sur un texte de Michel Benoit
musique, arrangement, instrumentation et interprétation : Alban 
Bouquette
enregistrement: Studio d'Azy
photo: Galorbe

Je te dis que je pars                                                                                                  
Pour ces mots que je ne t’ai jamais dits,                                                   Pour tous ceux que je ne te dirais plus,                                                               Tes écrits que je ne lirais plus,
Pour ces leurres qui ont brisé ma vie,
Tes regards qui ne sont plus les miens,                                                                    Pour ces flous qui ne ressemblent à rien,                                                          Tes absences, la raideur de tes mains,                                                                         Pour tes projets sans lendemain.                                                                                            
Je te dis que je pars.                                                                                               Je te dis que je pars.

Pour la main tendue qui n'est jamais venue,
Ce bonheur promis que je n'ai jamais eu,
Pour cet amour enfui et jamais revenu ;
Pour ce cœur meurtri qui saigne et n'en peut plus.
Je te dis que je pars.                                                                                         Je te dis que je pars.                                                                                             Je te dis que je pars.                                                                                           Je te dis que je pars.    
                                                                                         
Pour l'enfance disparue à jamais retrouvée,                                                 Cette souffrance que je n’peux pardonner,                                                                              
Ce rien qui me sépare du voyage vers la mort,                                                  Pour ne laisser ni peine ni remords,

Je te dis que je pars. Je te dis que je pars. Je te dis que je pars.

Je te dis que je pars

A song about changes
Thank you for listening-additional information here https://www.facebook.com/david.s.mccormack.9

Stranger At Your Door

about those nights where you can't sleep because you know something bad coming 

STH - Sleepless Nights

IVIC

🎵 Title: When Earth Fell
🎼 Composer: Michael Herter

🕒 Duration: 02:22
🐢 Tempo: Medium
🎻 Genre: Electronic / Cinematic / Soundtrack / 
🎧 Mood: Epic, Dark, Tense, Apocalyptic
🎬 Video: https://youtu.be/Je9-3uyUSDc

📝 Description

Experience the cataclysmic moment when humanity faces its extraterrestrial reckoning. “When Earth Fell” fuses sweeping cinematic orchestration with thunderous synth rhythms, creating a vivid soundscape of invasion and collapse. Brace yourself for an electrifying journey into the final hours of our world.

🎼 Key: D-Dur | Time Signature: 4/4 | Tempo: 115 bpm

Contains synthetic content, digitally generated.

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🙏 Thank you for listening!

CINEMATIC and EPIC

When Earth Fell

Woman in Blue

The Alchemist

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

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DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Horror Sacri

Dies Irae

A 90s new man called Stan - In a 60s phone booth

GENRE: METAL/DARK AMBIENT/HEAVY METAL FUSION 
LYRICS: ORPHEUS VECTOR 
VOCALS: AILEEN PARKS 
COVER: ORPHEUS VECTOR 

Velvet Night

VELVET NIGHT

performed and recorded in one take / no overdubs
2013

Mystiquence

Downloads: https://analoguetrance.bandcamp.com

The world is sound and sound becomes music!

Sounds and music with analogue and virtual analogue synths and music machines by 

AnalogueTrance!




Inspired by BerlinSchool, especially by KlausSchulze and TangerineDream and a lot of other musicians ...

Trance? - listen: “TRANCE FORMATION” (by Eberhard Schöner)

https://www.youtube.com/watch?v=2H_jJw3OZJA