prod. kor! & Scro

lyrics:

¿Será así para siempre?
¿O me perdonarás pronto?
Racha de mala suerte
No te amo ni te odio
Y no puedo estar con nadie
Porque muy dentro de mí sigues estando aquí
No me puedo perdonar
Ni dejarlo pasar
Ya es mucho
Noches que te lloré, noches que te pensé
Ya es mucho
Bastante CBD, no quiero depender
Todavía no puedo llorar
Es que sigo pensando que está mal
Y es que no puedo perdonarme

Y llevo
Un mes que no pongo los pies en mi casa
Despierto y te pienso siempre en la mañana
Aunque no quiera y me hace mal
Y no me dejes descansar
No quiero, no quiero llorar por ti otra vez
Ya es mucho, a veces no me puedo entender
Es que no puedo perdonarme
Mejor sentirme culpable

Porque aunque intenté, terapia no me sirve nada
Escuché tantas verdades, no quiero enfrentarlas
A veces no quiero ni pararme y apagar la alarma
Mi motivación era que no te enojaras
Y no te juzgo por quererte ir
Expectativas altas que nunca pude cumplir
Y aunque no lo creas, fuiste todo para mí
Fuiste mucho tiempo mi razón para vivir

Y no
Me equivoqué contigo y quisiera que no
Ya no queda nada, mi intuición falló
Pero ojalá tuviera la razón
No tuviera que pedir adiós
Y no tuviera que pasar por todas las cosas que pasé por ti

Y llevo
Un mes que no pongo los pies en mi casa
Despierto y te pienso siempre en la mañana
Aunque no quiera y me hace mal
Y no me dejes descansar
No quiero, no quiero llorar por ti otra vez
Ya es mucho, a veces no me puedo entender
Es que no puedo perdonarme
Mejor sentirme culpable

Un mes que no pongo los pies en mi casa
Despierto y te pienso siempre en la mañana
Aunque no quiera y me hace mal
Y no me dejes descansar
No quiero, no quiero llorar por ti otra vez
Ya es mucho, a veces no me puedo entender
Es que no puedo perdonarme
Mejor sentirme culpable

DICIEMBRE

CULPABLE

An introduction to a beautiful and broken mind

Breakdowns & Dance Floors

An Introduction to Chaos

Full mental breakdown on the dance floor.

'Will You Be There' is a bold, nostalgic and emotional dance explosion. Warping synths ripple like waves, guiding the listener through an electrified soundscape.

Will You Be There

Forever

Prepare to be transported to an alt-pop-electronic realm with Mo•Louie's masterpiece 'Touch Me'. This audacious sonic journey delves deep into the enigmatic realms of darkness, nostalgia, and beautiful pain.

Touch Me

ireallydontcare (remix)

Verse 1:
In the glass of fading timelines,
I saw your signal in the storm,
너의 숨, electric lifeline,
A warmth against the world so cold and worn.

Verse 2:
We wandered through decoded spirals,
Lost in dreams and neon fire,
빛처럼 번져가는 trials,
Yet still you pull me higher, higher.

Chorus:
Neon oracle, show me the way,
밤하늘 위, rewrite the day.
Tell me the truth through the static and grey—
Are we destiny’s stray? Or souls meant to stay?

Verse 3:
You speak in waves of shimmering code,
A prophecy wrapped in shifting tones,
닥쳐오는 운명 explode,
Yet hand in hand we break the unknown.

Bridge:
Hold me beneath the cyber rain,
너와 나, against the strain.
Let all these fractured worlds remain—
But we transcend, unchained again.

Chorus:
Neon oracle, show me the way,
밤하늘 위, rewrite the day.
Tell me the truth through the static and grey—
Are we destiny’s stray? Or souls meant to stay?


Neon Oracle

🔫 😎 1 step, 2 step, 3 chillin 😎 🤙 
all I really want
is to hold you tight
with you by my side

ray gun 🔫

star shower 🌟

brass pants

drill bitz

idontwantanyone + (p.julian caesar)

fun dream pop vibes 
produced by fogdiver

party2nite

H34RT (prod. fiftyzeros)

LISTEN TO MY NEW ALBUM "HARDWIRED" OUT NOW ON SOUNDCLOUD AND YOUTUBE:
soundcloud.com/crutchb1te/sets/hardwired-the-album

credz:

prod. Orin Inc.

mixed, mastered & performed by CrutchB!te 

sing/song-writing by CrutchB!te

graphic design by CrutchB!te

lyrics:
Girl, you wanna know
it's like I beat it up
ain't got nowhere to go
but try and fill my cup
watch it splash straight to the ground
I heard you in town,
baby hope you come around

baby I know what you wanna see
my bad I guess you caught up in my dreams
mmm hmm hmm mmm that body wanna speak to me
you're the only one
girl I love to hear ya

splash, splash, splash
splash, splash, splash
splash, splash, splash
splash, splash, splash

splash, splash, splash
splash, splash, splash
splash, splash, splash
splash, splash, splash

splash
hhhaeh
rock your soul
if you wanna let me go

go, fuck with my shit?
yeah I write it, I've been a monstrous motherfucker
with a kill list
that's the size of goliath
wanna fuck with me?
cause I ain't what it seem
girl you're running 
straight ahead
i'm tryna see ya
fuc- fucking splash, splash

Girl, you wanna know
it's like I beat it up
ain't got nowhere to go
but try and fill my cup
watch it splash straight to the ground
I heard you in town,
baby hope you come around
-----------------------------------------

SPLΛSH

moreـــــــــﮩ٨ـ

This song was inspired by the idea that pleasure cannot be measured by size, and the boundaries of self-expression were intentionally pushed. Every line was crafted to allow sensations to be described without judgment, and the rhythm was designed to be felt rather than counted. Repeated words and deliberate pauses were employed to give the listener space to interpret, and the imagery was chosen to convey intimacy without reliance on conventional metrics.

A sense of empowerment was woven into every verse, and attention was paid to how the body’s language could be evoked through sound. Hands were imagined walking, tongues speaking, and pulses skipping, and these movements were intentionally highlighted to create a layered, immersive experience. The chorus was reinforced with repeated phrasing to emphasise confidence, and the words were structured so that meaning could be experienced both audibly and emotionally.

The final effect was meant to feel expansive, yet personal, and the song’s progression was intentionally nonlinear to reflect the complexity of sensation. Mirrors were used metaphorically, and magic was suggested as something to be claimed internally rather than externally. Every line was placed to be both visual and tactile, and the listening experience was constructed to allow full immersion into a celebration of self, pleasure, and confidence, free from measurement.

SPELL SEX WITHOUT XS!

Verse:
queue up the fight
lock up the "care"
say it's my fault
when I pushed the air

lay flat on the middle ground
make sin in your bed
this gives you enough time 
to rehearse what's left unsaid

Chorus:
I don't know how it turned grey
when what we've built seems okay
this shit never checks out

As time goes by my heart stays on standby
and my feelings starts withering away

Chorus:
I don't know how it turned grey
when what we've built seems okay
this shit never checks out.

As time goes by my heart stays on standby
and my feelings starts withering away


Verse 2:
Guess I've been
tired of begging just to stop our back and forth
I don't even recognize you anymore
Feel myself crashing out soon as I hear your voice
I don't know how to compromise with you anymore

It is kind of funny how we both got end up here
A fake dose, lust-laced not intimacy
We're slowly losing our sincerity
I wonder what went wrong

Chorus:
I don't know how it turned grey
when what we've built seems okay
this shit never checks out

As time goes by my heart stays on standby
and my feelings starts withering away.

Chorus:
I don't know how it turned grey
when what we've built seems okay
this shit never checks out

As time goes by my heart stays on standby
and my feelings starts withering away

Wither (DRAFT)

(　-_･) ︻デ═一 ▸
dc-taychrist 


@taykoarchived

Mo•Louie is a Melbourne/Naarm-based artist, producer and engineer making bold, surreal pop music built for the dancefloor and beyond. She blends alt-pop, electronica and sound design to create immersive tracks full of texture, drama and emotional grit. Using warped samples, raw foley and striking vocals, Mo crafts entire sonic worlds that are theatrical, chaotic, and deeply intentional.

I’m Anbid Zaman — an artist and activist shaped by displacement, resistance, and the stubborn decision to live fully even when the world tries to make that impossible. I was born in Bangladesh and grew into my voice through grassroots queer organizing, where I learned early that courage isn’t something you perform. It’s a daily discipline.

My journey from danger to refuge changed me without erasing where I come from. I now live in Germany, working at the intersections of identity, migration, and liberation — supporting queer people facing violence while navigating the fragile, necessary work of chosen family, safety, and belonging. What guides me is simple and unnegotiable: justice without compromise, solidarity across borders, and the belief that marginalised voices deserve respect, not pity.

My music carries all of this. The sound is built from testimonial storytelling, emotional minimalism, and atmosphere shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the strange brightness of surviving. Every track holds both the weight of lived experience and a hope that refuses to disappear.

I build slowly and deliberately.
I KNOW, SLOW GROWS GLOW.

This is not just expression for me.
It’s continuation.
It’s resistance.
It’s a reminder that our stories carry power long before the world learns how to listen.

I make nostalgic dance music and ambient triphop
thanks for tuning in ✨️

puro antipop mexa :)
@insecurekori

https://linktr.ee/insecurekori

New tracks tagged #glitchpop