Siggu don't want no one dancin above him ok?

Dancin Above Me (ft. Siggu)

Yoon

Format: Download | Releasedate: 17.07.2015

It was late last fall when “Walk On”, the sophomore solo album by musical allrounder Arnold Kasar came out. Now, almost a year later, five of the twelve album tracks have been reworked and remixed over the last few months by a selected armada of DJs and producers from within or with close bonds to the Sonar Kollektiv family circle. 
The selection of these reconstructors here at work couldn't have been more diverse and hence more thrilling. Starting with Polish producer Guiddo (one half of the Sonar Kollektiv act Manhooker) carving “Dawning” – in the vocal as well as in the instrumental mix – into a Balearic gem straight out the mid-eighties. 
Also closely connected to Sonar Kolletiv for quite some time now is Moscow producer and whiz kid Phil Gerus, currently based in Tokyo. Previously known for his chillwavy, glitch downbeat, this time round Gerus turns “Dance To The Mallet” into a proper house tune with the common breakdown and 808 hi-hats. The same track has also been reworked by Pitto from Utrecht, Japanese producer Kazuki Yamaguchi aka Kez YM and Venice based DJ/producer Albert Marzinotto. Contrary to Phil Gerus, Pitto hauls Lisa Bassenge's (singer of the legendary Sonar Kollektiv act Micatone) voice completely to the foreground and accompanies her with vibes and a pulsating beat. It's in the same fashion Marzinotto gets to work, but his remix is directed more openly to the dancefloor, equipping it with a Chicago House aesthetic. Kez YM's remix pushes back Bassenge's vocals again, using them primarily as an euphoriant effect in this choicest deep house track.
On the other hand the remix for “Gone” by Robot Koch has nothing to do with club music. Here it's Arnold Kasar's voice duetting with Susan Pawlak which is sprinkled very cautious into  Koch's sombre dub electronics. For “So-Called Lover” we have Paskal & Urban Absolutes, Al Lindrum and Tubbe contributing three fantastic remixes. Whereas the one by Tubbe only partly uses the original material as a template, but still succeeds to deal fairly with Kasar's lyrics and therewith conjures almost a new song up out of nothing. To close this remix package rich in variety Paul “Snax” Bonomo attaches a finale like a thunderbolt. His remix (BonomoLeMagass) for “Masquerade” (somehow connects all the loose joints of every form of house music of the last 30 years. That's why there's also the dub version included, paying tribute to Acid House furthermore. This alone is worth the purchase of this brilliant collection. 

https://soundcloud.com/kasar
https://soundcloud.com/robot-koch
https://soundcloud.com/paskal-1
https://soundcloud.com/tubbe
https://soundcloud.com/albertmarzinotto
https://soundcloud.com/putputrec
https://soundcloud.com/philgerus
https://soundcloud.com/justpitto
https://soundcloud.com/kezym
https://soundcloud.com/snax
https://soundcloud.com/mavin


Walk On Remixed

So-Called Lover

iTunes

10 - Kasar - So Called Lover (Al Lindrum Remix)

En 1965, Steve Reich réalise une avancée formelle majeure dans son travail de composition avec It's Gonna Rain qui fut cependant en partie le fruit du hasard. 
Exploitant dès lors volontairement le principe de phasage/déphasage des bandes magnétiques, il décide de raffiner le procédé. Il compose, sur commande, une pièce en soutien aux « Harlem Six », un groupe de six jeunes afro-américains arrêtés et inculpés collectivement pour un meurtre commis lors des émeutes de Harlem de 1964. 

L'ensemble du groupe fut jugé coupable et battu par la police, alors que seul l'un d'entre eux était l'auteur du crime. Truman Nelson, un militant du mouvement des droits civiques, confie à Steve Reich dix heures d'enregistrements des témoignages de jeunes gens, le laissant libre de les utiliser à sa guise comme source de création musicale primaire.

La pièce est ainsi basée sur la phrase « I had to, like, open the bruise up and let some of the bruise blood come out to show them ». 

Cette phrase prononcée par Daniel Hamm, un des garçons impliqués dans les violences mais innocent du meurtre dont il était accusé fait référence au fait qu'il ait dû faire saigner ses bleus pour convaincre de l'importance de ses blessures.

Steve Reich x Nicolas Jaar - Come Out (Athori Remix)

Booty Bay is a large pirate town on the southern tip of The Cape of Stranglethorn.

Artwork;
https://6kart.deviantart.com/

Booty Bay EP

Download

Booty Bay

Dima Ustinov - Dark Horse (Betelgeize Remix)

lyrics

I go, you know
you go, I know
sorrow for the universal soldier
I told you
you'll never hit the truth
crawling fiddled nation
convinced by the youth
an explanation
the renarration goes & rolls & strolls & slows down
till it hits the ground
beneath the surface
it's your face and my face
so let's create a new wave!
and I'm telling you

well I'd rather be bold as love
and you won't make us weak
and girl why don't you know my name
Jane I promise you they won't make us weak

they know, we go
we know, they go
hollow
like your promise to our folk yeah?
you're not there
you're not here
oh I wanna sing this song to you girl
so please listen to me!
I got to say to all the devil sore
well I'll come and I'll go!


all rights reserved

Colour Your Mind Wonder 16Bit

new wave

Move (Cover) Live@ Papiersaal Zürich 2009

pay what you want.

Mente Orgánica - Wir Sind Schon Da [TNLSNGL006]

An album like this should be wrapped in gold, with shooting star accents and served on a rose bedecked saucer.This is Ying and Yang, Laurel and Hardy, spaghetti and tomato sauce, it is: everything. And never nothing. In the club cellar it is potent dynamite and by the light of day it belongs to a souled passion, in quiet moments at home.
"The Gold Retrospective" is the essence of five musical experiments, extending the work of Monsieur Kadebostan on the labels FENOU and Freude am Tanzen.

Eine Platte wie die diese gehört selbstverständlich in Gold verpackt, mit Sternschnuppen garniert und auf Rosenplattenteller gebettet. Sie ist Ying und Yang, Laurel und Hardy, Spaghetti und Tomatensosse, sie ist: alles. Und niemals nichts. Im Clubkeller reinstes Dynamit, bei Lichte gehört beseelte Musikleidenschaft, in stillen Stunden daheim auch feines Sehnsuchtsleuchten.
"The Gold Retrospective" ist die Essenz aus fünf Jahren musikalischer Tiefenbohrung, die Monsieur Kadebostan nun schon bei den Labels FENOU und Freude am Tanzen unternimmt.



The Gold Retrospective 2007-2012

Mother Cries

Kadebostan - Mother Cries

Herhangi - Le Soleil 
created by herhangi

Herhangi - Le Soleil

DJ / Producteur - Résident pour les établissement Costes


