Name: Bajuband Khul Khul Jaye - Raag Bhairavi - Ustad Fareed Ayaz & Ustad Abu Muhammad[1] by Athiran As Usual in Qawwali
Duration: 6 min 41 s
Description: Raag Bhairavi - Bajuband Khul Khul Jaye - Ustad Farid Ayaz & Ustad Abu Muhammad

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Qawwali

Aj Rang Hai (Traditional Qawwali) - by  nusrat fateh ali khan

Kangna HD, Fareed Ayaz & Abu Muhammad, Coke Studio Pakistan, Season 4 2

Begum Akhtar - Mere Humnafas Mere Humnawa

Yaad Piya Ki Aye....Bade Ghulam Ali Khan Sahab

Yad Piya ki Aye (Thumri)

Main To Piya Se Naina Laga Aayi Re - Nusrat Fateh Ali Khan

Farid Ayaz and Abu Mohammed sing 'Maula Maula' & 'Bhala Hua Meri Gagri Phooti' - Delhi 2006

Fareed Ayaz and Abu Muhammad, T2F
June 20, 2015

Har shab manam futada, Ba girde sarai e tou
 Har roz ah o nala kunam az barai e tou

every night have I fallen, around the circle of Thy tavern  
 every day, do I wail and cry, in yearning of Thee 

 Jana ba iin shakista dil-bewafa ma shou
 Umre guzasht ta shuda am aashina e tou

 O Love, turn not thy gaze from this broken hearted one  
 for a lifetime has been spent, in getting to know Thee  

Rozay ke zarra zarra shavad, ustakhan-e-man
 Ba shad hanoz dar dil-e-veesham hava e tou

 when my bones are nothing but shattered bits  
 may my heart carry on its quest of Thee 

 Bar hal-e-zar-e-man nazar-e-kun ze raahay lutf
 Tu Badshah-e-husni o Khusrau gada e tou

 Let thy Grace fall on my blighted self  
 Thou art the Lord of Grace, and Khosro but a begger of Thee 

Farsi to English translation ~ Farrokh Namazi, 

har shab manam futada ba grd e sara e tu - Fareed Ayaz & Abu Muhammad

Produced by Shabnam Virmani. 
This song was recorded in a project in search of Kabir Das.
This is edited version of the original.
Link : http://kabirproject.org/music%20with%20books/pakistan%20mein%20kabir

This version is my personal favorite: https://youtu.be/EWH3vxIYZcA
But its more of a documentary. So, filtering the music out is very difficult. The music starts at 4: 35.

Bhala Hua - Fareed Ayaz and Abu Muhammad

Rare Gems

Uski hasrat hai jise dil se mita bhi na sakoon

Nusrat Fateh Ali Khan - Yeh Jo Halka Halka Saroor Hai Full Qawwali

Mareez E Muhabbat Unhi Ka Fasana - Farid Ayaz & Abu Muhammad Qawwal

Raag Bhairavi - Bajuband Khul Khul Jaye - Ustad Farid Ayaz & Ustad Abu Muhammad

Bajuband Khul Khul Jaye - Raag Bhairavi - Ustad Fareed Ayaz & Ustad Abu Muhammad[1]

Bahauddin Khan Qawwal (1934-2006), whose party render the qawwali below, traced his lineage back to the days of Amir Khusrau. To remind centuries-yet-to-be that he had loved his murshid, Khusrau banded together twelve youngsters, personally trained them, funded them, and performed with them. He appointed Mian Saamat as the leader of the Bachche (Youngsters) Qawwal. Bahauddin's family claims descent from the Bachche.
The first couplet is by Saʿdī. Abū-Muhammad Muslih al-Dīn bin Abdallāh Shīrāzī, aka Saʿdī Shirazi (Persian: ابومحمد مصلح الدین بن عبدالله شیرازی‎; 1210-1292) was the major classical Persian poet of the middle ages, recognized for the quality of his composition and for the depth of his thought.
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Lryics: 
Guftam Ke Roshan Az Qamar Gufta Ke Rukhsar e Manst
Guftan Ke Shereen Az Shakar Gufta Ke Guftar e Manst
گفتم کہ روشن از قمر، گفتا کہ رخسار منست
گفتم کہ شیریں از شکر، گفتا کہ گفتار منست

میں نے پوچھاکہ چاند سے زیادہ روشن کوئی ہے،کہا کہ میرا رخسار
پوچھا کہ شکر سے میٹھی کوئی چیز ہے ،کہا کہ میری گفتگو ہے

I asked what is more beautiful than the moon, replied my cheeks
I asked what is far sweet than sugar, replied my words

گفتم طریق عاشقان، گفتا وفا داری بود
گفتم مکن جورو جفا، گفتا کہ ایں کار منست

پوچھا عاشقی کا طریقہ، کہا وفاداری
کہا کہ ظلم و ستم نہ کرنا ، کہا کہ  میرا کام ہے

I asked what lover may do, replied faithfulness
I asked please don’t be cruel and unfaithful, replied it is my style

گفتم کہ مرگ عاشقان ، گفتا کہ درد ہجر من
گفتم کہ علاج زندگی، گفتا کہ دیدار منست

پوچھا کہ عاشق کیسے مرتے ہیں، کہا کہ میرےفراق میں
پوچھا کہ زندگی کا علاج کیا ہے،کہا کہ میرا دیدار ہے

I asked what is the cruel death, replied the pain of living without me
I asked what is a healthy life, replied gazing at me

گفتم بہاری یا خزاں ، گفتا کہ رشک حسن من
گفتم خجالت کبک را، گفتا کہ رفتار منست

پوچھا کہ بہار اور خزاں ،کہا کی میرے حسن پر رشک
کہا کہ قمر کی شرمندگی ،کہا کہ میری رفتار ہے

I asked what is spring and autumn, replied fragments of my beauty
I asked what makes partridge ashamed, replied my walking style

گفتم کہ حوری یا پری، گفتا کہ من شاہ جہاں
گفتم کہ خسرو ناتواں، گفتا کہ پرستار منست

کہا کہ حور ہے کہ پری،کہا میں سارے جہان کا بادشاہ
پوچھا کہ غریب خسرو،کہا کہ میرا پرستار ہے

I asked what are you poplar or fairy, replied I am lord of beauties
I asked about KHESRO feeble, replied he is my lover
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In his Lectures on Aesthetics, Hegel wrote: 

Pantheistic poetry has had, it must be said, a higher and freer development in the Islamic world, especially among the Persians ... The full flowering of Persian poetry comes at the height of its complete transformation in speech and national character, through Mohammedanism ... In later times, poetry of this order [Ferdowsi's epic poetry] had a sequel in love epics of extraordinary tenderness and sweetness; but there followed also a turn toward the didactic, where, with a rich experience of life, the far-traveled Saadi was master before it submerged itself in the depths of the pantheistic mysticism taught and recommended in the extraordinary tales and legendary narrations of the great Jalal-ed-Din Rumi.

Guftam Kay Roshan Az Qamar | Amir Khusrau | Bahauddin Khan | Lyrics+translation in description

Kadi Aa Ve Maahi Gal Lag Ve
Poet: Khwaja Ghulam Fareed
Recital: Javaid Niazi & Babar Niazi
Tabla: Amoos Khan, Dholak: Waheed   
The Dream Journey sessions #DJ2020 #Kaafi

Filmed on location in Islamabad, Pakistan

Sons of the legendary Tufail Niazi, Javed and Babar Niazi have been performing to national and international acclaim for more than three decades. They belong to the Kapurthala Gharana.

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Some of the musicians are established and famous, others are among the brilliant budding talent that adorns Pakistan’s musical scene. Each of the mehfils has a distinct atmosphere and mood, but there is a common thread. We asked each of the musicians to stay close to their respective inherited musical traditions, allowing the singers an opportunity to present some pieces that are rarely heard today.

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Bajuband Khul Khul Jaye - Raag Bhairavi - Ustad Fareed Ayaz & Ustad Abu Muhammad[1]

Athiran As Usual

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