Really awesome talent.😎👌👍✌️✌️

My own shit

UNDIVIDED

Beautiful Girl

Gunfight

A song I posted a three weeks ago …that Johnny AKA ~  ( No Killie Fish) ~ https://soundcloud.com/johnnymc2 took me up on my request...
for someone to put a backing track down for me. I have been so often amazed at Johnny’s talent, I of course took him up on this!!

Never Sailed Goodbye song written by ~ Doug Roossien  Apr 19, 2022
https://soundcloud.com/doug-roossien/never-sailed-goodbye-a-challenge-to-musicians 
Johnny took my raw acoustic song  and put a some wonderful instrumentation down for me to put a another vocal take on it, then he mixed it and mastered it … Was really very happy with the results. ( Thank you Johnny)

https://www.reverbnation.com/artist/video/17109227 new video of the song!!

This was a first effort of a long ago song ... (originated from a little poem I wrote well over 40 years ago)"
"Dockman's got a cold hand,...first ship off at dawn,
Liberty Sails ..to the horizon ...now she's gone"

Quiet little café...Near the edge of town
Late at night …when lonely comes around
Eyes danced …we make love…till the morning light
Anchors raised …one long kiss goodnight

Still see her blue eyes…staring’ through my soul
As this ocean rolls… me… miles and miles from shore
Still feel her loving hands…here on my face
Feel them slip away…again I start to cry…cause I’m
Miles… from shore…and but I never… never sailed goodbye

I’ve only been there once…just a little port in Maine
A sleepy little harbor town…that I’d love to see again
Dockman’s got a cold hand…first ship off at dawn
Liberty sails…to the horizon…now she’s gone

Still see her blue eyes…staring’ through my soul
As this ocean rolls… me… miles and miles from shore
Still feel her loving hands…here on my face
Feel them slip away…again I start to cry…cause I’m
Miles… from shore…and but I never… never sailed goodbye

Quiet little café...Near the edge of town
Late at night …when lonely comes around
Eyes danced …we make love…till the morning light
Anchors raised …one long kiss goodbye
I’m miles from shore, but I never, never sailed goodbye
I’m miles from shore, but I never …sailed goodbye

NEVER SAILED GOODBYE - (MUSIC & MASTERED NO KILLIE FISH)_

Another Rough Idea

Tyhoon - 01

Fire



Music written and composed by: Mark McClellan 

Lyrics: Written and performed by The Mysterious Decibel
@Themysteriousdecibel

Visual Lyric video:
https://www.youtube.com/watch?v=TROIjlpwk00

Lyrics:
Joey held the bottle upside down
Squeezed it and the smile turned to frown

It was the ketchup precum! 
Once a delicacy grilled under the sun
and now a wet hot dog between a soggy bun

Oh yeah ketchup pre cum
That's what you get when you don't shake before you squeeze

I didn't really fancy any discolored water with my meal tonight
I was really looking forward to those tater tots, Before I took a bite
A magnificent meal that was shattered by one squirt
A puddle that stares me in the face from the plate 
Left me in a world of hurt

Ketchup yeah!
Precum No!

My Burgers!
My fries!
One squirt could meet the demise of the food that I eat

You don't want
You don't want
You don't want
You don't want
The ketchup precum No no no!
You don't want it slaughtering your plate
It's a liquid that everyone hates
Don't you know that no one wants to deal with the dreaded ketchup precum

The Mysterious Decibel - Ketchup Precum

Free for NON-Profit, Purchase for Profit Use!
Use "Prod.K!ra"
DM for use terms [Insta is the only way you can contact me]
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T&C still apply
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Split mirror

Enner Madness
1: Introducing
2: Shall I?
3: After-Glow
4: Relief
5: Meditation
6: Return

Dates:
28-Sep-2025 (inception), 01-Oct-2025 (finalised), 02-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
watch this space -- upload in progress

Description:
No, I am not going mad! More like an energetic use and interpretation of the Soma Enner instrument.

An orchestration of multiple granular synthesis banks through my custom programmed granular synthesiser, Granie (Release 04, 28-Sep-2025).

For full write-up, see my BandCamp or FaceBook Page.

Enner Madness records audio from external synthesisers or electronic instruments, feeds this into the Soma COSMOS memory station to loop over parts of the performance, giving me a small window to record this into small snippets of audio 30 seconds each, the grains into the Granie. The grains are modulated in time and space, left right audio channel modulations, position modulations, position offsets between grains and small changes in playback frequency amongst the cloud of grains. All of this can be varied by adjusting the rotary encoders of the Push2, not through low frequency oscillators, but through human controls of the rotary encoder knobs and then record those movements as automations to replay. All this is done live. I wanted to keep the performance organic.

The Granie also comes with a dual delay+gain+feedback section, one for the left audio channel and another for the right audio channel. Just as with the granular control, delay times and feedback were controlled dynamically on the Push2 live during the performance.

The Soma COSMOS was put into the Rhythmic Firmware mode, using the #09 Fractal mode and the #6 1/5 dominant mode. So the looping in the COSMOS was not your ordinary looper, rather it embraced improvisation and an ever changing play back.

The album consists of six tracks:

Track 1, Introducing: opens with the Soma Enner as the front end instrument. An energetic use of both the Enner and the granular synthesis of it.

Track 2, Shall I?: develops the ideas presented on track 1, but a bit like, shall I press this button and hear what happens? Again the Enner as the front end, blending this in with granular synthesis grains recorded from the Enner performance.

Track 3, After-Glow: takes the grain banks from track 2 and plays them alone, further exploring what can be done with them.

Track 4, Relief: Puts my electric violin at the front end, an NS Design Wav4. This was feed into the LR Baggs Para Acoustic DI (pre-amp), then feed into the Soma Pipe, then into the Soma COSMS and finally into the Granie. A slow moving, calm violin section was performed and simultaneously some short grains recorded. The grains were then mixed in, providing texture and mystery.

Track 5, Meditation: My (human) voice was sung into the Soma Pipe, through to the Soma Cosmos in fractal mode having fun adjusting live the Blur and Drift settings, with the Granie at the end of the signal chain. As with the other tracks, 30 second grains were recorded, played back whilst adjusting grain parameters, some of which were recorded as automations, leaving my hands free to adjust other grains and so forth. Soma Pipe modes here were alternating between the Harcho (best described as a thick stew soup) and the Filterra (band-pass filter with resonance control).

Track 6, Return: Track 6 returns to a similar style of track 1, playing the Soma Enner to the Soma COSMOS and back to the Granie. The Enner parts used a combination of a drum brush played through the face-plate piezo pickup, finger drum tapping and the touch plate oscillators. Then recording 30 second grains into Granie and experimenting live, with the granular synthesis parameters and feed back controls.


Gunfight

aTch

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