Format: 2xLP / CD / DL
Label: PAN 
Cat.No: PAN 60
Release Date: October 20th 

PAN is excited to announce the release of Objekt’s debut album, 'Flatland'. Written between 2012 and 2014, 'Flatland' follows up a succession of dynamic single releases from his base in Berlin, including the recent split 12” with Dopplereffekt on Leisure System, "Cactus" b/w "Porcupine" on Hessle Audio and three 12” singles on his eponymous white label series. His recorded work so far has toyed with techno and electro conventions and has turned dancefloor tropes on their head, tickling the boundaries of what can or can’t constitute an effective club record.

Approaching the album format on its own terms, Objekt makes full use of the larger canvas to explore a framework of competing truths, multiple perspectives and conflicting accounts. 'Flatland' imagines a world in which any scene can be seen from every angle at once. Semblances and cross-references entwine the eleven original tracks and Objekt’s existing recordings, shaping a powerful and absorbing album that weaves between the alien and the hauntingly familiar.
This is an effervescent body of work, its sound design evoking vivid imagery and conveying the same unmistakeable sense of detail and movement for which Objekt has become known. On his first attempt, Objekt has constructed a mature and multilayered album with its own story to tell, from whichever angle you choose to approach it.

The album is mastered and cut by Matt Colton at Alchemy, pressed on a double 140g vinyl & CD. It features photography by Joe Dilworth and artwork by Bill Kouligas & Kathryn Politis.

Objekt 'Ratchet' (PAN 60)

Alexeief Settanta Yugo Selection // Taken by ELEKTRO_TEHNIKA Vol.1-2-3

Du Du A - primitivni ples

Hey, You're Gold! (Instrumental)

2200's Killed By Deaf EP is out 4 December on Cult Trip.

2200 - The Rig

It has been 13 years since The Parallax Corporation / Conservatives projects together with I-f. I-G hooked up with a new musical partner, the lovely and talented Pasiphae from Greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance.

Buy vinyl: https://clone.nl/item42030.html
Buy digital: https://clone.nl/digital/item3296144.html

Hardwax

RHYTHM020 - Intergalactic Gary & Pasiphae - Made Of Glass

Carter Tutti Plays Chris & Cosey

Obsession (2015 Version)

Freerotation resident Duckett lands on Wisdom Teeth with a new 4-track EP of malfunctioning rhythms and spoon-bent melodies.

'Gannets For Guano' marks the first single-artist EP on Wisdom Teeth, and Duckett’s first for the label. Out next month on digi and wax.

WSDM006 - A1 - Duckett - Black Sheep

Sekundenschlaf

Are You Still Hurt

Our digital premiere's return with an immersive and hypnotic piece by Italian producer Elio Consoli. Having recently featured on VA's via Marguerite Records & Dream raw Recordings - the artist develops his spacial sonic palette in "Lights". Enter into a state of reflective euphoria with DIGI-007. 

Free download as always.

FB - https://www.facebook.com/consolielio/
SC - https://soundcloud.com/elio-consoli-73115239
Email - elio@lapisnet.it

Elio Consoli - Lights (PHZDIGI-007)

SEEKING ARRANGEMENT

NAME: Drew Briggs AKA Divine Interface AKA WiFi _daddy
LOCATION: Atlanta, GA
SEEKING: Casual but intimate encounters
LIFESTYLE BUDGET: Broke but not broken
DESCRIPTION: Lonely but never alone

Conversations from a bathroom stall. Greetings shouted across the dance floor. Lines whispered in your ear at the bar. These are just a few of the audible vignettes that make up Drew Briggs’ (AKA Divine Interface) latest EP, Seeking Arrangement. Briggs is our steadfast narrator throughout, offering thoughtful meditations on love, time, and what we do with them. He may suspect that love and romance are transactions, but it’s not that bleak: on Seeking Arrangement, he’s making collages with the receipts.

This was the ethos behind Briggs’ decision to name his latest release after the leading sugar baby dating site. Seeking Arrangement is both a nod to his native Atlanta (home to the largest sugar baby population in the country) and a playful commentary on the state of modern romance. Briggs, it turns out, is well-acquainted with the subject - a fixture in the local DJ scene by night and an employee of a sex furniture distributor by day, he’s built a life around helping people get down.

Briggs’ second release as Divine Interface (and first on 2MR) plunges the listener directly into his nightly routine - from club to afterparty to cab ride home. This effort is aided in part by his somewhat unorthodox creative process - most of the album was recorded in his bed, where he set up his equipment to encourage himself to work in the tired hours between gigs and shifts. As a result, the freshness of the material is palpable; the subject matter thoroughly lived-in. It makes perfect sense, after all, for an album about romance to be born between the sheets. Full of field notes from a night well spent, this is bedroom hip-hop done by someone who’s hardly home.

Perhaps this is because home, for Briggs, extends beyond his four walls. The city of Atlanta is the boisterous backdrop of this record, making appearances both literally, as in fellow ATL artist Fit Of Body’s appearance on “Sometimes,” and sonically, in Briggs’ unique fusion of the local hip-hop and electronic scenes. “In The Back” is a sleazy dance floor banger, while “Slide Piece” is a liquid-smooth after party groove. Lines blur across genre in the same way that hours seem to after a few drinks: “it’s getting late,” he muses on lead single “So Fine,” “but she don’t believe in time.”

Drew Briggs has never been a sugar baby, but he passes no judgment on the lifestyle. After all, aren’t all relationships transactional in a way? If it’s not money being traded, it’s social status, access, validation, emotional support, etc. Whether we’re aware of it or not, we make tacit agreements and set expectations. In other words, we seek arrangements. 
credits
releases June 5, 2020

CREDITS:
Written and produced by Drew Briggs in Atlanta, GA 2018-2019.
Mastered by Josh Bonati.
Cover painting by Kelli Willis Parks.
Layout and back photo by Ryan Parks.
Released by 2MR.

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