilt

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