Name: Keep it real by Imre Mészáros(Athmoss) in Fly Fly Fly ⭐🌠🌠🚀🛰
Duration: 4 min 9 s
Description: This song was created exclusively with the Kv331 Synthmaster plugin, except the drums. own composition, all rights reserved.

I like the bright bounciness of this track

Fly Fly Fly ⭐🌠🌠🚀🛰

Here is all you need to know about our new single “They come for you”:

The new single has been in the works for quite some time, and although the events that inspired it are now a thing of the past, the theme itself is timeless. People who gain power often abuse it, and the average person, the patient, hard-working, ordinary man, after a while can’t take it any longer and raises his voice, getting louder and louder, until he finally takes up arms and brings justice to himself. This has happened many times in history, and human nature is unfortunately so predictable that we can say with certainty that there will be more of this in the future.



The events in the US in the first half of 2020, the chaos, the protests, the increased police brutality, the whole situation has been deeply disturbing for me. Leaders who, instead of facing up to the problems and trying to find solutions, have been unscrupulous in lying, trying to shift all the blame and silence the peaceful protesters, on the streets with tear gas and rubber bullets. It all seemed so surreal in the 21st century. It occurred to me that it was like something that happened in the Middle Ages when the rich could do anything and nobody held them accountable because they had enough wealth to be above the law.

And so the song They come for you was born, at once telling a story from the dark ages, yet using radio messages from today’s world. 

www.athmossmusic.com

They come for you

Escape To Nowhere

Buy on iTunes

Keep it real

When your 6 feet deep underground your 86d 
When the restaurant runs out of something its 86d

86D Prod. AudiOFlame

Thought The World Was Real (Prod. SouL Muzick & PACMAN)

Production & Mix @soulmuzick13 
Production @pacman-mic-mastery
Cover art @time2cclear

We appreciate you listening!

Free Tape on Bandcamp!

Thought The World Was Real (Prod. SouL Muzick & PACMAN)

Certified To Bring Heat ft. Cyba & Mrs. Rhymes (produced by Yung Zif).

FREE DOWNLOAD @ https://audiomack.com/album/rippin-rhymes/worldwide-homicide-1

Certified To Bring Heat ft. Cyba & Mrs. Rhymes

Worldwide Homicie ft. Killaform, Guns, M - Acculate & Mrs. Rhymes.

FREE DOWNLOAD @ https://audiomack.com/album/rippin-rhymes/worldwide-homicide-1

Worldwide Homicie ft. Killaform, Guns, M - Acculate & Mrs. Rhymes

Mrs Rhymes - Flying High ft. Cyba (produced by D-Low Beats).

Hook:
I'm flying high, so high that 
I can reach the sky,
they can't bring me down, 
I will survive,
no matter what they say,
I'm gonna live my life.

Flying High ft. Cyba

There are times in everyone’s life when everything seems to go in the wrong direction,   and you find yourself wondering "Why everything is going wrong at the same time?". "All those years" is a song about starting over. It's about when the hard times come crashing down and you need someone to lean on, a partner to share the ups and downs with,  because the pressure is too high to keep up alone. This feeling is familiar to all of us, and we know how lucky those people are, who have someone by their side in those desperate moments. 

 We don’t always see them, but we know they’re always there.

All those years

We, just all hope, that HE knows WHO "Him" is, Right ?
"Him"..."Sometimes, I Think of Him"

I know that he's a married man, but every now and then,
I think of how he loved me, and how it might have been,,,
I know I should fight it, it's hard for me to write it, 
But Sometimes, I Think of "Him".

I heard he moved  to Boston; how he loved the open seas,
To that Historical Old Fashioned, back then he chose for me.
I know I'm just a memory, of all that could have been,
I wonder if he thinks of me, I think of him.
Now I know that you love me, and it might be a sin, 
But Sometimes,...I think of him.

I think about his children, now, I wonder if they sing,
to the strums of his guitar, the way he played for me?
If only I had spoken, when he asked me for my hand,
I was young and shy back then,,,, I wanted him for my friend.
Now I know, that you love me, and it might be a sin,
But Sometimes,....I Think of Him.

"Sometimes,... I think of Him"  ( For the Ladies at my Class Reunion!)

Yep-This is the same chorus to "Sometimes, I Think of Him!" but I figured for every gal who's thinking of "Him", there's a guy also thinking of "Her!" So now I have a "Him" song, and a "Her" song, from two different points of view ? I just can't sing like a guy-but my morning ALTO is pretty close, yes ? I never sing in the morning! Love to hear this sung three different ways even as a blues song! Who knows-maybe someday!
  "Forgive me Love, Sometimes,  I  Think of Her."  

I can see  HER, running,  mer-r-ily...    (out) dancing in the wind.

I feel HER loving kindness...        in a love I could never win.

Her fleeting,  (and)    flirting spirit ....in a love I called my own,

Left  me  helpless, (and?) ....weir-i-ly  ....(sadly?)   alone. 
 (or weary and alone?)
(derived from the word "weary")


TWO:

Sometimes   I feel HER close to me, when I hold YOU in my arms!

But it doesn't seem to matter...for YOU have all HER charms.

Love,.. it holds no boundaries, and grows on us, in time.

Lust  and Love are   dif-f-er-ent....(&) so,  I made YOU mine.

("Lust" in French might be more syllables ??) 

CH:  I know you love me,
        ( Sometimes OR "You know,") The past is just a blur    
       (a faded memory-a " blur" as in "unclear" )
         Forgive me Love,
         Sometimes I think of HER 



THREE: 

I can see her, running,  mer-r-i-ly...  (out...) .. .dancing in the wind.

I feel her loving kindness...        in a love I could never win.

Her fleeting,  (and)    flirting spirit ....in a love I called my own,

Let me helpless,....(and?)  wear-i-ly ....(sadly?)   alone.  
(or weary and alone?)


CH:  I know you love me,
         You know? or "Sometimes..." The past is just a blur  
         (a faded memory-a " blur" as in "unclear" )
         Forgive me Love,
         Sometimes I think of HER 

Copyrighted 2016 by Illinois Harmony Connection (FredGold&LyndaFaye)

"Forgive me Love, Sometimes,  I Think of Her"

In the children's  musical, "Honey", the main character is taken on a visitation to the Baby Jesus, by a BEAUTIFUL SPIRIT whose name happens to be , "Christmas Eve", (unlike the spirits depicted  in Uncle Scrooge's saga!) I didn't quite like the reference to the "Angry Heart", but I'd read in the Bible a passage about that concept, and thought I'd include it for the ADULTS in the musical---Even in the Angry Heart, HIS love is "crying out" give us serenity, and peace."
This coordinates with the song "The Valley of the Shadow of Death", too, and it's not scary, either! Have to get back to church to finish this musical! (LyndaFayeSmusic@gmail.com) still seeking some spiritually endowed collaborators.

Christian (Honey Visits with Christmas Eve) musical

Jesus is Everywhere (From the Children's Musical ) "Honey Visits With Christmas Eve"

This is a song sung by the children, I call it "Childrenized" versions of adult songs; From "Honey Visits With Christmas Eve", "With" as views tend to think it's a "Christmas " song, and it is not. It is/was/ based on, however, some great advice from the Bible-that I shall admit, dont' think "My Dear Lord" would be offend by that. (Collaborators?) LyndaFayeSmusic@Gmail.com.

"The Lord is my Shepherd" Childrens Gospel from "Honey Visits With Christmas Even"

Cecilia came to my song title "Her", (Sometimes I Think of Her) and her comment encouraged me so much on that song, that I pulled this one out of the archives-as it's a "Sort of Talk-Sing-Song" too!  Back in the days when Jim Varney and his "Agent" (were headed for their initial visit to the 
William Morris Agency ) and pulled up into my  driveway with that big old Chrysler, it was Joe Liles's favorite song, and he kept asking me to sing it for his friends! It has a special meaning to me, because Joe and I were engaged for several years. He used to get up at 4 A.M to drive over to North Hollywood, from my house in Simi Valley, to get Jim on the set of "Operation Petticoat", and we made several trips to the Laff Stop and the Comedy Store in my old Dodge Dart, because it used less gas! I was astounded to see that Joe had passed away; and knew prior to that about Jim's passing-that must have been tough on him-He was a real Gentleman and a Scholar. His obituary said he'd been a private investigator-but I knew he'd worked at a whole lot more than just that! He advised me that when he was an insurance salesman years ago, to "always look for what is NOT there, to find the facts", and I'd say, "OH, like in Jazz and Rhythm and Blues, the RESTS "allow" the messages to get across! He'd say "Yep"...Jim and I always argued about "who lives longer, writers or performers ?"  And one of our major topics of conversation was, "Do writers LIVE to write, or do they WRITE to LIVE? haven't answered that one yet, but it appears that performers who struggle as Jim did , to get his message out, might have lost the debate about "performers versus writers ?"  Well, WE live on, but I sure miss those guys---RIP---Both of 'em!!  Cecelia, this one's for you, now! Thanks again!

"Until" (Until it's time for me to go) I call these "Talk-Songs" Lynda's solo with Harmony)

I apologize to both Elvis and Roberta Flack (in advance) on their so "wel-recorded"versions of these beautiful lyrics. But both of their recordings seemed to have a sort-of "hold back" on "expression" that they are normally so exquisite with. The melodies were distorted in both-that would have been OK, but I'd think the composer would have been a bit offended. Roberta's "The First Time , Ever I Saw Your Face" was so well-performed-Why "Hold back" , and "reconstruct" a song that was so beautiful as this one ? It's as if their producers were FORCING them to sing the song-That, perhaps they didn't even LIKE what they were told to sing! Listen to them very carefully, and see if you don't "Hear" the unnatural abnormal deliveries of the voice; Of course the backups were all superb. And Buffy ? Well she obviously "loved" the song, loved her lyrics immensely,  and gave it her best.Thanks to all of the great compliments, but I KNOW now, the guitar wasn't quite in tune-Surprised I got through it at all, had a bad sore throat and cough too (Think they call it the flu!) a recent recording, but I wanted it on SoundCloud, because I only recently found out that Joe Liles had passed away, and this was his favorite song-his friends too. Popped the P on "Promise forever" sorry! I'll try to rerecord it in a couple weeks!

 Cecilia came to my song title "Her", (Sometimes I Think of Her) and her comment encouraged me so much on that song, that I pulled this one out of the archives-as it's a "Sort of Talk-Sing-Song" too!  Back in the days when Jim Varney and his "Agent" (were headed for their initial visit to the 
William Morris Agency ) and pulled up into my  driveway with that big old Chrysler, it was Joe Liles's favorite song, and he kept asking me to sing it for his friends! It has a special meaning to me, because Joe and I were engaged for several years. He used to get up at 4 A.M to drive over to North Hollywood, from my house in Simi Valley, to get Jim on the set of "Operation Petticoat", and we made several trips to the Laff Stop and the Comedy Store in my old Dodge Dart, because it used less gas! I was astounded to see that Joe had passed away; and knew prior to that about Jim's passing-that must have been tough on him-He was a real Gentleman and a Scholar. His obituary said he'd been a private investigator-but I knew he'd worked at a whole lot more than just that! He advised me that when he was an insurance salesman years ago, to "always look for what is NOT there, to find the facts", and I'd say, "OH, like in Jazz and Rhythm and Blues, the RESTS "allow" the messages to get across! He'd say "Yep"...Jim and I always argued about "who lives longer, writers or performers ?"  And one of our major topics of conversation was, "Do writers LIVE to write, or do they WRITE to LIVE? haven't answered that one yet, but it appears that performers who struggle as Jim did , to get his message out, might have lost the debate about "performers versus writers ?"  Well, WE live on, but I sure miss those guys---RIP---Both of 'em!!  Cecelia, this one's for you, now! Thanks again for your encouragement! I know my guitar track is a bit spastic! Best I could pull off, on Audacity!

"Until" ("Until it's Time for You to Go") The solo ,Thanks to Buffie St. Marie! Wish I'd written it!

This is the second movement of a very personal composition.
Ideas and themes 1979, written down in January 2019.
Substantially I used 2 themes which I found as a teenager. I hesitated to use it. But while at work it was interesting to remember that time. This time the form became not complex.

"Reminiscence" Concerto for piano and orchestra (1)in a-minor Mvt.2

An artist with love for music!!! I appreciate and support all types of music  artists all are unique in their own way.

"I don't like loud mixes. Everyone has a volume slider on his machine. I focus on dynamics rather than loudness"

Athmoss (Imre Meszaros) is an East European rock singer-songwriter. He was born in Transylvania, Romania, or what he describes as “…the magical spirit of that ancient land is a part of his soul”. Athmoss started to learn music at the age of 5, at first accordion, then later switching to piano and synth. His music career began in 1997, with his first album “Én a Hentes vagyok!”, followed by another two albums during the next three years: “Egyedül” and “Mindig fáj”.
He mixes and produces his own music in a variety of genres, that goes from classical to rock and electronic music. He also spent some years working as a Radio DJ as well as in the visual media audio post-production sector. Since 2013 he lives with his wife and his two daughters in Frankfurt, Germany, and collaborates with many artists from all over the world.



Keep it real

Imre Mészáros(Athmoss)

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