Tired of Trying [DEMO]

Vocals and Lead Guitar - Yooh Brito 2019-2023
Bass - Christophe Maltin 2019-
Drums - Geraldo Campelo 2019-

Contact us at:
contactbecloud@gmail.com

Tom Markey weaves his unique sound from songwriting and sonic explorations in rock, punk, pop, ambient and beyond. His songs are infused with a sense of justice, optimism and humor in the face of darkness. He draws inspiration for his music from dystopian visions, space travel, books and friendship. Tom is based in Austin, Texas.

225 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

Ich mag Soundcloud sehr und höre viel Musik. Am meisten mag ich Psytrance und mein Lebensgefährte macht auch elektronische Musik. Er mag Soundcloud auch am liebsten und es gibt immer wieder neue Tracks für euch hier zum Genießen von ihm. Wir freuen uns auch hier immer wieder neue Künstler kennen zu lernen. LG Eure Manueilla

Earth Patriot plays #BcRich guitars on most tunes trough #Marshall Heads. I do grungy melodic Alternative Rock with mostly three different guitars, have a mixed ethnical background and come  from the north of europe where the light is rare. 

influenced by the second wave of western punkrock and grunge that flooded the networks in the 90ies.

There are some really good soundcloud-exclusive-bands to find out about on my playlists/compilations.

I especially want to recommend The Young Love Scene , Ian McIntosh , Brian Butts, Eternal Ballers  and the bawl slant . 

#DaysGoBy but the chords 
#hardly ever #change !

To interact, just leave a comment or send me a pm!

Cheers!

my favorite artists: @BillyTalent @NIRVANA @NadaSurf
#EarthPatriot es un grupo de Rock Alternativo .

DO NOT MESSAGE ME ABOUT PROMOTIONS FOR ANY STREAMING PLATFORM. I AM NOT INTERESTED. thank you!

if you wanna play #callofduty #warzone with me, just write a short msg and add me - earth-patriot on #PSN / earth-patriot568 on xbox live.

We are a small recording studio in the middle of the beautiful nature in Ljutomer, Slovenija. Besides recording sessions, we offer online mixing and mastering services. Please don't hesitate to contact us for more information and special prices.

- Bob Garaffa 😎🎤🎸🎸🎹 (Lead and Bkng Vocals, Lead and Rhythm Guitars, Bass Guitar, Mandolin, Keyboard Synthesizers, $Drum Sequencer Programming and Percussion)
- *Kevin Newton 🥁 on Drums. 
- Produced by Bob Garaffa
 Formerly of the New Jersey band 'Amphibians'
A great band from New Jersey, a wonderful band that’s going to be around forever.” Don Dixon, REM/Counting Crows/Smithereens producer* “ A sixties British sound with cool guitar riffs. It’s nice to hear a song that sounds happy without being saccharine”. Jerry Harrison, Ex-Talking Head, Garageband founder (Advisory board member along with George Martin, Brian Eno, Steve Lillywhite etc.) and producer, review of “New Day” *
'New Day (I Feel Alone)' by Amphibians
https://on.soundcloud.com/Zjcj7
 Progressive rock with brilliant melodies” Billboard Magazine “ * When a band’s from Jersey you expect alot and the Amphibian’s power pop definitely delivers.” Yahoo Music/Listen *“Any one of the songs I heard tonight would make a great hit single.” Aquarian Magazine “Interesting and catchy, you guys understand that rock is groove-oriented. I loved the songs! Great job and congratulations!” Musicians Network * ‘They combine styles such as rock, dance and pop with the drive, ambition and determination shared by few songwriters.” Steve Zuckerman, freelance writer, Rolling Stone and other music publications.
Amphibians dig back to simpler times when vocals were key, melodies integral and lyrics from the heart. They mix this with a progressive backbeat for an appealing new sound unlike any other. Their offering is unique in its freshness, a change and yet preserving valid elements from the past. In a word-EVOLVING. The Amphibians’ track record speaks for itself and gives an indication of their enormous popular appeal. The versatile songwriting team of brothers  Bob and Fred Garaffa hail from Central New Jersey and also perform vocals, guitar and bass in live shows. They have fine-tuned their act at many NYC area clubs including the Stone Pony, CBGB’s and the Bitter End. *Garageband's Chart Success: Achieving three top five songs: 1)“New Day (I Feel Alone)” reaches #2 out of all genres combined in Garageband's Final Countdown (out of tens of thousands of submissions). "New Day(I Feel Alone)" also reached #1 in power pop and #1 out of 9,699 in the rock genre. 2) "Cabane de Dounier" by Amphibians 
https://on.soundcloud.com/tMvRc
 #3 and rising in groove rock and #5 of 3,147 songs in the rock genre. 3) "Hangin' On" by pop/rock side project Galactic Inner Groove reached #3 out of 15,665 songs in the pop/rock genre. CREDITS: *‘Artist of the Week’ by Billboard Talent Net on their first week * “New Day (I Feel Alone)” Reaches #1 on BTN three different times * Included on The Best Of Billboard Talent Net’s “New Talent Spotlight” CD * First and Second Prize, Musicians Network Songwriting Contest * Mid-Atlantic Song Contest winners *Four Billboard Magazine Songwriting Awards * Recognized by ASCAP Songwriters Workshop *“New Jersey’s Best Rock” CD, released by WDHA 105.5 FM, Dover, New Jersey *Finalists in Paramount's "Sol Goode" soundtrack contest.* Two songs chosen for United Nations UNESCO New Songs For Peace Project. REVIEWS: * “A great band from New Jersey, a wonderful band that’s going to be around forever.” Don Dixon, REM/Counting Crows/Smithereens producer* “ A sixties British sound with cool guitar riffs. It’s nice to hear a song that sounds happy without being saccharine”. Jerry Harrison, Ex-Talking Head, Garageband founder (Advisory board member along with George Martin, Brian Eno, Steve Lillywhite etc.) and producer, review of “New Day” * Progressive rock with brilliant melodies” Billboard Magazine “ * "When a band’s from Jersey you expect alot and the Amphibian’s definitely deliver the goods!!!"

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Guitar driven, self produced, original instrumental music.

Happy headbanging and happy tripping!

Tired of Trying [DEMO]

Becloud