This is the first track from the highly-acclaimed Spill Plus CD with pianist Magda Mayas, double-bassist Damon Smith, and Necks drummer Tony Buck.

Wake

This is the third track from the second release featuring saxophonist Evan Parker and pianist Georg Graewe.

Dortmund Variation 3

This is the second track from the collaborative disc with trombonist Samuel Blaser, pianist Benoit Delbecq, and drummer Gerry Hemingway. This disc won the coveted CHOC award from Jazz Magazine in France.

Long

This is the second track from Lisa Ullen's first solo disc titled Catachresis.

Low Voice I

These are the closing minutes of Louis Goldstein's definitive version of Morton Feldman's For Bunita Marcus.

Note: This is a one movement piece.

For Bunita Marcus - part VII

This is the first track from Talus, Italian pianist Alberto Braida's innovative take on improvised piano. Noted ECM engineer Stefano Amerio recorded this disc at his own Artesuono Studio.

Sand in My Shoes

This is the title track from a memorable collaboration with pianist Achim Kaufmann, bassist Mark Dresser, and drummer Harris Eisenstadt.

Starmelodics

This is a stellar track from Interstices from the Heberer/Kaufmann/Filiano trio, which is due on October 20, 2015 from nuscope recordings. This CD is to contain liner notes from Clifford Allen and Swiss-inspired graphic art from Mike Joyce.

Spinning Jenny

This is a track from a very unusual and highly successful meeting with double-bassist Barry Guy, flutist Robert Dick, and multi-instrumentalist Randy Raine-Reusch (perhaps best known for his work on The Ladder by the prog-rock group Yes). 

Jupet Backagain

Raine-Reusch - khaen, Jean Derome - sax, and Pierre Tanguay percussion

Six with Jean Derome, Pierre Tanguay

Bamboo, Silk and Stone

"Globe-trotting visionary" Georgia
"Very multi-instrumentalist" Folk Roots Magazine
"The Noah of musical instruments" David Greirson - CBC Radio

Randy Raine-Reusch is a composer, concert-artist and improvisor specializing in New and Experimental Music for world instruments. An innovator interested in extending the boundaries of music, he has created distinct new performance styles on a number of world instruments from his collection of 700. 

Raine-Reusch has spent over thirty years exploring the relationship of music to psychology, philosophy, and spiritual or religious practices. He studied at the Creative Music Studio in the 70's with artists such as Fred Rzewski, Jack Dejohnette and Karl Berger, before going overseas to study with master musicians in Australia, Malaysia, China, Indonesia, Thailand, Burma and the Philippines, as well as with "National Treasures" in Korea and Japan. As a result his music now contains clear influences from a variety of indigenous cultures and is heavily influenced by Taoism and Zen.

In his performances Raine-Reusch strives for a balance of virtuosity, innovation, and a contemplative depth of spirit, while retaining the essence of his instruments. His unique voice has led him to perform and/or record with the Tianjin Symphony Orchestra, Aerosmith, Yes, The Cranberries; Pauline Oliveros, Stuart Dempster, Jon Gibson; Barry Guy, Robert Dick, Frank Gratkowski, Mats Gustafsson; Sainkho Namtchylak, Jin Hi Kim, and Issui Minegishi, the Japanese Iemoto, or Hereditary Grand Master, of Seikyodo Ichigenkin. As a solo artist, with his world beat ensemble ASZA, or with Chinese zheng virtuoso Mei Han, Raine-Reusch has performed at two WOMAD festivals, three World Expos, and on tours to Australia, Germany, Spain, Czech Republic, South Africa, China, India, Korea, Japan, Singapore, Vietnam, Malaysia and the Philippines. A two-time Juno award nominee, Raine-Reusch has performed on national and international broadcasts in China, Australia, Germany, Spain, Singapore, Canada and the United States, including on the famed American PBS “Prairie Home Companion,” and has appeared in five documentary films on music.

As a composer, Raine-Reusch has a distinctive voice, whether creating simple folk melodies or extremely experimental works that challenge both the audience and performers. He has premiered works ranging from large-scale site-specific extravaganzas, electro-acoustics, or realtime interactive computer works, to intimate chamber pieces for film, dance, and theatre in Australia, Canada, Hong Kong, and Spain, including three World Expos and numerous computer music conferences.

Raine-Reusch was a consultant/founder of the Rainforest World Music Festival in Sarawak, Malaysia; the consultant for Cirque du Soleil's Quidam; and the artist director of a number of other festivals and large-scale events. Raine-Reusch was a consultant and Director of Acquisitions for the Musical Instrument Museum in Phoenix Arizona, and a consultant for the Stearn's Collection of Musical instruments at the University of Michigan, Ann Arbor. He has acted as producer on numerous CDs and CD ROMs on Canadian and international labels. He is a contributing editor for Musicworks Magazine and has recently written Play the World: 101 World Instrument Primer for Mel Bay Publications. He has been a guest lecturer in the fields of composition, performance, ethnomusicology, and psychology at prominent universities and conferences worldwide. Raine-Reusch is a founding Board Member of the Museum of World Music, a past Board Member of the Canadian New Music Network, a member of the Canadian League of Composers, and an Affiliate of the Canadian Music Centre.

From 2008-2011, Raine-Reusch returned to Borneo as the Artistic Director and Consultant for the Rainforest World Music Festival in Kuching, and Borneo Jazz (Miri International Jazz Festival) in Miri, Sarawak, Malaysia. He has since stepped back from this position, and has been doing consulting and artist mentoring in Korea and Vanuatu. 

