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MEGA MIX   27.05.2024

MEGAMIX 08.06.2024

Feel The Way

I hope to someday finish animation I started years ago of flamingos in the rain dancing to this song.

Synth harp, guitars, clarinet, cellos, and bass set to hit hop, conga, and bongo beats at a tango’s pace of 70 bpm. Rain audio recorded live in December 2023.

I wrote an extended version of this track more than a decade ago during a time I was experiencing intense physical pain. As I fled inwardly into creativity to escape, this music narrated the discovery of a quiet harbor from pain.

Later I became amused watching a wildlife documentary of flamingos and their mating dance. As they marched together in step, abruptly turning their heads and beaks known as head flagging to an unknown beat accentuating their synchronized rhythm, I imagined flamingos dancing the tango. Initially I had ambitions to create an animated short with Tango In The Rain as the soundtrack. With time constraints, I leaned more toward the immediacy of digital music-making than animation and discovered pain relief in the process. And as a fan of old movies, this tune evolved into my fantasy score for a different Singin' in the Rain type of musical of animated dancing flamingos.

I hope the music takes you to your own safe harbor, hopefully a place of grace, comfort, and peace. My best wishes to you.

Tango In The Rain

- Spitfire Audio - Spitfire Appasionata Strings - Violins 1 - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Violins 2 - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Cellos - Legato
- Spitfire Audio - Spitfire Appasionata Strings - Basses - Glancing Attack
- Spitfire Audio - Spitfire Appasionata Strings - Basses - Legato
- Spitfire Audio - BBC Symphony Orchestra - Viola Leader - Legato
- Spitfire Audio - BBC Symphony Orchestra - Oboe - Legato
- Spitfire Audio - BBC Symphony Orchestra - Flûte - Legato
- Spitfire Audio - BBC Symphony Orchestra - Harp - Gliss FX
- Spitfire Audio - Contemporary Drama Toolkit - Scratchy Pad
- Spitfire Audio - Originals - Cimbalon - Sustained
- Spitfire Audio - Originals - Cinematic Frozen Strings - Flautando CS
- Spitfire Audio - Fragile String Evolutions - Ambient Tratto
- Spitfire Audio - Angular String Evolutions - Close To Home
- Spitfire Audio - Hauschka Composer Toolkit
- Spitfire Audio - Blankfor.MS - Tape Synths
- Spitfire Audio - Albion V Tundra
- Spitfire Audio - LABS - Tape Piano - Felt Cassette
- BS - Era II - Vocal Codex - Contemplating
- Arturia - Augmented Strings
- UVI - World Suite

4/4, 120 bpm

En Résonance

The Year 2000 Project

Victor Villamos.....Ocarina
Javier Piñeira....Spanish Guitar
Thanks to all the artists who follow my profile

At King Arthur's Court

The peregrine falcon (Falco peregrinus) if you have not had the opportunity to see it in a falconry exhibition or similar, it is not that it is enormous. With its 50 cm high, one meter wide and around a kilo in weight, this bird of prey does not stand out excessively for its corpulence, especially if we compare it with eagle owls or eagles. However, this apparent smallness does not prevent it from being a true live air-to-air missile that goes into action the moment it hunts its prey.
The living missile called the Peregrine Falcon

The human being, despite having established himself as the king of nature, the truth is that, compared to the other 37.57 km/h that Usain Bolt achieved when he broke his world record for the 100 m dash with 9.58 seconds . And it is that, in a matter of speed, there is one that is capable of leaving any racing car at the level of bitumen with its 389 km/h: the peregrine falcon.
The peregrine falcon (Falco peregrinus) if you have not had the opportunity to see it in a falconry exhibition or similar, it is not that it is enormous. With its 50 cm high, one meter wide and around a kilo in weight, this bird of prey does not stand out excessively for its corpulence, especially if we compare it with eagle owls or eagles. However, this apparent smallness does not prevent it from being a true live air-to-air missile that goes into action the moment it hunts its prey.
The living missile called the Peregrine Falcon
An air-to-air missile,and the great Dave lombardo Recording of his tours around the world giving live drum classes available on YouTube

Ducks, seagulls, pigeons, starlings, quails... but above all pigeons, are the candidates to be part of the peregrine falcon's daily lunch, which it hunts in a surprisingly lethal way thanks to its extreme speed, impossible for its birds to reach. dams. The hawk technique, which harnesses the acceleration rate of gravity, is surgical as well as deadly.
This small raptor, which feeds almost exclusively on birds, searches for its prey in mid-flight. The falcon, at cruising speed, is already capable of flying at around 100 km/h, which already makes it one of the fastest birds. However, when it detects prey with its large, penetrating eyes, the peregrine falcon folds its wings and launches itself into its free-falling prey.https://www.youtube.com/watch?v=YkmDKswh1PA

ROCK METAL 2

THE MISSILE FALCON

THE MISSILE FALCON   (METALIZADO & DAVE LOMBARDO ) JAZZ  METAL free download, share my art

A welcome song in celebration of the first day of Spring as if to say:

Hello to my dear old friend
I missed you waiting for winter to end
Now it is your time to begin
Yes, it is Springtime once again

Hope you enjoy! Blessings to all!

Synth pianos with echo, phaser, bass, acoustic guitar, and audio of a robin singing set to hip hop and Latin beats at a gentle 70 bpm.

Audio of robin singing recorded live in April 2023.

COVER ART: AI-generated image via the DaVinci app altered in Photoshop.
..................

.

Spring Arrival

Mother Earth feels, perceives and suffers. Let us take care of her.
Composition and production Javier Piñeira, June 2023. All rights reserved. Copyright

Mother Earth

(40 DD ‎- Two Big Bazookas, Dance Floor Destruction)

Welcome to my Underground Techno Club

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Dreama AB

Begin Again feat. Emily Coy
Vocals: Emily Coy
https://soundcloud.com/freevocals/emily-coy-begin-again-free-acapella
Backing Track Paploviante Burn
https://soundcloud.com/paploviante-and-friends/burn-open-collaboration-offer
Lillithe: adding…Sax, Beat, Synth,Vocals, Arrangement and Production

Begin Again feat. Emily Coy & Paploviante

MIDNIGHT IN PARIS.

Is Life

"From the air, raise them like you just don't care." 🔊💚🔊

Unclassified Crazy 114 BPM

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


Am I going to play or who is playing?（256）

XXX Lyrics on two songs.
                                           My dedication to Jane & all the strong  Dzelarhons,🌋🌋 FU.K YEAH!!!!! 🌋🌋

Everyday is women's day. Middle finger to Pale Male & Stale Politicians who r f..kin up the world

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

SECOND COMING OF THE CHAMELEON OF POP
>
WAS MET BY A FANFARE
THE MIDDLE OF NOWHERE
SIX IN THE MORNING
ARRIVED WITH OUT WARNING
>
HE FELL OUT OF THE SKY
NOBODY BELIEVED HIM
IT CAME AS NO SURPRISE
THAT IT ALL CAME TO NOTHIN'
>
SECOND COMING OF THE CHAMELEON OF POP
>
HIS ACCUSERS, ON A HIGH
BOTH THE FOOLISH AND THE WISE
PREACH THE UNIVERSAL LIE
INSISTING HE MUST DIE
>
AS THE HECKLERS MULTIPLY
HIS EXISTENCE, THEY DENY
HIS REJECTION AND DEJECTION
A WRITTEN IN CONCRETE PROPHECY
>
SECOND COMING OF THE CHAMELEON OF POP
>
A WORD TO THE UNWISE
THERE IS NO SOLUTION
IF YOU THINK THAT YOU KNOW WHY
YOU ARE IN FOR A BIG SURPRISE
>
YOU LOOK IN THE RIGHT PLACE
BUT LOOK AT THE WRONG TIME
THE TRUTH IS ALL AROUND YOU
BUT NOTHING CAN OPEN YOUR EYES
>
SECOND COMING OF THE CHAMELEON OF POP
>
THE ABILITY TO REASON OR THINK FOR YOURSELF
HAS DEPARTED THIS WORLD, AND DESERTED THE PEOPLE
>
BEYOND THE POINT OF REDEMPTION
YOUR'E THE BLANK GENERATION
YOUR LACK OF INVENTION
GIVING WAY TO PRETENSION
>
SECOND COMING OF THE CHAMELEON OF POP
>
YOU MISTAKE THE GENII FOR JERKS
BUT FOR THE JERKS YOU GO BERSERK
AND PLACE THE JACKASS RAPPER
ON THE PEDESTAL HE BOUGHT
>
WHILE BORN AGAIN BOWIE
STARES YOU IN THE FACE
AWASH WITH NO PUBLICITY
DESTINED TO VANISH WITHOUT TRACE
>
SECOND COMING OF THE CHAMELEON OF POP
>
SWALLOWED UP IN A SEA
OF MEDIOCRITY
WHERE THE KING IS IMITATION
WITH THE PUBLIC ALWAYS LOOKING IN THE WRONG PLACE
>
SECOND COMING OF THE CHAMELEON OF POP
>
HE'S ECLECTIC, HE'S PERSISTENT
HIS SONGWRITING; CONSISTENT
TO EVERY PASSING WHIM
HE'S ETERNALLY RESISTANT
>
THE WIDTH OF HIS IMAGINATION
EVIDENT IN HIS CREATIONS
BEYOND ALL EXPECTATION
USHERS HIM FROM STATION TO STATION
>
SECOND COMING OF THE CHAMELEON OF POP
>
NON-EXISTENT BOUNDARIES
THE CORE OF HIS BELIEFS
WITHIN A BOX THAT HAS NO SIDES
THE UNIVERSE IS HIS FRUSTRATION
>
EVERYBODY ELSE IS WRONG
AND SURE TO UNDERRATE THIS SONG
THAT'S WHY I THINK I DON'T BELONG
THAT'S WHY I'M SOMEWHERE IN THE DISTANCE
>
SECOND COMING OF THE CHAMELEON OF POP
>
WITHIN MY MIND, EXISTING WALLS
LIKE JERICHO, AFTER THE FALL
WERE PULVERIZED AND GROUND TO DUST
THOUGH THEY WERE NEVER THERE AT ALL
>
IF ONLY THEY WOULD DROP THE ACT
PARTITION FICTION FROM THE FACTS
MY ONLY MISSION, STILL INTACT
WOULD BE THE ONE I CAN'T RECALL
>
SECOND COMING OF THE CHAMELEON OF POP
>
THE SUPERFICIAL MAKE SICK
CAN ONLY TURN A SINGLE TRICK
BUT PLASTIC PEOPLE ALWAYS WIN
IT'S ALL ABOUT SURFACE SKIN
>
IT'S DANGEROUS TO BE 
>
DANGEROUSLY DIFFERENT
TO THE SHEEP, I'M NON-EXISTENT
BEING DEEP IS AN AFFLICTION
SAYS THE UNNATURAL SELECTION
>
SECOND COMING OF THE CHAMELEON OF POP
>
TO DISAGREE WOULD BE SIN
TO SWIM AGAINST THE SEA OF MAN
WILL PUT YOU WAY OUT ON A LIMB
AND VULNERABLE TO EXECUTION
>
I HATE THE WAY THE MASSES THINK
THE MEDIOCRITY THEY DRINK
THEIR MOUTHS ALL MOVE IN PERFECT SYNC
WHEN OTHERS DO, THEY ALSO BLINK
>
SECOND COMING OF THE CHAMELEON OF POP
>
I'M HAPPY THAT MY MIND IS FREE
MY 'DON'T BELONG' PHILOSOPHY
THE LIFEBLOOD OF HUMANITY
WILL GIVE MY PSYCHE FULL PROTECTION
>
SECOND COMING OF THE CHAMELEON OF POP

SECOND COMING OF THE CHAMELEONS OF POP

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

Epic, Cinematic and Orchestral Music
Picture by jhantares
Franck C Production
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=b5vp_FXwNEg
Version 2024

Sandstorm

FVR Grooves (Dedication to Friends,Thank You) No Gatekeepers in your Vibe!!!!

Composed and played by Loony De Bussy 

Art cover : Pearl by Nataly NGM 

Recorded on Korg D16
Mastered with Audacity

PERLE / Debussy Punk nº2                                 (for 2 guitars & 1 bass)

Glommy / Paploviante 
Paploviante: Lyrics (with Computer Speech) , E-Bass, Composing, Arrangement, Mix and Mastering 
Free Download

Glommy - Paploviante

Pop Out ft Lil Beezi

Flowing suite of several short guitar instrumental pieces, please be patient, everything does not happen in the first 30 secs...

'Milestones'

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Special thanks to Paul Paploviante 🙏 for his open collaboration offer to add to his rocking bass and guitar song, “Leaked.” This my first music collaboration and first attempt at music’s rock genre. 

Southern Exposure is a remix of Paploviante’s original song, Leaked. Listen to it here: 
https://soundcloud.com/paploviante-and-friends/leaked-paploviante

A couple hours drive south of my sweet home Atlanta will land you in the territory of Southern rock legends — the Allman Brothers, Duane and Gregg, and just across the Georgia/Florida border, Lynyrd Skynyrd — whose music was known for its great guitar sound, a part of my Southern Exposure. So let’s take a trip where Paul Paploviante’s soulful electric guitar is the star.

90 bpm
DAW Apple Logic Pro X
MIDI Akai Pro MPK 
For the remix:
Steinway Grand Piano 
70s Funky Clav
Deep Organ 
Latin Kit
2-Step Remix Overdrive 
Hard Techno Remix Dirty

Southern Exposure Remix of Leaked By Paploviante

Breeze The Brass / Paploviante
Paploviante: Bass, Mix, Picture and Mastering
Free Download

Breeze The Brass - Paploviante Free DL

Alone
Backing track, Mix, Arrangement and Production: Lillithe
Vocal: Emily Coy
https://soundcloud.com/freevocals
Bass: Paploviante
https://soundcloud.com/paul-racle

Alone      ( Prod. Lillithe-Paploviante)

In order to relate to your music most listeners need to be able to #pigeonhole it, if they can’t do this because you create tunes that are unique they'll likely dismiss your creativity, absorbing it years later when musicians, thinking they got there first, stumble on your sound!

I say it the way I see it, not the way THEY want me to see it!

Influenced by Gothic Music, lots of Funk, lots of Fusion, Post Industrial, Psychedelia, a smidgen of Post Punk, elements of Death and Dark Disco, traces o Trip Hop, Trap, EDM, Trance, Techno, House, Glam Rock, Nu Disco; Dub; I think you get the picture!

SECOND COMING OF THE CHAMELEONS OF POP

ATHENS DEATH DISCO aka GOTHIC FUNK