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My fav asylum party songs

Best of

Asylum Party

"Bela Lugosi's Dead" is a gothic rock song written by the band Bauhaus. The song was the band's first single, released in August 1979, and is often considered to be the first gothic rock record to be released.[1][2] It did not enter the UK charts. The B-side featured the song "Boys" and some versions also include a portion of an early demo recording of what would be their next single, "Dark Entries". It was released on CD in 1988[3] and was compiled on the 1998 album, Crackle - The Best of Bauhaus. The original sleeve art was taken from a still of the film The Cabinet of Dr. Caligari.[2] The authors listed on the single are David Haskins, Kevin Haskins, Peter Murphy and Daniel Ash.[4]

more http://en.wikipedia.org/wiki/Bela_Lugosi%27s_Dead

Bauhaus - Bela Lugosi's Dead (Original)

Closer

Twenty Four Hours (2007 Remaster)

Weight Against the Door

Balancing

What Will You Learn

Echoes And Lights

La Rivière

Misfortune?

Mère

Beside

Inner World Is Up (Jump)

Mother

Borderline

Winter

First Days Of Winter

La Tourmente

The Sabbath

Play Alone

Formed in January 2009, Girls Names quickly garnered recognition outside of the confines of their hometown of Belfast with the release of their eponymous debut EP in 2010 through New York's Captured Tracks. A mini-album through London imprint Tough Love soon followed, setting the foundations for their critically acclaimed debut LP "Dead To Me," released in April 2011, again by Tough Love in Europe and West Coast label Slumberland Records in the US. October 2011 brought the excellent "Black Saturday" single, a frisky slice of dark, driving pop. Earlier this year the band released "A Troubled See" as one side of a split 7" with Weird Dreams, also on Slumberland/Tough Love. "A Troubled See" startled with it's stark precision, pointing to a new direction.

Girls Names are now hinting at making their boldest and most exciting record to date. New single "The New Life" clocks in at over 7 minutes and takes you on a journey that mirrors the feelings of a band living and working in economy stricken Northern Ireland - the perfect soundtrack of the bleakness to where they exist. The B-side is a mesmerizing, dubbed-out JD Twitch Optimo remix of the single.

This year the band expanded to a four-piece and has spent the last six months in virtual seclusion honing and developing a more progressive and expansive sound, feeding on the darker sides of Echo and The Bunnymen, Spacemen 3, The Birthday Party and David Bowie's "Low" before heading off on a triumphant Spring/Summer European tour culminating on their biggest and most successful shows to date at the prestigious Primavera sound festival in Barcelona.

A new full length is currently being finished off but for now it seems Girls Names are intent on making a lasting impression with "The New Life." It certainly feels as though the band is ready to enter a new phase in their existence and the way they've grown and honed their sound shows that they're not afraid to take risks.

"The New Life" 12" is out now on Slumberland Records (North America)/Tough Love (Rest of World).

Girls Names - The New Life

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).
