You are currently reading about Frightened Rabbit. They are a band who live in Glasgow and have done for some time. They record in bedrooms, cupboards and kitchens. Anyone can be in Frightened Rabbit. 

They have played some live shows in this city, but want to meet people from other cities, in order that they can come and blow into tubes when they play live. Lets keep pop music alive by getting it out of that dress and into a sweater.

'Recorded Songs' EP out now: https://atlanti.cr/recordedsongs

2017 tour dates on sale here: http://smarturl.it/FRShows

Follow Frightened Rabbit here: 
Twitter: http://smarturl.it/FRTwitter
Instagram: http://smarturl.it/FRInstagram
Google +: http://smarturl.it/FRGooglePlus
YouTube: http://smarturl.it/FRYouTube
Soundcloud: http://smarturl.it/FRSoundcloud
Website: http://smarturl.it/FRWebsite

Rocker...Gother...dipped in all that is beautiful salvation..Exploring all that is underneath and hoping to bring you AND me into the light...!
Welcome to my Knightmare....

MOTORDROME OUT NOW ∞ https://mo.lnk.to/Motordrome 

Connect with MØ
Instagram: https://www.instagram.com/momomoyouth/
TikTok: https://www.tiktok.com/@momomoyouth
Twitter: https://twitter.com/MOMOMOYOUTH
Facebook: https://www.facebook.com/MOMOMOYOUTH

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Couple B-more Boys Strummin Rat Tails and Bangin Broomsticks

Ain't this guy from vine? He's a Artist?!

Rockin' with the best.
US – HEY HEY is out now: http://smarturl.it/MapeiHeyHey
Watch ‘Change’: http://smarturl.it/ChangeLyric

Mapei brings palpable soul and sonic versatility to a world where genre matters less and less.  The Stockholm native soaks up influences – from hip-hop to dance-pop and Swedish club to gospel – and the results feel organic, timeless and positively exuberant. It’s music of experience – well-traveled and alive.

Tha Hip-Hop Ninja

A.K.A. 𝗦𝘂𝗯-𝗩𝗲𝗿𝘀𝗮𝘁𝗶𝗹𝗲
Inquiries: thamarkofbuddha@yahoo.com

RVA 🇺🇸 // 日本 🇯🇵

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