Break The Drone

"Sarah McDonald effortlessly segues from applying a dash of tropical swelter to thirties standards, tinkering with Thelonius Monk torch songs to a soul jazz rendition of an Amy Winehouse classic." 

Joel Shortman, Rathdowne Records.

"..deceptively laid back and self-assured, with an undercurrent of emotions waiting to sweep you by. When she sings “Rusted brandy in a diamond glass”, it’s the rust she focuses on, not the diamond. Tom Waits would approve...

..There’s a lot of nostalgic glamour associated with the ’20s and ’30’s era. Singers who choose to sing this material often end up as replicas of the sultry divas of the past, dressing up in satin gowns and pearls and stale femininity. Not Sarah McDonald. She approaches her material with a tomboyish attitude, phrasing the classic jazz and obscure torch songs that comprise her set list with a punk sensitivity and a kind of modern-day angst delivered by this beautiful, soulful chili-infused chocolate voice of hers. When she opens her mouth, she showers her audience with raw emotion. No pretense, no polished femininity, no nonsense. It helps that she’s sexy as hell when she does it; and that she’s surrounded by a killer band: Ron Romero on tenor sax, Kumar Shome on guitar, Ben Hanlon on the bass and Lewis Pierre-Humbert on the drums. As these musicians spew fire from their instruments, people get up and dance to her singing, even if she sings Monk’s “I mean you” (not the most danceable song out there)."

Nikos Fotakis, australianjazz.net

Sarah McDonald evokes cool smoky jazz club atmosphere with expressive melifluous phrasing contrasting with rhythmic dexterity.  She is a singer who has been as influenced by horn players and drummers as she has by the great vocalists. Having delved deeply into music, she draws from the greats of the history of jazz, blues and soul and selects choice standards, along with original, contemporary and more esoteric repertoire that she infuses with a soulful authenticity.

She has had a wealth of experience performing original music in various guises, playing in a range of contemporary original bands, world music ensembles and playing music for circus, theatre and film.

She also plays flute and sings in Tarab Ensemble, playing classical Arabic music:

https://www.facebook.com/thisistarab/


For bookings contact: iiiiilk.type.kind@gmail.com

-MittenpunKt-

Blurring the lines between dickhead and legend.

MittenpunKt, a techno/psytrance DJ from Melbourne, regularly plays at doofs and is a staple at Digital Hotdog events. Known for a unique style that teeters between dickhead and legend, their sets are always memorable and leave a lasting impact. With a reputation for pushing boundaries and creating immersive experiences, MittenpunKt has carved out a niche in the underground music scene, making each performance an unforgettable journey.

Contact me however tf you like, I'm always down for gigs.

|| ASYLUM || MELBOURNE ||

Always dropping a top selection of tunes that are both heavy and fun. One of the most adventurous DJs in Melbourne, often moving from breaks through to drum'n bass, into breakcore and hardcore with unexpected surprises and diversions along the way. Not afraid to take risks and always displays seriously tight mixing. Warning: Impact, noise level and overall entertainment from Mel's throwdowns can be inversely proportional to her actual size
www.facebook.com/asylumdnb

Abel Killick aka Count trackula is a producer, from Melbourne/Narrm Australia. Classically trained in brass, voice, and percussion. 

Count Trackula froth’s (loves) anything electronic. Hence his varied style.  Quietly but officially he dubs “bridgetech” (bridging and melding various technicalities of genres)

Also, an acoustic musician.  preparing to release 
Under the name Abel Killick an acoustic Lp (guitar, vocals, bass). In the next year or so. 



Instrumental dance music from the Heart.

Break The Drone

Asylum