this one hurts

Meant To Gather is about the kind of gatherings that never should have happened. Moments that looked like joy if you squinted, but underneath were scattered, awkward, and wrong. The song moves on bongo rhythm and chant, carrying the unease of people together but never really together.

Meant to Gather

A song for those that miss that special someone and inspired by Chingy's "Pulling Me Back".

SYMBOLIC - Meant To Be Ft. Ebby

Lingerie Love

AFTER HOURS

Glitch & Honey

Private Service

Fusion Autumn Collective Tryst aka FACT

Prince of dust

Blessed is The One

Sing for Joy

Britannia - Soul - 160bpm

"By-line and Bias - Journalism as Strategic Architecture 1.0" is a ciphered exposé — a 5–6 minute suite dissecting journalism not as neutral reporting, but as strategic architecture. Each verse interrogates the mechanics behind headlines, the motives behind silence, and the editorial scaffolding that shapes public perception.
The suite moves through sonic layers of melodic gravity, synth glide, and Goodie stab percussion, mirroring the emotional arc of the lyric: from analytical tension to geopolitical omission, from euphemistic distortion to final audit.
The visual rollout echoes this architecture — torn newsprint, blueprint grids, and redacted silhouettes — while the multilingual expansion reframes the suite for global resonance.
This is not a song. It’s a ciphered audit of the fourth estate. Every by-line is a blueprint. Every silence is a signal. Read between the headlines.

By-line and Bias - Journalism as Strategic Architecture 1.0  #Hip-hop Cipher Rap

After years as a visual artist, I found myself starting Athen Tobias. I had spent that time painting bold abstractions, but grief shifted my path. In the quiet that followed, music became the only vessel that could carry what painting no longer could.

My first album, Aftermath, was born in that space. It is both elegy and rebirth, made from poetry I have written over many years. Some came from childhood, some from more recent memory. Some sat in old notebooks. Some were written fresh in a moment of catharsis. For the first time, I gave these words sound, with the help of AI as a technical assistant.

I named the project in honour of my late pet Athen, whose presence still anchors everything I make. Like my paintings, these songs are for people who take time to look closer. Listeners who are willing to sit with something and find meaning in the layers.

With my second album, Submerge, I step forward. If Aftermath was the album I needed to make, Submerge is the album I wanted to make. The sound moves between textured ballads, songs driven by guitar and rhythm, electronic chanting, and moments that rise with choral energy. It still holds that emotional weight, but it is braver and broader than before.

Together, these albums tell the story of what it means to begin again. From survival to immersion. From silence to sound. From aftermath to submersion.